Mario Kart Wii had a successful launch and sold 300,000 copies on the launch day in Japan alone, compared to Mario Kart DS which sold 160,000 copies on its first day and Mario Kart: Double Dash which sold 180,000 on its first day. In the week ending May 4, 2008, Mario Kart Wii had sold over a million copies in Japan alone, less than a month since its release in the region. In the UK, Mario Kart Wii was the best-selling video game in the week ending April 12, 2008, having "the eighth biggest opening sales week in UK software history," according to Chart-Track/ELSPA. The game dwarfed all other five Mario Wii games released up until then for the Wii combined when comparing first week sales. In the United States, Mario Kart Wii was the second-best-selling video game in April 2008, selling 1.12 million copies, according to the NPD Group; putting it behind the Xbox 360 version of Grand Theft Auto IV and ahead of the PlayStation 3 version, both released in the same week. It ranked the fourth-best-selling game of December 2008 in the United States, selling in excess of 979,000 copies. According to the NPD Group, GfK Chart-Track, and Enterbrain, the game has sold 2.409 million copies in the United States, 687,000 in the United Kingdom, and 1.601 million in Japan, respectively, for a total of 4.697 million copies sold by August 1, 2008. As of March 2009, Nintendo has sold 15.4 million copies of Mario Kart Wii worldwide. As of January 4, 2009, it has sold 2,133,000 copies in Japan. It is also the fourth-best-selling game of Japan in 2008. According to the NPD Group, GfK Chart-Track, and Enterbrain, the game has sold 856,000 copies in the United States, 394,000 in the United Kingdom, and 218,000 in Japan, respectively, for a total of 1.468 million copies sold in the third quarter of 2008 (July–September). It was the second-best-selling game of 2008 in the United States, selling in excess of 5 million copies. In France, it sold 4.8 million units, which is more than it sold in Japan (3.7 million).
In the story behind the original series, Mega Man is an android originally named Rock, created as a lab assistant by the scientist Dr. Light with Dr. Wily as his partner. Following treachery by Dr. Wily in which he reprogrammed most of Dr. Light's robots, Rock volunteered to be converted into a fighting robot to defend the world from Wily's violent robotic threats, thus becoming Mega Man.
As Sheik, the character is completely different. Sheik is not only extremely fast, but also easy to control, making her a very popular character both in casual circles and in the tournament scene. Her close range attacks are possibly the fastest and most easily chainable of any character, with her martial arts training allowing fluid and swift ninja-like attacks. Sheik is at her best when using her speed and high-momentum attacks for an evasion-based "hit-and-run" offense. Her needle throwing attack is extremely flexible, and can be used to start combos or keep the enemy at bay. Her chain whip, while situational, is an excellent way to sabotage an opponent's strategy by interrupting their movements. Her Deku Nut-concealed vanish move is shorter than Farore's Wind but leaves Sheik much less open to attack, and is easier to use as an attack as well.
On to the good, I really love the art style of this game which feels like a cartoon come to life, something which they were moving closer to on 8 and then backtracked from on 9 and 10. The design of everything is just spot on and I really love the creativity on display as well as the fact that this feels like it has an actual story (something the X games aimed for but the core series usually lacked). The controls are smooth and responsive as they should be in any good Mega Man game and this helps to offset the difficulty of some levels (as does the store which has a lot of helpful items to allow the game to be as hard or easy as you choose to make it).
Four years later, The Legend of Zelda: A Link to the Past returned to the top-down view (under a 3/4 perspective), and added the concept of an alternate dimension, the Dark World. The game was released for the Super NES on November 21, 1991. It was later re-released for the Game Boy Advance on March 14, 2003, in North America, on a cartridge with Four Swords, the first multiplayer Zelda, and then through Nintendo's Virtual Console service on January 22, 2007. In addition, both this game (unchanged, except for being converted into a downloadable format) and an exclusive "loosely based" sequel (which used the same game engine) called BS Zelda no Densetsu Inishie no Sekiban were released on the Satellaview in Japan on March 2, 1997, and March 30, 1997, respectively.
