Though the Gerudo people had originally been against Urbosa becoming a Champion, after her death and Zelda's sealing of Ganon, they chose to remain loyal to Hyrule and as a result Riju and her bodyguard Buliara aided Link a century later out of respect for Lady Urbosa and Princess Zelda whom through Impa had tasked Link in freeing Vah Naboris. Though Riju had only heard of Zelda through legends, she respected her and the two even share similar backgrounds as Riju lost her mother forcing her to bear the burden of becoming Gerudo Chieftain. Riju even recognized the Sheikah Slate Link carried had belonged to Zelda previously showing she is well informed. Riju however like Zelda ultimately proves herself a capable leader despite her own doubts with Link's help. Presumably after Ganon's defeat, Zelda and Riju would work together to rebuild Hyrule and might even bond over their similar backgrounds.
At the story's start, she takes Link, whom she has been childhood friends with since they were infants, to the Picori Festival in Hyrule Town. During the ceremony following the Picori Festival Tournament, she is turned into stone by the winner, Vaati. Vaati is an evil mage searching for a legendary Light Force, and knowing Zelda has mystical powers of her own, he wants to keep her out of the way. Later, discovering that her power is, in fact, the Light Force, Vaati invades Hyrule Castle and abducts the petrified Princess, planning to sacrifice her and become a god. Link, after reforging the Four Sword, attacks the castle and faces off against Vaati. Upon defeating the evil mage, Link uses the power of the Four Sword to restore Zelda, who tells Link she had seen him on his adventure as if through a dream, to normal. Zelda then uses the power of the Magic Cap and Light Force to return Hyrule to its natural state. The overflowing power of life causes the Minish Cap to break apart. Ezlo then states that Zelda's kindness as well as the power of the Minish Cap (or Light Force, in the Japanese version of the game) created a miracle. With the time to part nearing, Zelda and Link see Ezlo off as he returns to the Minish World.
That's good to see....though it's very weird they're doing this in Asia only, and not the US where this game would have shown much better performance with retail shelf visibility during the Christmas rush, given the family friendly nature. I really have no idea what on Earth Squeenix was thinking with how they've handled the release of this game. I'm not sure Squeenix knows either...it's kind of their M.O. these days....
When Link awakens from his seven-year slumber in the Sacred Realm, he encounters Zelda, disguised as a young man of about Link's age named Sheik, who claims to be a survivor of the Sheikah Tribe. Thereafter, Sheik gives Link clues to the locations of the various temples, and teaches him special songs enabling him to warp to specific points near these temples.
The series' most basic plots revolve around the cast fighting an antagonist who aims to destroy or conquer the world while coping with their own struggles. The characters are often part of a small resistance against one or more larger powers, and each tend to have different motivations within their own groups. There is a sense of desperation, as the characters fight for everything they hold dear. The plots vary from being overall light-hearted, such as Final Fantasy III or Final Fantasy V, to being more grim and realistic, such as Final Fantasy II or Final Fantasy VII, though many, such as Final Fantasy IX and Final Fantasy XIV, are a mix.
It's just okay. The new fully real-time battle system is interesting and even entertaining as long as you don't have like ten enemies swarming you, making it nigh-impossible to make sense of the situation with like five enemies coming in to parry. Wait Mode does help with this, but it feels a little awkward as whenever you stop moving, the screen freezes so you can plan your action, which breaks the flow of combat if it wasn't needed at that moment.
Ich bin damit einverstanden, den EMP-Newsletter zu erhalten und willige ein, dass die E.M.P. Merchandising Handelsgesellschaft mbH meine personenbezogenen Daten verarbeitet um mich individuell und regelmäßig über ihr Angebot zu informieren. Die Verarbeitung meiner personenbezogenen Daten erfolgt entsprechend den Bestimmungen in der Datenschutzerklärung. Ich kann meine Einwilligung gegenüber der E.M.P. Merchandising Handelsgesellschaft mbH jederzeit widerrufen.
