Another feature to boost re-playability is the manual drift. All Mario Kart games had a power-slide around corners. In this one they give the choice of this drift being automatic or not. If you set it to automatic you don't get mini-boosts around corners. If you set it to manual you have to time when the slide starts but it is much more difficult than past games. It gives experienced players something extra to work on but doesn't seem unfair when somebody can drift manually well.
Ganon, also known as Ganondorf in his humanoid form, is the main antagonist and the final boss in the majority of The Legend of Zelda games. In the series, Ganondorf is the leader of a race of desert brigands called the Gerudo, which consists entirely of female warriors save for one man born every one hundred years. He is significantly taller than other human NPCs, but his looks vary between games, often taking the form of a monstrous anthropomorphic boar. His specific motives vary from game to game, but most often his plans include him kidnapping Princess Zelda and planning to achieve domination of Hyrule and presumably the world beyond it. To this end, he seeks the Triforce, a powerful magical relic. He often possesses a portion of the Triforce called the Triforce of Power, which gives him great strength. However, it is often not enough to accomplish his ends, leading him to hunt the remaining Triforce pieces. Unlike Link, Zelda, and most other recurring characters, he is actually the same person in every game, with the exception of Four Swords Adventures, where he is a reincarnation of the original. In each game the battles with him are different and he fights using different styles. The game Skyward Sword indicates that Ganon is a reincarnation of an evil deity known as Demise.
The central conflict in many Final Fantasy games focuses on a group of characters battling an evil, and sometimes ancient, antagonist that dominates the game's world. Stories frequently involve a sovereign state in rebellion, with the protagonists taking part in the rebellion. The heroes are often destined to defeat the evil, and occasionally gather as a direct result of the antagonist's malicious actions.[3][74] Another staple of the series is the existence of two villains; the main villain is not always who it appears to be, as the primary antagonist may actually be subservient to another character or entity.[3] The main antagonist introduced at the beginning of the game is not always the final enemy, and the characters must continue their quest beyond what appears to be the final fight.[74]
Mega Man has been slightly buffed in the game's updates. In 1.0.4, much like Wario, his grab release was altered to remove guaranteed combos several characters had on him out of an air release. Besides this, he only received minor buffs to his Leaf Shield, but in update 1.1.1, he had the speed of his Ice Slasher and Hyper Bomb custom specials slightly improved as well, along with a slight increase to Hyper Bomb's power and splash damage. However, the changes to shield mechanics make some of his projectiles, most notably his forward smash, less safe on shield due to their low hitlag.