The first installment of the series was released in Japan on December 18, 1987. Subsequent games are numbered and given a story unrelated to previous games, so the numbers refer to volumes rather than to sequels. Many Final Fantasy games have been localized for markets in North America, Europe, and Australia on numerous video game consoles, personal computers (PC), and mobile phones. Future installments will appear on seventh and eighth generation consoles. As of November 2016, the series includes the main installments from Final Fantasy to Final Fantasy XV, as well as direct sequels and spin-offs, both released and confirmed as being in development. Most of the older games have been remade or re-released on multiple platforms.
A reader brought to my attention this translation of an interview between one of the developers of the original Mega Man games (“A.K” in the credits) and one of the (probably more well-known) artists for some of the Rockman manga (he did Megamix, among many others). What I find amusing about this arrangement is ordinarily you would expect both of these men to be interviewed, rather than one of them interviewing the other.
The Princess throws the Ocarina of Time into the moat in front of Hyrule Castle Town for Link to retrieve; as he touches it, Zelda appears before him in a vision and teaches him the "Song of Time", the final key to the Sacred Realm. Ironically, since the final barrier in the Sacred Realm could only be broken by the chosen Hero of Time, had Zelda not attempted to retrieve Triforce before Ganondorf, the timeline split and tragedies of the Adult Timeline could have been avoided.
Since Mario Kart 64, all player-characters have been grouped into one of three distinct weight classifications. Smaller characters, labeled as "lightweights," have high acceleration but low top speeds, and lose a minimal amount of speed when off-road but are easily knocked aside by heavier opponents. Medium-sized characters, or "middleweights," have an equal balance of weight, top speed, and acceleration, and lose a moderate amount of speed when off-road. The largest characters, labeled as "heavyweights," can easily knock aside most opposing racers, have high top speeds but poor acceleration, and lose great amounts of speed when off-road.
Taking place in Cologne, Germany, on September 23, 2010, the video game music concert Symphonic Legends focused on music from Nintendo and, among others, featured games such as The Legend of Zelda. Following an intermission, the second half of the concert was entirely dedicated to an expansive symphonic poem dedicated to the series. The 35-minute epic tells the story of Link's evolution from child to hero.
The Princess responded by refusing to reveal it, even when her brother and the Magician threatened her. In his anger, the Magician put a powerful curse on the Princess, despite the objections of the new King. The exertions caused the Magician himself to drop dead after casting the spell, so he could not be induced to undo it. Devastated, the grieving brother had his sister locked in a tower of the North Castle, and decreed that every female born into the royal family would thereafter be named Zelda, in memory of the tragedy.
Back in the present time, Mega Man and Rush were finally closing in on Wily’s fortress, defeating the first four set of Robot Masters. After penetrating into Wily's lair, Mega Man finds another four Robot Masters awaiting him via teleporters. Mega Man manages to defeat all eight of his adversaries and engages his modified future self Quint in combat. After defeating him, Mega Man obtains his weapon, a pogostick-like device called the Sakugarne. With it, he makes his way to the new Wily Station in space and defeats him yet again.