The Legend of Zelda series has crossed-over into a number of other Nintendo and third party video games. Most prominent of the collaborations would be in the Super Smash Bros. series of fighting games published by Nintendo. Link appears as a fighter in Super Smash Bros. for the Nintendo 64, the first entry in the series, and is part of the roster in all subsequent releases in the series as well. Zelda, (who is able to transform into Sheik as well), Ganondorf, and Young Link (the child version of Link from Ocarina of Time) were added to the player roster for Super Smash Bros. Melee, and appeared in all subsequent releases except for "Young Link", who is later replaced by "Toon Link" from The Wind Waker, in subsequent releases Super Smash Bros. Brawl and Super Smash Bros. for Nintendo 3DS and Wii U however, both Young Link and Toon Link appear in the fifth installment, Super Smash Bros. Ultimate. Other elements from the series, such as locations and items, are also included throughout the Smash Bros. series. Outside of the series, Nintendo allowed for the use of Link as a playable character exclusively in the GameCube release of Namco's fighting game Soulcalibur II.[114]
-The N64 Rainbow Road retro track has been ruined. I was so pumped up for the return of this epic track, only now it's not so epic. Somehow they turned it from being the longest track in the series to easily the shortest track in this entire game. The track has great music, and comes off looking epic with all the flashy stuff and fireworks, but it's really over in like a minute. Sucks if you got off to a rough start because there's not much time to make up for that. The reasoning for this track being ruined is that you only do one lap around now, one full lap, split into 3 sections. Seeing as to how it was so long on the N64 version that you only did 2 laps, you're still only doing half the race. The track is still shorter because you're now going through it faster. I now want them to fix this track to be how it should have been, one of my favorite tracks has been made to be a huge disappointment.

However Urbosa's Diary reveals that Urbosa has known Zelda for most of her life as the Queen of Hyrule brought the newborn Zelda to Gerudo Town as she and Gerudo Chieftain Urbosa were close friends in addition to being sworn allies. When the Queen died suddenly when Zelda was six, Urbosa attended the state funeral as both Gerudo Chieftain and a friend. However she worried about Zelda to the point a year after the funeral she went to Hyrule Castle to find out how Zelda was coping and even accompanied Zelda to the Spring of Power in place of Zelda's mother who was originally supposed to oversee Zelda's training but her death occured before Zelda began her training. Urbosa watched as Zelda fervently prayed to Hylia in the cold water until Urbosa was forced to pull her out causing Zelda to break down from all the pressure she was under along with her holding in her grief. Urbosa consoled Zelda as she let out all the emotions and grief she had been suppressing. Urbosa was one of the few people who understood the pressure Zelda was under and also was aware of the fact Zelda had been putting on a brave face after her mother's death while in truth grieved her mother's death as much if not more so than Urbosa and her father. Urbosa and Zelda became friends with Urbosa acting as a surrogate mother or aunt figure to Zelda. In addition to Urbosa's hatred of Ganon due to his origins as Ganondorf, Urbosa became a Champion to support Zelda despite her own people and advisers being against it. Urbosa however did her best to assist Link in finding Zelda when she abused Gerudo Town law to allude Link's protection detail and hoped the two would eventually get along showing while she cared for Zelda she did not share Zelda's biased opinion towards Link and likely recognized Zelda resented Link's talent given her struggles to awaken her power which Urbosa witnessed first hand. Like Link, Urbosa was fiercely protective of Zelda as she foiled an assassination attempt by the Yiga Clan and was prepared to kill them though relented when Zelda requested their lives be spared as the Yiga were simply misguided Sheikah angered over their peoples mistreatment in the past. However Urbosa had her soldiers gather intel on the Yiga Clan as they were still servents of Ganon. She was pleased Zelda and Link started getting along after Link had foiled another assassination attempt. As signs of Ganon's imminent return increased, Urbosa feared Zelda would run out of time to awaken her power and chose to pray to the late Queen of Hyrule's spirit instead of Hylia who failed to answer Zelda's prayers indicating Urbosa had more faith in Zelda's mother than Hylia. Additionally Urbosa took up the late Queen's habit of affectionately calling Zelda her little bird.
