Though Capcom owns the rights to all Mega Man games and has been responsible for the development of all of his console titles, it has in the past licensed the Mega Man character to other companies for PC releases. Mega Man and Mega Man III (with no relation to the NES games of the same name) were developed by the US-based Hi-Tech Expressions, the Mega Man game published on the Game Gear by Sega, and Rockman Strategy was developed and released exclusively in China by AcerTWP. Neither title has since been regarded by Capcom as an official Mega Man series game.
King Rhoam initially supported Zelda's research efforts though as signs of Ganon's return increased eventually he came to believe Zelda was using her studies as an escape and was neglecting her duty as Princess of Hyrule to play scholar unaware Zelda had been training as hard as she could and was using her studies to contribute without her powers. However King Rhoam put his duty before Zelda and scolded her during a Guardian test trying to convince her that she should be focusing every waking moment to awakening her power. Zelda however insisted she already was and tried to explain herself though King Rhoam refused to hear anymore excuses and forbid her from further research. Rhoam attempted to encourage Zelda by telling her that the gossip mongers had been whispering she would inherit a Kingdom of nothing and that it was her destiny to prove them wrong. This however had the opposite effect and led to her having a sense of self loathing due to her "uselessness in the battle field" and inability to awaken her innate powers. She continued to do research such as a survey of the Shrines alongside her Sheikah court poet in secret.
The Mega Man X series has been positively received. The first Mega Man X game was widely acclaimed by critics since its release. Gaming magazines in the United States and Europe including Electronic Gaming Monthly (EGM), GamePro, Game Players, Nintendo Power, Super Play, and the German version of Total! consistently lauded the game's visuals, audio, control, and overall gameplay. Game Players summarized Mega Man X as "a near-perfect cart with classic gameplay, excellent graphics and sound and tons of hidden items and power-ups". Nintendo Power stated that the game had "great control and fun" along with "challenging play".
Rather than just continuing to run, jump, and shoot, I sometimes found myself having to stop and figure out how to proceed forward, and other times being forced to move forward without having this chance and just dying over and over while I figure it out. I am actually thankful there are at least difficulty options because after an hour on the first level playing on Normal, I finally had to lower the difficulty to Casual. The reason for this is my next problem which is the LENGTH of levels. They just feel too long under the standard Mega Man rules. A single checkpoint in the middle is not enough when the levels are this long and complex. Thankfully Casual gives you more lives and checkpoints, but considering I beat the other games without this option, I felt a little sad to have to resort to this.
From the beginning Uematsu was given creative freedom, though the series' creator Hironobu Sakaguchi would request specific set-pieces to fit themes, and early on there were specific notes Uematsu was unable to use due to hardware limitations. From Final Fantasy IV onwards, he had more freedom of instrumentation. For "One-Winged Angel", the Final Fantasy VII final boss theme and the series' first vocalized theme, Uematsu combined both rock and orchestral influences having had no prior training in orchestra conduction.
Mega Man's first television appearances were produced for the American market and were based on the classic series. First was Captain N: The Game Master (1989-91), a show that took place in a universe that was made up up many different Nintendo games. It featured Mega Man as a main character and also featured Dr. Wiley as one of the antagonists. This was followed by Mega Man (1994-95), the first series to be based in the Mega Man universe.
Although Zelda's design is now based off of her appearance in Twilight Princess, she retains her Sheik transformation. As Sheik, game director Masahiro Sakurai states that her updated character design is based on a potential design made in the early drafting stages of Twilight Princess. This version of Sheik now carries a small blade at the waist and sports longer hair in the back, tied in a similar style to her Princess Zelda form. Interestingly enough, Sheik's hair remains blonde, while Princess Zelda's updates to light brown per her Twilight Princess appearance. As Nintendo established via Sheik's trophy in Super Smash Bros. Melee that the Sheik disguise was a magical costume change, the magic could presumably explain the hair color as well.
Lana and Cia reclaim the Triforce of Power and together with Link, and Princess Zelda who arrives after the battle with Impa use it to form the complete Triforce to undo the damage caused by Phantom Ganon causing Tetra, King Daphnes, and parts of the Great Sea to return to their dimension of origin. Afterwards Princess Zelda, Link, and Impa bid Lana and the reformed Cia farewell as they return to the valley of the Seers to both serve as the twin Guardians of Time as well as protect the Triforce of Power which they split between them.
Throughout the NES' lifespan, Capcom built a Mega Man narrative that plays with heavy philosophical themes that may not be noticed by casual players. For example, unlike other robots, Mega Man was created with the ability to turn himself off. This grants Mega Man with a special level of autonomy and places him above other robots. This autonomy is an honor as well as a burden. While other robots were made for a specific job and can be controlled, having no need for an "off switch", Mega Man is free to make his own judgments, and must find purpose in life through the choices he makes. As Mega Man focuses on action, Capcom rarely displays these philosophical dilemmas in the games, but existential concepts about "what makes a person," help color the fiction and remain an important component of the series.
Mario Kart (Japanese: マリオカート Mario Kāto) is a series of kart racing games developed and published by Nintendo as a spin-off of its flagship Mario franchise. It was inaugurated in 1992 with its debut entry, Super Mario Kart for the Super Nintendo Entertainment System, which was critically and commercially successful. There have been a total of 14 titles in the series: 5 for home consoles, 3 portable games, 4 arcade games co-developed by Bandai Namco Entertainment, a port, and an upcoming mobile game.