Though the Gerudo people had originally been against Urbosa becoming a Champion, after her death and Zelda's sealing of Ganon, they chose to remain loyal to Hyrule and as a result Riju and her bodyguard Buliara aided Link a century later out of respect for Lady Urbosa and Princess Zelda whom through Impa had tasked Link in freeing Vah Naboris. Though Riju had only heard of Zelda through legends, she respected her and the two even share similar backgrounds as Riju lost her mother forcing her to bear the burden of becoming Gerudo Chieftain. Riju even recognized the Sheikah Slate Link carried had belonged to Zelda previously showing she is well informed. Riju however like Zelda ultimately proves herself a capable leader despite her own doubts with Link's help. Presumably after Ganon's defeat, Zelda and Riju would work together to rebuild Hyrule and might even bond over their similar backgrounds.
The developers had originally planned to use a famous vocalist in the ending of Final Fantasy VII, but the plan didn't go through due to being too abrupt, and there was no suitable theme in the story for a vocal song to suddenly come up in the ending. This idea was realized in Final Fantasy VIII whose "Eyes On Me" has a meaning in the plot and it relates to the game's main characters.[19] Uematsu went on to compose vocal theme songs for the main series games Final Fantasy IX, Final Fantasy X, Final Fantasy XII and Final Fantasy XIV, even though he didn't otherwise participate with Final Fantasy XII, its soundtrack being composed by Hitoshi Sakimoto.
Stories in the series frequently emphasize the internal struggles, passions, and tragedies of the characters, and the main plot often recedes into the background as the focus shifts to their personal lives.[23][75] Games also explore relationships between characters, ranging from love to rivalry.[3] Other recurring situations that drive the plot include amnesia, a hero corrupted by an evil force, mistaken identity, and self-sacrifice.[3][76][77] Magical orbs and crystals are recurring in-game items that are frequently connected to the themes of the games' plots.[74] Crystals often play a central role in the creation of the world, and a majority of the Final Fantasy games link crystals and orbs to the planet's life force. As such, control over these crystals drives the main conflict.[74][78] The classical elements are also a recurring theme in the series related to the heroes, villains, and items.[74] Other common plot and setting themes include the Gaia hypothesis, an apocalypse, and conflicts between advanced technology and nature.[74][76][79]
Guinness World Records listed 6 records set by the Mario Kart series, including "First Console Kart Racing Game", "Best Selling Racing Game" and "Longest Running Kart Racing Franchise". Guinness World Records ranked the original Super Mario Kart number 1 on the list of top 50 console games of all time based on initial impact and lasting legacy.[13]
Four Swords Adventures includes two gameplay modes: "Hyrulean Adventure", with a plot and gameplay similar to other Zelda games, and "Shadow Battle", in which multiple Links, played by multiple players, battle each other. The Japanese and Korean versions include an exclusive third segment, "Navi Trackers" (originally designed as the stand-alone game "Tetra's Trackers"), which contains spoken dialogue for most of the characters, unlike other games in The Legend of Zelda series.
Long long time mega man fan. It's by far my favorite series. 2 and 9 have been my 2 favorites, but 1...1 may have just move to the top. I absolutely love this game. Capcom nailed it. I feel like they really need to do MM2 with this art style and play control. The game looks beautiful! Definitely buy this game. The gear system is amazing, all the weapons are great and very useful. Great game to speedrun, can't wait to see where this goes! See More

When transitioning to the 32bit era, Square began to develop games in 3D. A tech demo in 1995 using Final Fantasy VI characters, Final Fantasy VI: The Interactive CG Game, showed the kind of technology they were using. Square opted to develop on the PlayStation, as opposed to the Nintendo 64 as originally intended, due to its use of disc storage instead of the more limited cartridges,[20] and the game still required three discs of storage. Final Fantasy VII was the most expensive game at the time to develop, costing $145 million,[21] though $100 million was spent on marketing.[22] It used pre-rendered backgrounds and character models instead of 2D sprites, in addition to introducing full-motion video sequences. Character models used on the field and those in battle differed, with blocky and less detailed models used on the field. When developing Final Fantasy VIII, Square Enix opted to use a more photo-realistic style, and there was no longer a distinction between field and battle models. The game used more FMVs, and required four discs of storage. Final Fantasy IX was similar, and though its art style was not one of a photorealistic game, it did allow for greater detail than seen previously in the series.
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In most Zelda games, the player's life meter is represented as a line of hearts. The life meter is replenished a number of different ways, including picking up hearts left by defeated enemies or destroyed objects, fairies or springs located in specific locations, or consuming items such as potions or food. Fairies can be kept in bottles and act as extra lives, reviving the player if they run out of hearts. Players are able to extend their life meter by finding heart-shaped crystals called "Heart Containers". Full heart containers are usually received at the end of dungeons and dropped by the dungeon boss. Smaller "Pieces of Heart" are awarded for completing certain side quests or found hidden around the game world in various places, and require a certain number (usually four) to form a full heart container.
Recorded in March 2017 at the famed Dvorak Hall of the Rudolfinum in Prague (Czech Republic) and at AWR Music Studio in Chicago (USA), the Distant Worlds Philharmonic Orchestra and Chorus, under the direction of GRAMMY Award-winning conductor Arnie Roth, delivers the precision and richness that are the hallmark of this monumental series of recordings.
I feel its nice because based on the upgrades you buy you can make the game as hard or mind numbingly easy as you want. Which I don't really think is a bad thing at all. Making a game accessible to new players is done by doing just that. Making it accessible to a range of skills of platforming not adding a battle royal to Mega Man just cause that's what the kids are doing at the moment. (Man... Still sounding old and grumpy...)

