Mega Man made an appearance in the Cartoon Network show MAD in the skit Gaming's Next Top Princess, where he is one of the judges alongside Mario and another person. However, his appearance is slightly different outside of the animation style, he is shown with a buster set on the left hand at all times, and like 'Mega Man?' from Powered Up, the grey square on his helmet is a triangle, and he has brown eyes instead of blue.
Throughout the NES' lifespan, Capcom built a Mega Man narrative that plays with heavy philosophical themes that may not be noticed by casual players. For example, unlike other robots, Mega Man was created with the ability to turn himself off. This grants Mega Man with a special level of autonomy and places him above other robots. This autonomy is an honor as well as a burden. While other robots were made for a specific job and can be controlled, having no need for an "off switch", Mega Man is free to make his own judgments, and must find purpose in life through the choices he makes. As Mega Man focuses on action, Capcom rarely displays these philosophical dilemmas in the games, but existential concepts about "what makes a person," help color the fiction and remain an important component of the series.[6][7]
The Final Fantasy series and several specific games within it have been credited for introducing and popularizing many concepts that are today widely used in console RPGs.[3][116] The original game is often cited as one of the most influential early console RPGs, and played a major role in legitimizing and popularizing the genre. Many console RPGs featured one-on-one battles against monsters from a first-person perspective. Final Fantasy introduced a side view perspective with groups of monsters against a group of characters that has been frequently used.[3][94][116] It also introduced an early evolving class change system,[197][198] as well as different methods of transportation, including a ship, canoe, and flying airship.[199] Final Fantasy II was the first sequel in the industry to omit characters and locations from the previous game.[5] It also introduced an activity-based progression system,[200] which has been used in later RPG series such as SaGa,[201] Grandia,[202] and The Elder Scrolls.[200] Final Fantasy III introduced the job system, a character progression engine allowing the player to change character classes, as well as acquire new and advanced classes and combine class abilities, at any time during the game.[203] Final Fantasy IV is considered a milestone for the genre, introducing a dramatic storyline with a strong emphasis on character development and personal relationships.[204] Final Fantasy VII is credited as having the largest industry impact of the series,[117] and with allowing console role-playing games to gain mass-market appeal.[205]

"The Legend of Zelda Theme" is a recurring piece of music that was created for the first game of the franchise. The composer and sound director of the series, Koji Kondo, initially planned to use Maurice Ravel's Boléro as the game's title theme, but was forced to change it when he learned, late in the game's development cycle, that the copyright for the orchestral piece had not yet expired. As a result, Kondo wrote a new arrangement of the overworld theme within one day.[7] The "Zelda Theme" has topped ScrewAttack's "Top Ten Videogame Themes Ever" list.[8]
I was worried when I first saw Mega Man 11. Mega Man series lead Keiji Inafune had left Capcom in 2010, going on to make his own Mega Man clone. The new art style initially turned me off as well, as it was not as immediately appealing as the 80s-inspired throwbacks seen in Mega Man 9 and 10. But Mega Man 11 won me over with its delightfully amped-up difficulty and cool time-stopping ability that makes its challenges (barely) possible. The moments I had to take in the scenery were few, but Mega Man 11 taught me that feeling like Mega Man is more important than looking like Mega Man.
Mega Man's first television appearances were produced for the American market and were based on the classic series. First was Captain N: The Game Master (1989-91), a show that took place in a universe that was made up up many different Nintendo games. It featured Mega Man as a main character and also featured Dr. Wiley as one of the antagonists. This was followed by Mega Man (1994-95), the first series to be based in the Mega Man universe.[citation needed]
It’s been eight long years since Capcom’s venerable Mega Man franchise last slapped a new numeral onto the end of its name, a span that’s seen the Blue Bomber’s NES contemporaries—most notably Nintendo’s own Mario and Zelda games—evolve dramatically in response to increasingly powerful technology and changing gaming philosophies. But while the franchise’s latest title, Mega Man 11, does its damnedest to try to teach itself a few new tricks, this might be the point where even the most devoted practitioners of the time-honored art of murdering octets of themed robots to steal their magical arm-guns have to accept that this series has comfortably settled into its limits, probably for good.
Several incarnations of Zelda have ties to the Sheikah through both her connection to the various incarnations of Impa and Zelda's Sheikah alter-ego, Sheik. Interestingly enough, though not a true Sheikah (as Sheik is an alter-ego), Zelda's robes in Ocarina of Time and Twilight Princess feature the Sheikah Symbol. In the Oracle series, her robes feature an alternate version of the Sheikah Symbol with the "eye" part of the symbol replaced by a Triforce symbol. in Ocarina of Time, Zelda (in her guise as Sheik) is shown to be knowledgeable of various Sheikah legends, which were presumably told to her by Impa, either during her childhood and/or while they were hiding from Ganondorf. It is also implied that Impa trained Zelda in the secret arts of Sheikah in order to allow her to pass herself off as Sheik and better protect herself from Ganondorf and his minions.