In Legends and the Definitive Edition, Tetra is transported to Hyrule from the Era of the Great Sea in another dimension by a mysterious dark force that originate from her world. Link, Proxi, and the Hyrulean Forces are sent to investigate the recent warping of timespace by Impa and Zelda, as Impa convinces Zelda to remain at Hyrule Castle as Hyrule is still recovering from the battle with Ganon. Link and Proxi find Tetra defending Windfall Island from the Monster Forces lead by Boss Blin and join forces with Zelda's pirate counterpart though are unaware she is an incarnation of the Princess of Hyrule from another dimension. Boss Blin ends up driving Tetra's old adversary Helmaroc King whom Tetra despises from Forsaken Fortress causing it to attack the Hyrulean and Monster Forces while searching for a new place to roost forcing Tetra and the Hyrulean Forces to drive it away before taking on the Monster Forces and Boss Blin. However after Boss Blin is defeated Link and Proxi notice Helmaroc King kidnap Tetra once more as it had done during the Era of the Great Sea and chase after it to Gerudo Desert where the Monster Forces are guarding Gates of Souls. Lana arrives searching for Cia and Link informs her Tetra is an ally after she escapes from a sleeping Helmaroc King while it was roosting in the Arbiter's Grounds. After closing the Gates the Monster Forces join forces with Helmaroc King as it tries to retrieve Tetra but Tetra and the Hyrulean Forces defeat them. Tetra's ancestor King Daphnes Nohansen Hyrule appears afterwards and reveals the entity that stole Lana's Triforce of Power is responsible for Cia's disappearance after her defeat and the recent warping of timespace. He joins forces with Tetra and the Hyrulean Forces to save Cia who has been imprisoned in the Temple of Souls. There they find her doppleganger Dark Cia draining Cia's magic. They rescue her causing Cia to have a change of heart after having been saved by her former enemies. Cia joins forces with them to defeat Dark Cia. After Dark Cia's defeated Cia regains her magic and reveals the one responsible for creating Dark Cia and stealing the Triforce of Power is Phantom Ganon the artificial phantom of Ganondorf from the Era of the Great Sea. The Hyrulean Forces then travel to Phantom Ganon's stronghold in the merged Wind and Earth Temples. Tetra, King Daphnes, Link, Lana, and Cia manage to combine their power to weaken Phantom Ganon allowing the Hyrulean Forces to defeat him.
100 hundred years later, Zelda telepathically speaks to an awakened Link, giving him words of advice. At Hyrule Castle, Zelda aids Link in his battle with Calamity Ganon's second form, Dark Beast Ganon, gifting him with the Light Bow and giving him advice on how to defeat him. After Link hits Ganon's weak spot, Zelda herself appears, freed from her own sealing magic. She then uses her powers to seal away Ganon for good, entrapping him in an explosion of light. As she and Link reunite face-to-face for the first time in a hundred years, she asks him with a smile if he remembers her. At the end of the game, Link and Zelda walk towards their horses to begin their new adventure together. Interestingly, it is revealed by Kass after completing all of his shrine quest riddles, that his mentor had been in love with the princess, yet noticed she "only had eyes for her appointed knight". This hints that Zelda holds deep feelings toward Link, with it being unclear if Link reciprocates these feelings.
Up until Breath of the Wild, the Legend of Zelda series avoided using voice acting in speaking roles, relying instead on written dialogue. Series producer Eiji Aonuma previously stated that as Link is entirely mute, having the other characters speak while Link remains silent "would be off-putting". Instead of theme music for different locations, Breath of the Wild plays natural ambience around the player as main sounds, in addition to some minimalist piano music.
For the original Final Fantasy, Sakaguchi required a larger production team than Square's previous games. He began crafting the game's story while experimenting with gameplay ideas. Once the gameplay system and game world size were established, Sakaguchi integrated his story ideas into the available resources. A different approach has been taken for subsequent games; the story is completed first and the game built around it. Designers have never been restricted by consistency, though most feel each game should have a minimum number of common elements. The development teams strive to create completely new worlds for each game, and avoid making new games too similar to previous ones. Game locations are conceptualized early in development and design details like building parts are fleshed out as a base for entire structures.
While I can overlook and even grudgingly appreciate the graphics, it’s the sound that is Mega Man 11’s biggest oversight. For a series so famous for its tunes, the sedate, repetitive, techno background is a real letdown: Why not just use cool, retro-sounding chiptunes like the rest of the games if you don’t have any strong new musical ideas? Mega Man 11 also has some terrifically bad voice acting, which I actually got a kick out of -- but eventually, the repetitive callouts (Speed Gear!) got on my coworkers’ nerves, prompting them to politely ask me to turn it down. You can choose to view subtitles and hear what few dialogue lines there are in Japanese, but if you did that you’d be missing out on Mega Man’s new, rich baritone -- only in English! I guess after 10 games in 31 years he really has become a Man.