After a five-year hiatus, the series made the transition to 3D with Ocarina of Time for the Nintendo 64, which was released in November 1998. This game, initially known as Zelda 64, retains the core gameplay of the previous 2D games, and was very successful commercially and critically. It is considered by many critics and gamers to be the best video game of all time, and ranks highly on IGN and EGM's "greatest games of all time" lists, as well as scoring perfect scores in several video game publications.[62] In February 2006, it was ranked by Nintendo Power as the best game released for a Nintendo console.[63] The game was originally developed for the poorly selling, Japanese-only Nintendo 64DD, but was ported to cartridge format when the 64DD hardware was delayed.[64] A new gameplay mechanic, lock-on targeting (called "Z-targeting" as that is the controller button used), is used in the game, which focuses the camera on a nearby target and alters the player's actions relative to that target.[65] Such mechanics allow precise sword fighting in a 3D space. The game heavily uses context-sensitive button play, which enabled the player to control various actions with Link using only one button on the Nintendo 64's game pad. Each action was handled slightly differently but all used the 'A' button to perform. For instance, standing next to a block and pressing 'A' made Link grab it (enabling him to push/pull it), but moving forwards into a block and pressing 'A' allowed Link to climb the block. The 'B' button was used only as an attack button. The game featured the first appearance of Link's horse, Epona, allowing Link to travel quickly across land and fire arrows from horseback. Those who preordered the game received a gold-coloured cartridge in a limited edition box with a golden plastic card affixed, reading "Collector's Edition".[66] In some stores that had this "Collector's Edition" quickly sell out, a small and rare Zelda pin was given instead. It is the sword and shield emblem with "Zelda" written on it. Very few of them are known to remain.
The voice acting is surprisingly good. For fans of previous games in the series the voice acting has been laughably bad (especially Mega Man 8), but here they sound really good and well delivered. I wish I could say the same for the music. It's not bad, it just doesn't always feel like Mega Man music. A lot of it has this techno and electronica vibe. It's competent but there's nothing here that sticks out as well Wily's Fortress in Mega Man 2, the entirety of Mega Man 9's soundtrack or anything even coming close to some of the tracks you've heard in other Mega Man games. The music overall can be relaxing but you're not likely to find them sticking too firmly in your mind when all is said and done.
Mario Kart: Double Dash!! features co-operative LAN play and two-player karts.[3] It also introduces eleven new playable characters (Princess Daisy, Birdo, Baby Mario, Baby Luigi, Paratroopa, Diddy Kong, Bowser Jr., Waluigi, Toadette, Petey Piranha, and King Boo). The game also features special items that are specific to each character. Finally, this game introduced unlockable characters and karts to the series.
Once rescued from Vaati, Link and Zelda flee down the Tower of Winds, similar to the escape from Ganon's Tower in Ocarina of Time. Zelda must be protected from damage during this escape. When nearing the exit however, the four Links and Zelda are sent tumbling deep beneath the tower by Ganon. While the four Link's are out cold, Zelda attempts to seal away Ganon with her magic, but is instead stopped and sealed away by Ganon himself. The four Links fight Ganon together, and eventually weaken him enough to break the seal on Zelda. Zelda then fights Ganon alongside the Links much like in The Wind Waker. While she does not wield the Light Arrows by name, she does wield a ball of light energy which, coupled with Link's arrows, serves the same function of the Light Arrows, stunning Ganon long enough for him to be drawn into the Four Sword. She must be protected from Ganon's attacks so the ball of light energy can become big enough to contain Ganon's evil might.
The series portrays an overt romantic relationship between the two protagonists. Link is always begging Zelda for a kiss; however, even when she agrees to indulge him, it never occurs. They are interrupted by monsters, or Spryte, or any number of unfortunate circumstances. It is directly revealed that Zelda loves Link in one episode, and there is no doubt of their romantic relationship in this series. Thirteen of these cartoons were produced before the cancellation of The Super Mario Bros. Super Show. Princess Zelda was voiced by Cynthia Preston in the cartoon.

There is so. much. waiting. in this game. Loading times are poorly optimized and take FOREVER if you aren't teleporting to somewhere close by where you just were. I'd say I'm spoiled by PC load times, except my old PC is a hunk of junk compared to the PS4's hardware. Driving is entirely uninteresting (save when you're doing the story driving missions, at least people talk then), and you have nothing at all to do in the up to 10 minute driving time except get suckered into nostalgia by the older FF soundtracks you can play, or look at the scenery. I should never have to pull out my cellphone and mess around on it out of boredom while I'm doing something that's supposed to be fun. It might also help to note that while you can "drive," it's pretty much an on-the-rails experience. If you try to veer too far to the right or left, Noctis will automatically correct it for you. So after trying it out once or twice, you're probably going to let your nanny/butler Ignis do the driving for you.