The original Super Mario Kart has been listed among the greatest games ever made by a number of organizations. IGN, in listing it as the fifteenth-best game ever, called it "the original karting masterpiece."[16] It has also been credited with creating the kart racing subgenre of video gaming, as many developers have attempted to replicate its success, including Sega with Sonic Drift, Ubisoft with Street Racer, Konami with Konami Krazy Racers, Sony Computer Entertainment with Crash Team Racing, etc. Response to all these competing kart racers has been mixed: GameSpot stated that they tended to be bad,[17] and 1UP.com said that their producers tried to improve upon the Mario Kart formula without success.[18]
Mega Man set out to stop Wily and his robots again, who had stolen the new parts developed by Dr. Light and kidnapped Roll. If the player decides to pursue Wily, Mega Man will mention that Wily's scheming has ended, and then moves in close, presumably to apprehend him. However, he then reacts in shock when he discovers that "Wily" was in fact a mechanical duplicate. If the player decides to rescue Roll, Roll will apologize for worrying Mega Man before revealing she managed to steal some energy from the Wily Robot. In Mega Man's ending, Mega Man says he will bring peace for both humans and robots, and Dr. Wily informs Mega Man that he is no different than him, as he destroyed Wily's robots. Mega Man is in disbelief with what Wily said, but Dr. Light, Roll, and Auto appear to cheer him. Proto Man also appears if he was his partner. Mega Man starts feeling better, but Wily uses their distraction to escape again, and Mega Man starts to pursue him. His cooperative mode ending with Bass has him forced into a battle with Bass shortly after stopping Wily, despite both being significantly injured due to Bass wanting to fulfill his directive, although the conclusion is never revealed. In his cooperative mode ending with Duo, he wishes Duo luck as he proceeds to leave the planet with the energy.
I was worried when I first saw Mega Man 11. Mega Man series lead Keiji Inafune had left Capcom in 2010, going on to make his own Mega Man clone. The new art style initially turned me off as well, as it was not as immediately appealing as the 80s-inspired throwbacks seen in Mega Man 9 and 10. But Mega Man 11 won me over with its delightfully amped-up difficulty and cool time-stopping ability that makes its challenges (barely) possible. The moments I had to take in the scenery were few, but Mega Man 11 taught me that feeling like Mega Man is more important than looking like Mega Man.
Mario Kart Wii was the sixth game in the Mario Kart series, following Super Mario Kart, Mario Kart 64, Mario Kart: Super Circuit, Mario Kart: Double Dash, and Mario Kart DS.[11] Hideki Konno, who worked with the Software Development Department of Nintendo's Entertainment Analysis & Development (EAD) division and had previously worked on the first 2 Mario Kart games as well as Mario Kart DS, served as the game’s producer. Shigeru Miyamoto acted as “General Producer” and gave miscellaneous advice on various aspects of the game.[12]

Zelda appears again in A Link Between Worlds. At her young age, she rules the entire kingdom of Hyrule alone. When Link first meets her, he warns her that Seres was attacked and turned into a Painting by Yuga. She tells the young hero to warn Sahasrahla in Kakariko Village and gives Link a charm that she has owned since childhood. When Hyrule Castle is under Yuga's attack, Link learns that the charm she gave is the Pendant of Courage, which she gave to him in anticipation of the oncoming misfortune.
Titles in the series have generally received praise for their storylines, characters, settings, music, battle elements and graphics.[43][44][25] Many other aspects in particular have received praise, such as the job system, a series staple,[45][46] with GameSpot stating it is "hard to say enough good things" about it, referring to the the "exciting variety" it offers to the gameplay.[47] Another popular feature is the self-referential nature of many of the games and inclusions of allusions to previous games, with recurring features such as chocobos, moogles and Gilgamesh among others, being well received as nods to make fans feel at home.[48][49][50] The series has also been praised for its gameplay variety and innovation between installments to prevent the gameplay from going stale.[51][52][53]
The addition will certainly benefit newcomers, because Mega Man 11 is difficult. I’ve spent hours mastering each stage, making slow but satisfying progress as I memorize enemy placement and boss attack patterns. Some levels and Robot Masters, however, are maddeningly hard on normal, particularly sections of the game with instant kills. More than a few times, a one-hit-kill mechanism, like a column of flame or a screen-sized Wily-built death machine, will chase Mega Man through a level. Making your way through a tricky section only to be steamrolled by one of these pursuing instant death dealers is never fun.