The game is maybe 10-15% story missions, and the rest mostly filler sidequests. The story missions are fairly enjoyable, and the dungeons especially are probably the high points for the game in general (actual plot happening, interesting/funny chatter, unique enemies, often very beautiful scenery - the one in the Vesperwood is my favorite so far). It's a shame that there aren't more important sidequests. Previous entries in the FF series had more benefits from sidequests than just extra gil/consumables or a decent new weapon. There was more lore, more character-building.. but the majority of these sidequests just feel like busywork.
Typically, characters can equip armor, weapons and accessories, where armor provides defensive boosts, weapons determine the strength and type of the attacks used, and accessories provide various supporting abilities or bonuses. There are rarely optimal sets of armor or accessories, though many games feature ultimate weapons for each character, often involving sidequests to obtain them.
Toward the end of Spirit Tracks, before the final battle against Malladus, Zelda is reunited with her body, and is no longer able to levitate. Link runs underneath her to catch her as she falls, and she lands on top of him and knocks them both to the ground. Upon awakening, Zelda, overjoyed to have her body back, embraces Link, causing him to blush. Finally, after Malladus is defeated, Zelda and Link watch Anjean and Byrne's spirits ascend to the heavens. The camera then lowers to show Zelda and Link holding hands while Zelda's Lullaby plays in the background. After the credits, a short cut-scene shows Zelda gazing at a picture of Link on the Spirit Train with her flying beside him, which she keeps on her desk. She may also wave at Link depending on his answer to a question Zelda asked him during the events of the story.
Dr. Wily once again sets his sights on world domination. This time, he revives several of his Robot Masters based on those of Light's designs, giving them another chance to do battle with Mega Man. Four Robot Masters rampage across the globe, so Dr. Light sends Mega Man out to stop them. Once they are taken down, Mega Man heads to Wily's fortress only to discover that four more Robot Masters await him there. To make matters worse, Dr. Wily has constructed a new powerful robot, a Mega Man Killer known as Enker. Enker has the ability to absorb Mega Man's shots with his lance and return a powerful blast of energy at him with his Mirror Buster; however, Enker is defeated, and Mega Man chases Wily to the Wily Station, using Enker's own Mirror Buster to defeat him.
According to GamesRadar, the Mega Man games were the first to feature a non-linear "level select" option. This was a stark contrast to both linear games (like Super Mario Bros.) and open world games (like The Legend of Zelda and Metroid). GamesRadar credits the "level select" feature of Mega Man as the basis for the non-linear mission structure found in most open-world, multi-mission, sidequest-heavy games, including modern games like Grand Theft Auto, Red Dead Redemption and Spider-Man: Shattered Dimensions. In Street Fighter: Assassin's Fist tenth episode "Raging Demon", Ryu and Ken were seen playing Mega Man 2 from a gift from Ken's father.
Though the MMO releases, Final Fantasy XI and Final Fantasy XIV, are members of the main series, with the exception of some abilities, some equipment, and the job system, they deviate from the traditional gameplay format due to their nature as games of a different genre. The MMOs are free-roaming with enemies appearing on the field, rarely use traditional menu systems (instead abilities are selected from a player-customized list) and use various features typical of MMO games. Being multiplayer games they include player interaction as well as trading between players. The player does not control a party, but multiple players can form one to fight in dungeons and against bosses.
A series of video games was developed and released for the Philips CD-i in the early 1990s as a product of a compromise between Philips and Nintendo, after the companies failed to develop a CD-ROM peripheral for the Super NES. Created independently with no observation by or influence from Nintendo, the games are Link: The Faces of Evil and Zelda: The Wand of Gamelon, together with Zelda's Adventure. Nintendo never acknowledged them in the Zelda timeline, and they are considered to be in a separate, self-contained canon. These games are widely acknowledged to be the worst installments in the series.
