The series' most basic plots revolve around the cast fighting an antagonist who aims to destroy or conquer the world while coping with their own struggles. The characters are often part of a small resistance against one or more larger powers, and each tend to have different motivations within their own groups. There is a sense of desperation, as the characters fight for everything they hold dear. The plots vary from being overall light-hearted, such as Final Fantasy III or Final Fantasy V, to being more grim and realistic, such as Final Fantasy II or Final Fantasy VII, though many, such as Final Fantasy IX and Final Fantasy XIV, are a mix.
After the events of Mega Man II, Dr. Wily took control of an off-shore oil platform with some of his powerful Robot Masters. Once again, Dr. Light sends Mega Man to investigate and stop them before it gets out of hand. Mega Man takes down the first four Robot Masters and makes his way to the Wily Castle, where he discovers that four more Robot Masters await him. After defeating them, he encounters a new Mega Man Killer named Punk in the Wily Station, whose Screw Crusher delivers a crushing blow to its opponents. However, Mega Man promptly defeats Punk and defeats Wily with Punk's own weapon.
As Sheik, the character is completely different. Sheik is not only extremely fast, but also easy to control, making her a very popular character both in casual circles and in the tournament scene. Her close range attacks are possibly the fastest and most easily chainable of any character, with her martial arts training allowing fluid and swift ninja-like attacks. Sheik is at her best when using her speed and high-momentum attacks for an evasion-based "hit-and-run" offense. Her needle throwing attack is extremely flexible, and can be used to start combos or keep the enemy at bay. Her chain whip, while situational, is an excellent way to sabotage an opponent's strategy by interrupting their movements. Her Deku Nut-concealed vanish move is shorter than Farore's Wind but leaves Sheik much less open to attack, and is easier to use as an attack as well.
Even after his crushing defeat at the hands of Mega Man, Dr. Wily was already planning his next scheme. If he could get his hands on the time machine (named Time Skimmer in the American manual) that was being developed at the Time-Space Research Laboratory (named Chronos Institute in the American manual), he thought he just might be able to change the past.
From Final Fantasy X onward the series has had other composers as Uematsu eventually left Square to go freelance, though he has continued to compose music for the series for as recent as the original Final Fantasy XIV. The soundtrack for Final Fantasy X was a joint effort between Uematsu, Masashi Hamauzu, and Junya Nakano, the music for Final Fantasy XII was mainly composed by Hitoshi Sakimoto, Masashi Hamauzu did the soundtrack for Final Fantasy XIII, and Yoko Shimomura—who had previously composed the music for Square Enix's Kingdom Hearts series—composed the music for Final Fantasy XV.
Though all incarnations of Mega Man feature unique stories, settings, and characters, they share several common features. All main Mega Man games released prior to 1997 are side-scrolling action platformers. The player character must fight through the levels using Mega Man's "Mega Buster"—a cannon attached to his arm—to shoot the robotic enemies inhabiting his environment. When Mega Man was released in 1987, the characteristic that made it revolutionary was the choice given to the player of which robot master to attempt first. After defeating a Robot Master—the boss of a level—Mega Man gains the ability to use that Robot Master's special weapon. Each Robot Master is representative of a specific element or object, with such bosses as Fire Man, Ice Man, Guts, Griffith, and Elec Man. The weapons Mega Man gains share the theme of the defeated boss. After defeating all of the Robot Masters, Mega Man travels to a multi-stage fortress to confront Dr. Wily, the person responsible for the robotic enemies' destructive acts. In the fortress, Mega Man fights past new bosses, clones of the game's Robot Masters, and Wily, who is usually in a large multi-phase war machine.
When transitioning to the next generation of video game consoles, the now-merged Square Enix developed Final Fantasy XIII for PlayStation 3 and Xbox 360. It was developed using Crystal Tools, a proprietary engine built to develop games for the consoles. As the first high definition title, it allowed for a major improvement in graphics with many reviewers citing its visuals as a strong point. The original release of Final Fantasy XIV was also developed using Crystal Tools, though its subsequent re-release, Final Fantasy XIV: A Realm Reborn, was developed using different technology.
Since Mario Kart 64, all player-characters have been grouped into one of three distinct weight classifications. Smaller characters, labeled as "lightweights," have high acceleration but low top speeds, and lose a minimal amount of speed when off-road but are easily knocked aside by heavier opponents. Medium-sized characters, or "middleweights," have an equal balance of weight, top speed, and acceleration, and lose a moderate amount of speed when off-road. The largest characters, labeled as "heavyweights," can easily knock aside most opposing racers, have high top speeds but poor acceleration, and lose great amounts of speed when off-road.
But there was a lot to like about Skyward Sword, too. The game's impressionist painting aesthetic, its memorable Skyloft village, the fantastically over-the-top villain Ghirahim and scene-stealing Groose. Skyward Sword really embraced its placement as the first Zelda game chronologically, and it revelled in providing Easter eggs and lore-heavy moments to retroactively insert itself as a prequel to later instalments.