Overall, the Final Fantasy series has been critically acclaimed and commercially successful, though each installment has seen different levels of success. The series has seen a steady increase in total sales; it sold over 10 million units worldwide by early 1996,[134] 45 million by August 2003, 63 million by December 2005, and 85 million by July 2008.[135][136][137] In June 2011, Square Enix announced that the series had sold over 100 million units,[138] and by March 2014, it had sold over 110 million units.[139] Its high sales numbers have ranked it as one of the best-selling video game franchises in the industry; in January 2007, the series was listed as number three, and later in July as number four.[46][140] As of 2018, the series has sold over 142 million units worldwide.[141]
In 2001, under license from Nintendo, Capcom cancelled the release of The Legend of Zelda: Mystical Seed of Courage for Game Boy Color. Working with a Capcom team, Yoshiki Okamoto was originally tasked with designing a series of three Zelda games for the Game Boy Color.[104] Referred to as the "Triforce Series",[105] the games were known as The Legend of Zelda: The Mysterious Acorn: Chapter of Power, Chapter of Wisdom, and Chapter of Courage in Japan[106] and The Legend of Zelda: Mystical Seed of Power, Mystical Seed of Wisdom, and Mystical Seed of Courage in the US.[107] The games were to interact using a password system,[105] but the limitations of this system and the difficulty of coordinating three games proved too complicated, so the team scaled back to two games at Miyamoto's suggestion.[108][109] The Legend of Zelda: Oracle of Seasons was adapted from Mystical Seed of Power, The Legend of Zelda: Oracle of Ages was adapted from Mystical Seed of Wisdom, and Mystical Seed of Courage was cancelled.[105]
Um dies zu bewerkstelligen, gilt es, eine Vielzahl an Verliesen zu erkunden und Bosse zu besiegen. Dabei darf die Suche nach neuen Gegenständen und Schätzen natürlich nicht unterschätzt werden. Die Welt ist vollgepackt mit Abenteuern, die es zu bestehen gilt! Obwohl die unterschiedlichen Spiele zu verschiedenen Zeiten und später sogar an neuen Handlungsorten spielen, wird The Legend of Zelda immer thematisch zusammengehalten.
Artistic design, including character and monster creations, was handled by Japanese artist Yoshitaka Amano from Final Fantasy through Final Fantasy VI. Amano also handled title logo designs for all of the main series and the image illustrations from Final Fantasy VII onward.[101] Tetsuya Nomura was chosen to replace Amano because Nomura's designs were more adaptable to 3D graphics. He worked with the series from Final Fantasy VII through Final Fantasy X;[74][101] for Final Fantasy IX, however, character designs were handled by Shukō Murase, Toshiyuki Itahana, and Shin Nagasawa.[111] Nomura is also the character designer of the Kingdom Hearts series, Compilation of Final Fantasy VII, and Fabula Nova Crystallis: Final Fantasy.[112] Other designers include Nobuyoshi Mihara and Akihiko Yoshida. Mihara was the character designer for Final Fantasy XI, and Yoshida served as character designer for Final Fantasy Tactics, the Square-produced Vagrant Story, and Final Fantasy XII.[40][113]
It's just okay. The new fully real-time battle system is interesting and even entertaining as long as you don't have like ten enemies swarming you, making it nigh-impossible to make sense of the situation with like five enemies coming in to parry. Wait Mode does help with this, but it feels a little awkward as whenever you stop moving, the screen freezes so you can plan your action, which breaks the flow of combat if it wasn't needed at that moment.
It was shown that Fi respects Zelda much like how she respects Link. She also cared for Zelda's safety like Link did as shown throughout the adventure. When shown talking to Zelda, Fi initially called her "Hylia, Your Grace" before asking whether she preferred being called Zelda. This was followed with Fi stating that she was pleased to know Zelda is in safe hands. Fi's respect for Zelda is likely the due to Zelda being the reincarnation of her creator, the goddess Hylia.
Square Enix has expanded the Final Fantasy series into various media. Multiple anime and computer-generated imagery (CGI) films have been produced that are based either on individual Final Fantasy games or on the series as a whole. The first was an original video animation (OVA), Final Fantasy: Legend of the Crystals, a sequel to Final Fantasy V. The story was set in the same world as the game, although 200 years in the future. It was released as four 30-minute episodes, first in Japan in 1994 and later in the United States by Urban Vision in 1998. In 2001, Square Pictures released its first feature film, Final Fantasy: The Spirits Within. The film is set on a future Earth invaded by alien life forms.[45] The Spirits Within was the first animated feature to seriously attempt to portray photorealistic CGI humans, but was considered a box office bomb and garnered mixed reviews.[45][46][47]
As in his home series, Mega Man's moveset relies heavily on various projectiles, giving his attacks unusual functions and characteristics. This extends beyond his special moves and into his standard moveset. For his neutral attack, he fires shots from his Mega Buster, and for his forward tilt, he fires shots from his Mega Buster while walking. His up tilt, the Mega Upper, is a jumping uppercut, and his down tilt is a forward slide.