More than 100 Shrines of Trials to discover and explore - Shrines dot the landscape, waiting to be discovered in any order you want. Search for them in various ways, and solve a variety of puzzles inside. The tasks you must perform in each Shrine varies, and you'll never expect the challenges you'll face until you enter. Some will involve realistic physics, and some will require you to harness the power of nature, including electricity, wind, fire, and more. Work your way through the traps and devices inside, utilizing your runes and think outside the box to earn special items and other rewards that will help you on your adventure.
The Wind Waker presents Zelda in a secret identity as Tetra, a female pirate who leads a small group of thieves after the death of her mother.[114] Tetra, however, is even unaware herself of being part of the royal bloodline, and this is a first occurrence for The Legend of Zelda series.[115] Despite this, the female pirate is aware of the existence of Hyrule, the Master Sword, and the legend of the Hero of Time. Tetra's identity as a descendant of Princess Zelda is revealed when she travels with Link to Hyrule Castle, beneath the Great Sea.[22]

Der nächste Meilenstein erschien im Jahre 1998 für den Nintendo 64: „Ocarina of Time“ bot erstmals 3D-Grafik. Des Weiteren ist von diesem Zeitpunkt an die namensgebende Okarina ein weiteres Markenzeichen der Serie. Mit „The Wind Waker“ erschien 2003 der erste Ableger für den Gamecube, in dem man nicht in Hyrule, sondern auf einer Inselwelt unterwegs ist. Darauf folgte 2006 ein weiteres Zelda im alternativen Gewand: In „Twilight Princess“ für Gamecube und Wii lernt der Spieler eine neue Prinzessin Zelda kennen und kann Link auf Knopfdruck in einen Wolf verwandeln.
Our best Ocarina of Time sage tournament continues with the first match-up of the Semi-Finals. After all the craziness of Round 1, Zelda and Impa face off. Zelda Vs. Impa Zelda, the princess of Hyrule, makes her long-awaited debut in the tournament. We meet young Zelda as a child in OoT, learning of her prophecy regarding the kingdom of Hyrule, the Sacred Realm, and Ganondorf’s threat. Her and Link quickly concoct a plot to nab the three Spiritual Stones and…
Spirit Tracks features several moments that can be interpreted romantically. Early in the game during the Graduation Ceremony, Zelda walks into the room in front of Link, who is bowing down respectfully. Link then looks up and gasps, blushing at her in amazement. He is then scolded by Chancellor Cole for raising his head without permission. Later, when Zelda's spirit is separated from her body following the first encounter with Chancellor Cole and Byrne, Link is the only one who can see her besides the Lokomos, demonstrating a clear and strong bond between himself and the Princess. After Zelda and Link defeat Byrne in the Tower of Spirits, Byrne, disbelieving, comments that he was beaten by two mortals. Zelda, while still possessing a Phantom, says that when she and Link combine their strength, no one can defeat them. Link turns to her, surprised. The background turns white and Zelda's Lullaby plays as they both laugh and high-five, gazing at each other all the while.
Multiple members of the game industry have expressed how Zelda games have impacted them. Rockstar Games founder and Grand Theft Auto director, Dan Houser, stated, "Anyone who makes 3-D games who says they've not borrowed something from Mario or Zelda [on the Nintendo 64] is lying."[194] Rockstar founder and Grand Theft Auto director Sam Houser also cited the influence of Zelda, describing Grand Theft Auto III as "Zelda meets Goodfellas".[195] Ōkami director Hideki Kamiya (Capcom, PlatinumGames) states that he has been influenced by The Legend of Zelda series in developing the game, citing The Legend of Zelda: A Link to the Past as his favorite game of all time.[196] Soul Reaver and Uncharted director, Amy Hennig (Crystal Dynamics, Naughty Dog), cited Zelda as inspiration for the Legacy of Kain series, noting A Link to the Past's influence on Blood Omen and Ocarina of Time's influence on Soul Reaver.[197] Soul Reaver and Uncharted creator, Richard Lemarchand (Crystal Dynamics, Naughty Dog), cited A Link to the Past's approach to combining gameplay with storytelling as inspiration for Soul Reaver.[198] Wing Commander and Star Citizen director, Chris Roberts (Origin Systems, Cloud Imperium Games), cited Zelda as an influence on his action role-playing game, Times of Lore.[199]
The games in the series have sold a combined total of over 100 million copies worldwide,[13][14] with Mario Kart Wii as the best-selling entry, at 36.83 million.[15] Nintendo assigned the Player's Choice marking label to all four of those Mario Kart games that were in existence during its time, and its successor label, Nintendo Selects, was given to Mario Kart Wii in Europe and Oceania.
Arcade Machine Mario Kart Arcade GP 2 was released to arcades in 2007/2008. It features the same playable characters as its predecessor, but also adds Waluigi and crosses over Mametchi from the Tamagotchi series (the former being previously playable in the main Mario Kart series, and the latter making their only Mario appearance overall). This game also introduces unique karts for each character, as in the main games from Mario Kart DS onward; more items unseen in the normal installments; and color commentary, which can be toggled on or off at any time prior to starting the race.
Mega Man 11 isn't perfect. It isn't a severely flawed game, but some of its flaws can really stand out. For the most part the level design is really good. There are many moments that encourage players to use the double gear system and the levels are lengthy enough that they can keep you busy. The difficulty of some levels, however, is definitely going to get to some players. For the most part any screw ups are your own, but there's a lot of trial and error in learning some of the levels, and even worse is that Mega Man 11 has a limited life count. If you get a game over it's back to the beginning of a level for you. The levels put up a great challenge, but their length and (in some levels) hazards can make starting the entire thing over again feel like a test in frustration. Even Mega Man veterans will have to slow down and really take time to learn these levels.
Battle systems have varied with the majority being menu-based with variants on turn-based combat, though others use action-based combat systems. Earlier installments have instanced battles based on random encounters while roaming the world map, while some later games (beginning with Final Fantasy XII in the single-player main series games) have free-roaming enemies that are engaged without transition. Battle commands typically feature a basic physical attack with the equipped weapon(s), a magic skillset (with magic spellsets featuring a tiers naming system), other special command abilities (such as Steal or Throw, or a skillset such as summoning monsters), and a set of items, though the player may also try to flee from many normal encounters. The characters normally have an HP and MP stat (though some games ignore MP), where HP determines the damage characters can take before they are KO'd while MP determines how many spells or other abilities a character can use. Most games also feature elements and status effects, nuances which can affect the course of a battle, with enemies and allies using them to attack and exploit each other's weaknesses and/or to defend themselves, as well as to prepare for an upcoming encounter.

