When transitioning to the next generation of video game consoles, the now-merged Square Enix developed Final Fantasy XIII for PlayStation 3 and Xbox 360. It was developed using Crystal Tools, a proprietary engine built to develop games for the consoles. As the first high definition title, it allowed for a major improvement in graphics with many reviewers citing its visuals as a strong point.[25][26][27] The original release of Final Fantasy XIV was also developed using Crystal Tools, though its subsequent re-release, Final Fantasy XIV: A Realm Reborn, was developed using different technology.


The PlayStation console saw the release of three main Final Fantasy games. Final Fantasy VII (1997) moved away from the two-dimensional (2D) graphics used in the first six games to three-dimensional (3D) computer graphics; the game features polygonal characters on pre-rendered backgrounds. It also introduced a more modern setting, a style that was carried over to the next game.[3] It was also the second in the series to be released in Europe, with the first being Final Fantasy Mystic Quest. Final Fantasy VIII was published in 1999, and was the first to consistently use realistically proportioned characters and feature a vocal piece as its theme music.[3][13] Final Fantasy IX, released in 2000, returned to the series' roots by revisiting a more traditional Final Fantasy setting rather than the more modern worlds of VII and VIII.[3][14]


Back in the present time, Mega Man and Rush were finally closing in on Wily’s fortress, defeating the first four set of Robot Masters. After penetrating into Wily's lair, Mega Man finds another four Robot Masters awaiting him via teleporters. Mega Man manages to defeat all eight of his adversaries and engages his modified future self Quint in combat. After defeating him, Mega Man obtains his weapon, a pogostick-like device called the Sakugarne. With it, he makes his way to the new Wily Station in space and defeats him yet again.

Mega Man's primarily extremely courageous and just, choosing to become Mega Man and face the threat Wily posed because he wanted to help and do the right thing. This said he's also a pacifist and in the Mega Man Powered Up pre-boss cutscenes he always tried to find an alternative to violence. This trait was also, to a degree, shown in Mega Man 8 where he questioned Bass as to why they must fight. Along with these traits he's also kind, generous and polite.
The title theme of The Wind Waker is an absolutely magical piece of music. Inspired by traditional Irish music, the theme makes excellent use of strings and harps to capture the freedom and whimsy of Link’s seafaring adventure. Admittedly, as great as it is, I never thought this tune was versatile enough to exist beyond its original genre. But count me proven wrong, because musician Ace Waters has released an amazing synth cover of The Wind Waker‘s title theme that…
Es gibt immer eine Prinzessin, die es zu retten gilt, und Link ist stets auf der Suche nach dem legendären Master-Schwert. Auch das Triforce spielt eine Rolle: Hierbei handelt es sich um ein mächtiges Artefakt und in den falschen Händen um eine gefährliche Waffe. Und wo ein mächtiges Artefakt ist, können Ganondorf und ähnliche Bösewichte nicht weit sein. Logisch also, dass all diese Markenzeichen der Reihe auch im Zelda Merchandise auftauchen. Tauch in die Phantasiewelt ein und begebe dich auf die Spuren von Link.
×