Throughout the lifespan of The Legend of Zelda series, a number of games (including main series games as well as re-releases and spin-offs) in varying states of completeness have had their releases cancelled. Perhaps the earliest of these was Gottlieb's The Legend of Zelda Pinball Machine (cancelled 1993). After securing a license from Nintendo to produce two Nintendo-franchise-based pinball machines, pinball designer Jon Norris was tasked with designing the table. Before it was completed, Gottlieb decided to repurpose the game with an American Gladiators theme. Licensing for this version ultimately fell through and the game was released as simply Gladiators (November 1993).
Nintendo 64 Mario Kart 64, launched in 1996/1997 for the Nintendo 64, was a vast improvement from the SNES original. It moved the series to polygon-based true 3D computer graphics for track design, allowing for track features that were not possible with Mode 7, such as bridges, walls, pits, and elevation changes; however, the characters and items remain 2D pre-rendered sprites. Other new additions include digital voice acting, 4-player support, the modern character weight classification system, Mirror mode, ghost data for Time Trial courses, and a new item called the Spiny Shell which targets and attacks the player in the lead. The game features 16 normal race courses, as well as four battle courses. Though there are still eight playable characters, two new characters are introduced: Wario (replacing Koopa Troopa) and Donkey Kong (replacing Donkey Kong Jr.), both of whom have reappeared throughout the series.
Launched in conjunction with the twentieth anniversary of FINAL FANTASY, this concert production features the music of the great video game series FINAL FANTASY and composer Nobuo Uematsu. The concerts are performed by symphony orchestra, choir, and renowned vocal and instrumental soloists, under the direction of GRAMMY Award-winner and acclaimed conductor Arnie Roth. With HD video direct from the FINAL FANTASY game developers SQUARE ENIX projected onto giant screens throughout the concerts, a rapidly growing repertoire of classic FINAL FANTASY music, and an extraordinary fan base, Distant Worlds is a unique multimedia concert experience every time.
Interested in the Divine Beasts, Guardians, and Ancient Sheikah technology, she began dedicating herself to science instead of prayer, feeling it would be a better use of her abilities though continued to train and pray though her studies served as another way to contribute to Hyrule's defense in her own way. Zelda and a team of Sheikah researchers lead by Impa's elder sister Purah worked together to understand ancient technology discovering the Sheikah Slate, Shrine of Resurrection, and a better understanding of Guardians and the Divine Beasts which Zelda recorded in her research notes. She even shared her knowledge with the Zora Royal Family concerning Vah Ruta's water pumps. She also researched other things besides ancient technology such as plants and animals that enhance physical abilities when consumed showing she enjoyed scholarly research as she found it fascinating and wasn't burdened by it unlike prayer as she had prayed fervently to Hylia numerous times with nothing to show for it despite her dedication. Zelda personally recruited the four Champions to pilot the Divine Beasts convincing all of them to join her in defending Hyrule.
As pointed out by others, Zelda has many attributes that attracts allies. While not always a stable relationship from the start, she has gained many good friends throughout various games. Most of her friends deeply respect her as the princess of Hyrule and do not doubt her judgment. Her kindness is enough to turn even some of her enemies into allies.
The title theme of The Wind Waker is an absolutely magical piece of music. Inspired by traditional Irish music, the theme makes excellent use of strings and harps to capture the freedom and whimsy of Link’s seafaring adventure. Admittedly, as great as it is, I never thought this tune was versatile enough to exist beyond its original genre. But count me proven wrong, because musician Ace Waters has released an amazing synth cover of The Wind Waker‘s title theme that…
Mega Man 11 sticks so close to the established formula that it wouldn’t have made much of a splash if it had come out in 2008, or 1998. In fact, it has more in common with 1996’s Mega Man 8 than any other game in the series, and feels like a direct sequel to it. I found Mega Man 11 amusingly difficult even with the help of the time-slowing Double Gear system and there are some cool robot moments, but in a series with such great highs (Mega Man 2, 3, 9,10, specifically) and lows (Mega Man 7), it’s pretty average. The robot bosses are mostly bland and familiar (with the exception of the very silly Block Man – I love that guy), and their imparted weapons are a hit-and-miss collection. But Mega Man plays like he should even with the cutesy but tolerable art style, and that’s good because the challenge is cranked up to 11 and getting through these levels takes old-school precision and patience. Mega Man 11 is a good foundation for the next 10 Mega Man games.
This game was a gift for my brother's birthday and he and I remember playing Megaman from our childhoods so this game was a much anticipated gift! Game is crisp and clean with new style of graphics. Megaman uses a whole new time slowing ability and/or power up ability allowing Megaman to unload MEGA devastation on his enemies! You will see new boss power-ups like never before with Megaman's copy techniques and good ole dog rush and friends return for support.
Dash attack Top Spin 1% (hits 1-7), 3% (hit 8) Mega Man boosts forwards while spinning, damaging whatever he touches. Good priority and long lasting, equivalent to Luigi's dash attack. Useful for mindgames against shields due to its moderate shield stun, which often makes opponents drop their shield too early. Small noticeable ending lag. Based on Top Man's weapon from Mega Man 3.