+The beautiful art style makes up for anything lacking in the graphics department. The Wii U and Switch are not on par with the PS4 and Xbox One, so don't expect that type of beauty, but the art style truly does make a big difference. Nintendo has always been king when it comes to gorgeous art and design. Exploration is one of the game's biggest draws. Conquering the 100+ shrines is amazing!
Upon defeating Terra, Mega Man finds out that his nemesis, Dr. Wily, was ordering the Stardroids to dominate Earth. Mega Man sets off to the mad scientist's new base, the Wily Star to stop him. In the base, Mega Man has rematches with the Mega Man Killers, before facing off against the eight Stardroids once more (strangely, Terra does not appear again). After Wily is stopped once again himself, he releases a mysterious and ancient robot called Sunstar to destroy Mega Man. However, Sunstar disobeys and attacks Wily instead, and then turns his attention to Mega Man. The hero wins the battle and tries to convince Sunstar to be repaired by Dr. Light. However, while Sunstar would like to see such a world, he is already too badly damaged, and minutes later he explodes, taking the Wily Star with him. Mega Man escapes using Rush, and in the game's epilogue he again walks through the field seen in the opening sequence, pondering the recent events, when Wily makes one last, unsuccessful attempt to attack him. The game ends with Mega Man chasing Wily off the screen.
Zelda was the young matriarch of Hyrule until its invasion by Zant, the Twilight King, to whom she surrendered in order to prevent the death of her people. Subsequently, she is imprisoned inside a tower in Hyrule Castle, although unlike her people, she does not become a spirit under the influence of the Twilight (possibly due to her implied possession of the Triforce of Wisdom). It is here that she meets Link, transformed into a wolf by the Twilight's power, though their conversation is cut short due to the arrival of her guard.

Valiant Comics released a short series of comics featuring characters and settings from the Zelda cartoon as part of their Nintendo Comics System line. Manga adaptations of many entries in the series, including A Link to the Past, Ocarina of Time, Majora's Mask, Oracle of Seasons and Oracle of Ages, Four Swords Adventures, The Minish Cap, and Phantom Hourglass, have been produced under license from Nintendo, mostly in Japan. These cartoons are usually not involved with the chronology of the actual games.[clarification needed]


I was worried when I first saw Mega Man 11. Mega Man series lead Keiji Inafune had left Capcom in 2010, going on to make his own Mega Man clone. The new art style initially turned me off as well, as it was not as immediately appealing as the 80s-inspired throwbacks seen in Mega Man 9 and 10. But Mega Man 11 won me over with its delightfully amped-up difficulty and cool time-stopping ability that makes its challenges (barely) possible. The moments I had to take in the scenery were few, but Mega Man 11 taught me that feeling like Mega Man is more important than looking like Mega Man.

Early on in the timeline of the series, the original Zelda, while born as a Hylian, is the mortal incarnation of the Goddess Hylia.[18] Carrying on this divine blood, her female descendants are often named after her and are always the crown princess of Hyrule throughout its history.[3][19][20][21][22] Several princesses within the bloodline are also the possessor of the Triforce of Wisdom, imbued with the essence of the Goddess Nayru.[3][23][24] The essence of Nayru affords each Zelda divine wisdom, allowing them to discern the wisest decisions, especially in situations concerning the welfare of Hyrule. It grants them a myriad of mystical abilities, including the ability to heal others, though there is a possibility that this could also be an effect of their bloodline passing down Hylia's own powers and, later, the Light Force. Each incarnation of Zelda uses their powers to keep evil in check.
Because of the limitations of the LCD screen, there is no elaborate ending sequence. When the eighth dragon has been defeated, Princess Zelda walks out of her prison and right up to Link (just as she does in The Adventure of Link) as if to embrace him, but the animation ends just before they meet, leaving the end result up to the player's imagination.

