Zelda is portrayed as a young girl or beautiful young woman, usually with blonde hair. In Twilight Princess, however (and therefore in Super Smash Bros. Brawl, as well as Super Smash Bros. for Nintendo 3DS / Wii U, in which her appearance is based on that of Twilight Princess), she is depicted as a brunette. She also has light brown hair in The Legend of Zelda: A Link to the Past (though she is depicted as being blonde in artwork), and auburn hair in The Adventure of Link.
^ Jump up to: a b "Long interview with Eiji Aonuma". nindori.com. Nintendo DREAM. Feb 2007. Archived from the original on January 27, 2007. Retrieved June 4, 2010. 『時のオカリナ』から百数年後の世界です。 ... 『風のタクト』はパラレルなんですよ。『時のオカリナ』でリンクが7年後の世界に飛んで、ガノンを倒すと、子ども時代に戻るじゃないですか。『トワイライトプリンセス』は、平和になった子ども時代から百数年後の世界なんです。 / It is a world 100 and something years after Ocarina of Time. ... The Wind Waker is parallel. In Ocarina of Time, Link leaps to a world seven years later, defeats Ganon, and then returns to the child era, right? Twilight Princess is the world 100 and something years after peace is restored in the child era.
Mega Man next appeared in anime produced in Japan and based on spin-off series. First was MegaMan NT Warrior (2002-06), based on the Mega Man Battle Network video game series (both the anime and the video game series were known as Rockman.EXE in Japan). This was followed by Mega Man Star Force (2006-08), based on the video game series of the same name (both were known as Shooting Star Rockman in Japan).
Jump up ↑ "The gods chose which of the kingdom's subjects would ascend to the new land, telling them to escape to the tallest mountains. They then flooded the world, sinking Ganondorf and Hyrule to the bottom of the ocean and sealing them away. Though the king was sealed along with his kingdom, the princess took a piece of the Triforce that had been broken in two by the king and managed to escape to the ocean's surface with several of her retainers." (Hyrule Historia (Dark Horse Books), pg. 123)
More details have been released regarding the new Mega Man TV show that is being produced. I am a little surprised to read that apparently they aren’t even going to try to stick to the plot of the games at all, but are simply taking the “Mega Man” name and a few miscellaneous inspirations from the series and going off on their own. The character design looks like a mix between X and Star Force—which, speaking of Star Force, that’s probably a good comparison regarding the chosen plot direction. There’s nothing inherently wrong with this, of course, and it means the plots will be new and not quite as predictable. And it’s not like we don’t already have enough different Mega Men to completely befuddle any newcomers to the series as it is...just look at the selector image above.
Every time a new Zelda game comes around, I can’t wait to explore its dungeons. There’s just something about that feeling of progression– collecting keys, opening chests, solving puzzles, tackling larger-than-life bosses– that speaks to me. It’s certainly no coincidence that my favorite Zelda entries are those with the strongest dungeons. Indeed, for many fans, these sections have been an integral part of the series. That said, not every dungeon receives a ton of love. From Ocarina of Time’s Water…
Ocarina of Time was re-released on the GameCube in 2002, when it was offered as a pre-order incentive for The Wind Waker in the U.S., Canada and Japan. Europe continued to receive it free in every copy of The Wind Waker, except for the discounted Player's Choice version. It includes what is widely believed to be the remnants of a cancelled 64DD expansion for Ocarina of Time known as Ura Zelda in early development. Named Ocarina of Time Master Quest, the game was given the addition of revamped, more difficult dungeon layouts. Ocarina of Time was included as part of the Collector's Edition for the GameCube in 2003. It is now available through the Wii's Virtual Console service. In 2011, Nintendo released a new version of the game in stereoscopic 3D for the Nintendo 3DS, The Legend of Zelda: Ocarina of Time 3D. In July 2015, Nintendo rereleased it for the Wii U Virtual Console.
Mega Man 11 sticks so close to the established formula that it wouldn’t have made much of a splash if it had come out in 2008, or 1998. In fact, it has more in common with 1996’s Mega Man 8 than any other game in the series, and feels like a direct sequel to it. I found Mega Man 11 amusingly difficult even with the help of the time-slowing Double Gear system and there are some cool robot moments, but in a series with such great highs (Mega Man 2, 3, 9,10, specifically) and lows (Mega Man 7), it’s pretty average. The robot bosses are mostly bland and familiar (with the exception of the very silly Block Man – I love that guy), and their imparted weapons are a hit-and-miss collection. But Mega Man plays like he should even with the cutesy but tolerable art style, and that’s good because the challenge is cranked up to 11 and getting through these levels takes old-school precision and patience. Mega Man 11 is a good foundation for the next 10 Mega Man games.
In Battle Mode, players go head to head on one of a number of dedicated Battle Mode courses, usually designed as closed arenas. Each player starts with three balloons and loses a balloon with every hit sustained; the last player possessing at least one balloon wins. In addition to the classic battle game, different variants of this mode were added as the series progressed, including one that involves capturing a Shine Sprite and maintaining possession of it for a certain period of time; and one that involves throwing Bob-ombs at other players to earn points. Starting with Mario Kart Wii, there is a time limit for each battle. For Mario Kart 8, the battles take place on race courses. In Mario Kart Wii, Mario Kart 7 and Mario Kart 8 Deluxe, the player will respawn after losing all balloons, instead of getting eliminated.