Although Sheik is intended to appear masculine, it is unclear whether Princess Zelda physically transforms herself into a male or simply dresses herself to look like one. When Link encounters Princess Ruto in the Water Temple, Ruto explains, "A young man named Sheik rescued me from under the ice". Later, when Link obtains the Water Medallion, Ruto asks, "If you see Sheik, please give him my thanks". Additionally, a Gossip Stone in the Hyrule Castle Grounds says, "They say that contrary to her elegant image, Princess Zelda of Hyrule Castle is, in fact, a tomboy!"
Jump up ↑ "Then, the prince of the kingdom should have become king and inherited everything, but he could inherit the Triforce only in part. The Prince searched everywhere for the missing parts, but could not find them. Then, a magician close to the king brought him some unexpected news. Before he died, the king had said something about the Triforce to only the younger sister of the prince, Princess Zelda." (The Adventure of Link manual, pg. 6, 7)

Forget everything you know about The Legend of Zelda games. Step into a world of discovery, exploration, and adventure in The Legend of Zelda: Breath of the Wild, a boundary-breaking new game in the acclaimed series. Travel across vast fields, through forests, and to mountain peaks as you discover what has become of the kingdom of Hyrule In this stunning Open-Air Adventure. Now on Nintendo Switch, your journey is freer and more open than ever. Take your system anywhere, and adventure as Link any way you like. 


While Paya was born after Zelda sealed Ganon in Hyrule Castle, she has heard stories about her from Impa and respected her. Meeting with Link whom Paya found attractive and develops feelings for however, caused her to become slightly jealous of Zelda. Later on Paya comes to accept that while she may never be with Link, she is content with knowing what love for someone feels like, indicating that she dropped any feelings of jealousy towards the princess.
You see I now attempted Acid Man's level on the easier difficulty and there are various points where a fan blows you through spike filled tubes. Any Megaman fan would know the golden rule,"touch those spikes and die!", but because the difficulty was turned down so low, by hitting the spikes, I only lost a little bit of energy and got awarded with a trophy called "Everything proof." It almost made me feel like I was getting a "Ha Ha! You can't play the game on the regular difficulty!" jab by Capcom. Honestly, I feel like Capcom has now made the Megaman games more "extreme" for millennials. By the time I got to Acid Man, near the end of the battle, I was just mashing the fire button to hurry up and kill him rather than even trying to stay with any sort of pattern.
At its core, Deluxe is the same great title from Wii U. Racing up a wall is still disorienting fun, and taking the perfect shot with your green shell is satisfying as ever. Even with all the hours I poured into the original Wii U release, I still love the thrill of coming from behind in the final lap to win the race. Of course, some of that is thanks to the questionable rubber-band A.I. that has always been a sticking point of the series, but fans accepted that pitfall as a series mainstay long ago.
The next Legend of Zelda for the DS, The Legend of Zelda: Spirit Tracks, was released December 7, 2009, in North America and December 11, 2009, in the UK. In this game, the 'spirit tracks', railroads which chain an ancient evil, are disappearing from Hyrule. Zelda and Link go to the 'Spirit Tower' (the ethereal point of convergence for the tracks) to find out why. But villains steal Zelda's body for the resurrection of the Demon King. Rendered disembodied, Zelda is left a spirit, and only Link (and a certain few sages) can see her. Together they go on a quest to restore the spirit tracks, defeat the Demon King, and return Zelda to her body. Using a modified engine of that used in Phantom Hourglass, the notably new feature in this game is that the Phantom Guardians seen in Phantom Hourglass are, through a series of events, periodically controllable. It was the first time in the series that both Link & Zelda work together on the quest.
In the early 2000s, Nintendo of America released a timeline on the official website of the series, which interpreted all stories up to the Oracle games as the adventures of a single protagonist named Link.[52] At one point, translator Dan Owsen and his coworkers at Nintendo of America had conceived another complete timeline and intended to make it available online. However, the Japanese series developers rejected the idea so the timeline would be kept open to the imagination of the players.[53]

Prior the events of Majora's Mask, Zelda spends a relatively short period of time with Link, before he leaves Hyrule for his quest in search of his companion Navi.[105][106] Zelda, as a child, makes a single appearance in Majora's Mask when Link has a flashback after retrieving the Ocarina of Time from the Skull Kid. The events of the flashback display Link's last meeting with Zelda, where she states her belief that they would meet again.[107] However, before Link departs the land of Hyrule, Princess Zelda gives him the Ocarina of Time to prevent Ganondorf from entering the Sacred Realm and as a memento of the time they spent together.[108][109] She also teaches Link the "Song of Time", a melody that holds a special meaning to her,[110] before handing over the ocarina, mentioning that he should play that melody if something were to happen to him so the Goddess of Time will come to his aid.[111][112]
Japanese figurines of Mario, Luigi, Peach, Toad, Yoshi, Wario, Donkey Kong, and Bowser are also available for purchase as well as for Mario Kart 64, figures of Mario, Luigi, Wario, Bowser, Donkey Kong, and Yoshi were made by Toybiz. There are also Sound Drops inspired by Mario Kart Wii with eight sounds from the game. A land-line telephone featuring Mario holding a lightning bolt while seated in his kart, has also been marketed.