Zelda's B button attacks lend themselves to this defensive style of play as well. Din's Fire is a long range setup attack allowing the player to control a guided fire "mine," which explodes upon release. Nayru's Love is a crystal shield which not only reflects projectiles, but damages nearby enemies and pushes them away. Farore's Wind is Zelda's third jump, a teleport move which can be directed and has enormous range, but leaves her somewhat vulnerable. If Zelda invokes the teleport while physically touching an enemy character, that character will take damage, but this is very hard to pull off in practice. Fans may remember her three magic attacks as the same ones Link acquired in Ocarina of Time, albeit with quite different applications. Instead of a fourth attack, her final command is the transformation to Sheik.
…which is nothing compared to how online play is like. I will admit that I have seen some pretty nasty moves that other players have pulled like people in lower places firing behind them a lot even though they are clearly in range of the racers ahead of them. Other instances where racers shoot each other a lot can end up giving first place an even bigger lead due to constant sabotage. I have ran into some instances where I was hit more times than the AI does in a single race. You could be doing so well and be on the final stretch when a blue shell appears and blows you up, then end up getting hit by other players so many times, that you end up in last place.
There is so. much. waiting. in this game. Loading times are poorly optimized and take FOREVER if you aren't teleporting to somewhere close by where you just were. I'd say I'm spoiled by PC load times, except my old PC is a hunk of junk compared to the PS4's hardware. Driving is entirely uninteresting (save when you're doing the story driving missions, at least people talk then), and you have nothing at all to do in the up to 10 minute driving time except get suckered into nostalgia by the older FF soundtracks you can play, or look at the scenery. I should never have to pull out my cellphone and mess around on it out of boredom while I'm doing something that's supposed to be fun. It might also help to note that while you can "drive," it's pretty much an on-the-rails experience. If you try to veer too far to the right or left, Noctis will automatically correct it for you. So after trying it out once or twice, you're probably going to let your nanny/butler Ignis do the driving for you.
After Link finds a second Gate of Time and goes to the past, he meets up with Zelda there. It is then revealed that Zelda is the reincarnation of Hylia. She also confesses to manipulating Link's feelings for her (as Hylia) so that he could fulfill his destiny, a deed for which she is very remorseful. In order to maintain Demise's imprisonment, Zelda seals herself. While doing so, Zelda asks Link for him to wake her up when his mission is complete.
The game indeed reversed Square's lagging fortunes, and it became the company's flagship franchise.[46][93] Following the success, Square immediately developed a second installment. Because Sakaguchi assumed Final Fantasy would be a stand-alone game, its story was not designed to be expanded by a sequel. The developers instead chose to carry over only thematic similarities from its predecessor, while some of the gameplay elements, such as the character advancement system, were overhauled. This approach has continued throughout the series; each major Final Fantasy game features a new setting, a new cast of characters, and an upgraded battle system.[5] Video game writer John Harris attributed the concept of reworking the game system of each installment to Nihon Falcom's Dragon Slayer series,[97] with which Square was previously involved as a publisher.[98] The company regularly released new games in the main series. However, the time between the releases of Final Fantasy XI (2002), Final Fantasy XII (2006), and Final Fantasy XIII (2009) were much longer than previous games. Following Final Fantasy XIV, Square Enix stated that it intended to release Final Fantasy games either annually or biennially. This switch was to mimic the development cycles of Western games in the Call of Duty, Assassin's Creed and Battlefield series, as well as maintain fan-interest.[99]
Back in the present time, Mega Man and Rush were finally closing in on Wily’s fortress, defeating the first four set of Robot Masters. After penetrating into Wily's lair, Mega Man finds another four Robot Masters awaiting him via teleporters. Mega Man manages to defeat all eight of his adversaries and engages his modified future self Quint in combat. After defeating him, Mega Man obtains his weapon, a pogostick-like device called the Sakugarne. With it, he makes his way to the new Wily Station in space and defeats him yet again.
Japanese figurines of Mario, Luigi, Peach, Toad, Yoshi, Wario, Donkey Kong, and Bowser are also available for purchase as well as for Mario Kart 64, figures of Mario, Luigi, Wario, Bowser, Donkey Kong, and Yoshi were made by Toybiz. There are also Sound Drops inspired by Mario Kart Wii with eight sounds from the game. A land-line telephone featuring Mario holding a lightning bolt while seated in his kart, has also been marketed.
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