In addition, Nintendo celebrated the 25th anniversary of The Legend of Zelda game by releasing a Zelda game for all its current consoles in 2011: Link's Awakening in the 3DS's Virtual Console on June 7, Ocarina of Time 3D for the 3DS in mid-June, Four Swords Anniversary Edition[90] from September 28, 2011, to February 20, 2012, as a free DSiWare download and Skyward Sword for the Wii, which was released on November 18, 2011, in Europe; on November 20, 2011, in the United States; and on November 24, 2011, in Australia. A limited edition Zelda 25th anniversary 3DS was released on December 1, 2011, in Australia.[91]


At that moment, the Ritos Quill and Prince Komali fly through the open windows, grab Link and Tetra, and fly off. Link then takes Tetra to ancient Hyrule beneath the Great Sea, where the King, Daphnes Nohansen Hyrule, reveals that she is the last descendant of the Royal Family. She then receives the other half of the Triforce of Wisdom, revealing her true identity as Princess Zelda. She hides in Hyrule while Link embarks on another mission. Once Link completes this mission, Zelda is kidnapped by Ganondorf, who takes her to his tower. Link storms the castle, defeats Puppet Ganon, and faces off against Ganondorf in a final battle. Zelda aids Link during the battle by shooting Light Arrows at their foe. After defeating Ganondorf, Link and Zelda, once again in the form of Tetra, return to the Great Sea and embark on a new adventure together, searching for a land to call their own.
Jump up ↑ "I am unsure how to put today's events into words. Words so often evade me lately, and now more than ever. He saved me. Without a thought for his own life, he protected me from the ruthless blades of the Yiga Clan. Though I've been cold to him all this time...taking my selfish and childish anger out on him at every turn... Still, he was there for me. I won't ever forget that." — Zelda's Diary (Breath of the Wild)