Nintendo 3DS Mario Kart 7, released in 2011 for the Nintendo 3DS, features optional 3D stereoscopic graphics and can be played using the console's gyroscope, which allows players to race in first-person and steer vehicles simply by turning the game system. Other features unseen in previous installments include the ability to build customizable vehicles with unlockable parts such as frames or tires; retractable hang gliders, which allow players to glide through the air, skipping over parts of the track or locating new routes/shortcuts that are otherwise inaccessible; fully submersible karts; and segments of tracks that are completely underwater. The game features 4 new characters: Metal Mario, Lakitu, Wiggler, and Honey Queen. This is also the first Mario Kart game where Shy Guy can be played as without playing in multiplayer mode. The player can play online via Nintendo Network, participating in races or battles with up to seven other players, and exchange game data with other Nintendo 3DS consoles. Two of the new courses are set on Wuhu Island from the non-Mario game series Wii Fit.
The next Legend of Zelda for the DS, The Legend of Zelda: Spirit Tracks, was released December 7, 2009, in North America and December 11, 2009, in the UK. In this game, the 'spirit tracks', railroads which chain an ancient evil, are disappearing from Hyrule. Zelda and Link go to the 'Spirit Tower' (the ethereal point of convergence for the tracks) to find out why. But villains steal Zelda's body for the resurrection of the Demon King. Rendered disembodied, Zelda is left a spirit, and only Link (and a certain few sages) can see her. Together they go on a quest to restore the spirit tracks, defeat the Demon King, and return Zelda to her body. Using a modified engine of that used in Phantom Hourglass, the notably new feature in this game is that the Phantom Guardians seen in Phantom Hourglass are, through a series of events, periodically controllable. It was the first time in the series that both Link & Zelda work together on the quest.
Multiplayer, both locally and online are quite good, better than I had expected. In fact, playing online is A LOT faster than XBox Live or PSN, take it from a core gamer. I was actually surprised to see how the Wii was able to connect me with players from around the world (Japan, Spain, Canada, etc) and all WITHOUT lag, I mean, none whatsoever. The entire online experience was smooth and may I add, quite addicting, I played for hours, I simply could not stop, it is that much fun.
While Paya was born after Zelda sealed Ganon in Hyrule Castle, she has heard stories about her from Impa and respected her. Meeting with Link whom Paya found attractive and develops feelings for however, caused her to become slightly jealous of Zelda. Later on Paya comes to accept that while she may never be with Link, she is content with knowing what love for someone feels like, indicating that she dropped any feelings of jealousy towards the princess.
However, after Mega Man defeated the second set of four Robot Masters, he made his way to where Ballade was waiting and defeated him for a second time, acquiring the Ballade Cracker, which he used to blast his way out of Wily's crumbling fortress. Mega Man made his way to the Wily Battleship and defeated Wily, but was trapped in the fortress when Wily activated a self-destruct mechanism. Ballade, realizing his mistakes, decides to sacrifice himself at the last minute to save Mega Man in the end.
Get ready for a review of a lifetime because I'm about to spit straight fire about this game. You ever want to feel like you're in a high-speed chase going 200 miles an hour while running away from turtles? That's what this game feels like. It incorporates all the genius of all the past MarioKart games into this one mega deluxe game, all while sprinkling in new fun and exciting courses. Seriously dudes, I never cussed out a Mii named Despacito as much as I did while playing online. Don't even get me started on battle mode either that mode don't play. Almost decked my sister in the face on accident because of the tsunami waves of green shells I was being hit with. Overall fantastic masterpiece and just a Pro-Tip never use tilt controls unless you like to have an internal meltdown.

The success of Final Fantasy and its key role within Square Enix's business plan has served as a double-edged sword. The first movie in the franchise, Final Fantasy: The Spirits Within, was a box office flop with a net loss of $72-102 million,[87] and delayed the merger between Square and Enix.[88] On the other hand, Final Fantasy XIV: A Realm Reborn was primarily responsible for overturning the company's financial losses at the end of 2013.[89]
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