Princess Zelda returns as a playable character in the fifth installment of Super Smash Bros. Her appearance is now based on her design from A Link Between Worlds, since Masahiro Sakurai and the developers felt her Breath of the Wild incarnation was more suited to research than combat. In the Japanese trailer, however, it lists the basis of her appearance as being Triforce of the Gods, or A Link to the Past. Her move set is largely the same as previous games with some adjustments. However, Zelda's Final Smash has changed from the Light Arrow to the Triforce of Wisdom, which will trap opponents inside the titular Triforce piece for huge damage.
At its core, Deluxe is the same great title from Wii U. Racing up a wall is still disorienting fun, and taking the perfect shot with your green shell is satisfying as ever. Even with all the hours I poured into the original Wii U release, I still love the thrill of coming from behind in the final lap to win the race. Of course, some of that is thanks to the questionable rubber-band A.I. that has always been a sticking point of the series, but fans accepted that pitfall as a series mainstay long ago.
Biggs and Wedge, inspired by two Star Wars characters of the same name, appear in numerous games as minor characters, sometimes as comic relief. The later games in the series feature several males with effeminate characteristics. Recurring creatures include Chocobos and Moogles. Chocobos are large, often flightless birds that appear in several installments as a means of long-distance travel for characters. Moogles, on the other hand, are white, stout creatures resembling teddy bears with wings and a single antenna. They serve different capacities in games including mail delivery, weaponsmiths, party members, and saving the game. Chocobo and Moogle appearances are often accompanied by specific musical themes that have been arranged differently for separate games.
Though she is never actually shown using them in core Zelda games, she can use the spells Nayru's Love, Farore's Wind, and Din's Fire in the spin-off Hyrule Warriors game and the non-canon Super Smash Bros. series. Additionally Zelda is also a capable military commander in Hyrule Warriors and can manipulate light-based magic energy to create balls of light or a triangular field of light that causes light energy to erupt from the ground.
around 37% beams Mega Man fires a Black Hole Bomb forward. After shooting, the bomb will detonate after a set distance, but can be detonated prematurely by pressing the special move button or if the bomb touches another player, causing 1%. Pressing the button again will instantly force the bomb to suck the opponent(s), dealing 1-2%. If anyone touches the black hole, they will be sucked in. A cutscene then occurs where Mega Man summons his other four incarnations: X, MegaMan.EXE, MegaMan Volnutt and Star Force Mega Man. All five proceed to charge their respective Busters and fire energy beams at the opponent, causing around 37% damage. It KOs at mid-high damage percentages, starting at 58%.
The Zelda from Hyrule Warriors is also shown to be a talented conductor who can wield various Batons, including the legendary Wind Waker. Her ability to wield the Wind Waker is considerably better than Link's, as she can manipulate the wind to lift her off the ground as a form of levitation. In addition to her Batons and Rapiers, Zelda can also wield Dominion Rods that allow her to command and control Hammer Guardians and Owl Statues.
Mario Kart Wii's Battle mode is similar to that seen in previous installments in which players drive around an enclosed arena and attack each other using items. The players are divided into two teams, red and blue, and teammates cannot harm each other with their items. There are two variants of Battle mode available: Balloon Battle and Coin Runners. In Balloon Battle, each player's kart has three attached balloons. A player gains a point each time they pop or steal a balloon belonging to an opposing team player, but loses a point each time they lose all balloons. In Coin Runners, the players collect coins scattered throughout the arena and attack opposing team members to make them drop coins. The team that has accumulated the most points or coins total when the three-minute time limit expires wins.
In 2011, to coincide with the 25th anniversary of the series, an art book was published exclusively in Japan under the name Hyrule Historia by Shogakukan. It contains concept art from the series's conception to the release of Skyward Sword in 2011 and multiple essays about the production of the games, as well as an overarching timeline of the series. It also includes a prequel manga to Skyward Sword by Zelda manga duo Akira Himekawa. The book received an international release by publisher Dark Horse Comics on January 29, 2013; it took the number one spot on Amazon's sales chart, taking the spot away from E. L. James's 50 Shades of Grey trilogy. Dark Horse released The Legend of Zelda: Art & Artifacts, a follow-up art book to Hyrule Historia containing additional artwork and interviews, in North America on February 21, 2017, and in Europe on February 23, 2017.