I feel its nice because based on the upgrades you buy you can make the game as hard or mind numbingly easy as you want. Which I don't really think is a bad thing at all. Making a game accessible to new players is done by doing just that. Making it accessible to a range of skills of platforming not adding a battle royal to Mega Man just cause that's what the kids are doing at the moment. (Man... Still sounding old and grumpy...)


Mega Man then went to Dr. Wily's castle and defeated Dr. Wily again. Dr. Wily, as usual, begged Mega Man for forgiveness. Mega Man responded to this by having Rush play clips of all the times Wily had done the same routine (the clips being scenes from previous games). Although Wily seemed contrite and apologetic, he tricked Mega Man into thinking that Dr. Light was, in fact, imprisoned in a jail cell in the next room. Although Proto Man appeared and warned him that it was a trap, Mega Man went to investigate the cell and was electrocuted by the fake Light robot and Wily set his hideout to self-destruct. Proto Man saved Mega Man, but Wily escaped yet again.
Settings often contain elements based on real-world mythology, and the series features many allusions to religion. A notable example are ancient mythological creatures that function as summons, and have various different roles within the game lores. Espers from Final Fantasy VI are a magical race that once lived alongside humans until a war wiped most of them out. Aeons in Final Fantasy X are the physical realizations of the dreams of the fayth, and summoners use them to battle Sin. Many games featuring summoned monsters do not have them as a named race, or give them a key role within the lore, the summons being merely abilities to be used in battle.

As in his home series, Mega Man's moveset relies heavily on various projectiles, giving his attacks unusual functions and characteristics. This extends beyond his special moves and into his standard moveset. For his neutral attack, he fires shots from his Mega Buster, and for his forward tilt, he fires shots from his Mega Buster while walking. His up tilt, the Mega Upper, is a jumping uppercut, and his down tilt is a forward slide.
Despite being a popular favorite with videogamers, Megaman hasn't had a new entry in years... until now. MEGA MAN 11 is a glorious love letter to past MM adventures. To a fault, it doesn't do anything majorly revolutionary, but considering the variable output of its sequels, it's at least gratifying to know that this turned out very well and easily better than the disappointing MIGHTY NO. 9. The game introduces a new "Double Gear" system, which provides opportunities for powering up or slowing down. Both of these are great additions. The gameplay remains as fun and glorious as it did for previous Mega Man entries. The graphic style is rendered in a clean, gorgeous hand-drawn style that feels very much at home with what you'd expect from classic MEGA MAN. There are cutscenes in the game, thankfully skippable, and yes, there's voice acting. Thankfully, the voice acting is for the most part pretty good and easily better than that of MEGA MAN 8 (Dr. Light's embarrassingly awful Elmer Fudd syndrome is thankfully gone in this one). The music has yet to catch me as truly memorable. It's passable stuff, although not quite as good as in previous MEGA MAN entries. All told, though, Capcom has done a fine job of producing a game that lives up to its predecessor, and it plays exceedingly smooth on Nintendo Switch with no noticeable hiccups. Fans of classic platforming, rejoice.
Mario Kart (Japanese: マリオカート Mario Kāto) is a series of kart racing games developed and published by Nintendo as a spin-off of its flagship Mario franchise. It was inaugurated in 1992 with its debut entry, Super Mario Kart for the Super Nintendo Entertainment System, which was critically and commercially successful. There have been a total of 14 titles in the series: 5 for home consoles, 3 portable games, 4 arcade games co-developed by Bandai Namco Entertainment, a port, and an upcoming mobile game.
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