One of the features of the series is the use of various power-up items obtained by driving into item boxes laid out on the course. These power-ups include mushrooms to give players a speed boost, Koopa Shells to be thrown at opponents, banana peels, and fake item boxes that can be laid on the course as hazards. The type of weapon received from an item box is influenced by the player's current position in the race. For example, players lagging far behind may receive more powerful items while the leader may only receive small defensive items. Called rubber banding, this gameplay mechanism allows other players or computers a realistic chance to catch up to the leading player.
When Nintendo revealed the GameCube on August 24, 2000, the day before Nintendo's SpaceWorld 2000 exposition, a software demonstration showed a realistically styled real-time duel between Ganondorf and Link. Fans and the media speculated that the battle might be from a Zelda game in development. At Spaceworld 2001, Nintendo showed a cel-shaded Zelda game, later released as The Wind Waker in December 2002. Due to poor reception, nothing further was shown until a playable demonstration was ready. Miyamoto felt The Wind Waker would "extend Zelda's reach to all ages". The gameplay centres on controlling wind with a baton called the "Wind Waker" and sailing a small boat around an island-filled ocean, retaining similar gameplay mechanics as the previous 3D games in the series.
When it came to Mega Man 9, the one most people considered the hardest, I didn't really think it was that bad, the difficultly never felt punishing and it was usually fair in how many power-ups you were given and how the levels got steadily harder as you went along. Then came 10 which I thought was just WAY too hard and not in a good way. Where 9 felt balanced, 10 felt cheap and I found myself dying over and over for the stupidest reasons before finally just giving up on the game.
Since Mario Kart 64, all player-characters have been grouped into one of three distinct weight classifications. Smaller characters, labeled as "lightweights," have high acceleration but low top speeds, and lose a minimal amount of speed when off-road but are easily knocked aside by heavier opponents. Medium-sized characters, or "middleweights," have an equal balance of weight, top speed, and acceleration, and lose a moderate amount of speed when off-road. The largest characters, labeled as "heavyweights," can easily knock aside most opposing racers, have high top speeds but poor acceleration, and lose great amounts of speed when off-road.
In some games, lines of coins are found on the courses, which if run over and collected, will increase a kart's top speed and can be used to unlock kart parts. Having coins also helps players when their kart is hit by another: instead of spinning and losing control, they lose a coin. Coins are also lost when karts are struck by power-ups or fall off the tracks. The series also features advanced maneuvers such as drifting (also called power sliding), which allows a kart to rapidly turn in a direction preventing the need to brake; and hopping, which helps a kart to avoid obstacles or off-road parts and sometimes can be used to execute tighter turns (the kart makes a short hop and turns in the air, speeding off in the new direction when it lands).
Auch Comics, Bücher und weitere Zelda Fanartikel erfreuen sich seitdem größter Beliebtheit und verhelfen der Serie so zu ihrem hohen Bekanntheitsgrad. Hervorzuheben ist hierbei vor allem das Geschichtsbuch „Hyrule Historia“, das 2011 zum 25. Jubiläum der Reihe erschien und einen Querschnitt durch die erfolgreiche Geschichte von Nintendo, aber auch ihrer faszinierenden Welt bietet.
The music was composed by Asuka Ohta and Ryo Nagamatsu; who both used new interpretations of the familiar melodies from earlier games alongside original material. A 46-track official soundtrack was released in December 2011 as a Club Nintendo reward in Japan. The speaker on the Wii Remote is frequently used during gameplay, as sound effects like crashes and warning signals are emitting from it. During the extensive testing of the different Wii Wheel prototypes, the developers decided to have the voice actors playing the game during recording sessions.
But even after getting chocobos, there's the extremely irritating issue of literal miles of invisible walls along roadways for no discernable reason I can see other than to make it difficult to get anywhere with any degree of ease. It wouldn't even be quite so irritating if it was a consistent rule, but it isn't! Some rails you can jump off of, some you can't, and there is no way to tell the difference until you try. It might make sense if it was a drop that would probably kill you if you lept off, but usually it's just some grass on the other side, infuriatingly out of reach over a very low jump unless you take the looooong way around. And, again, some of these rails go on for miles. How fun do you think it is to run your chocobo for miles and miles, searching for some obtuse way out? What a stupid decision.
Mega Man's playstyle is unique and unorthodox when compared to other fighters, having many projectiles in his moveset (his neutral attack, forward tilt, forward smash, neutral aerial, up aerial, Metal Blade, Crash Bomber and Leaf Shield are all projectiles). However, this only makes Mega Man's comboing ability better and more reliable, as his attacks can easily link into the other when used correctly, allowing Mega Man to easily rack up large amounts of damage on an opponent. His Metal Blade and Crash Bomber are considered to be two of the best projectiles in the game, as both have a wide variety of uses: Crash Bomber is a reliable mindgame tool that forces a punishable reaction out of the opponent: a defensive move (such as shielding or rolling), rushing Mega Man down in an attempt to give back the crash bomber, or simply taking the damage from its explosion. It also dishes out a good amount of shield damage and can combine well with the Metal Blade, forward smash, up aerial, and leaf shield for shield pressure. Metal Blades can string into a grab or dash attack, edgeguard, pressure shields, and even string into up tilt for a kill at higher percentages. Leaf Shield deprives the user of many of his options but in exchange he is granted four hitboxes around him and gives him the unique ability to attack while shielding or during invincibility frames, and it can also be used to gimp or interrupt recoveries of certain characters (such as Ness). When fired as a projectile, it also travels at a further range than any of his others and has high priority, it will outprioritize many other projectiles and continue moving. Complementing his heavy weight, Mega Man possesses an above average recovery in Rush Coil that makes him difficult to kill: it not only boosts him at a high distance, but has the unique quirk of allowing Mega Man to still use his double jump if he hasn't already and should Rush remain on-screen long enough, bouncing off of him can save the player if he gets meteor smashed
Initially, the player assumes control as Zelda, although it is possible to start a round as Sheik by holding down the A button following selection of a stage until the round begins. Zelda is somewhat slow but is rather graceful and agile, and her special attacks, if they connect, are extremely powerful—boosted by magic, if the sparkles and flashes of light are any indication. Her aerial movements and dodging skill, as well as her attacks' high priority and strong impact, make her an ideal counter-defensive character. She is very much built for defensive attacking, but her moves leave her very open if timed incorrectly, and if attacked, her gracefulness can work against her. She has a light frame and is easily sent flying.
The compositions' success has resulted in many side projects by Uematsu based on the music from the series. The Black Mages was a hard rock band that arranged and remixed music from the series. Other notable projects have included live orchestral tours Music from Final Fantasy, Final Symphony tours and the Dear Friends -Music from Final Fantasy- tour. Many rearrangement compilations have been released on the series' music, the Piano Collections being among the best known, with many games also having special orchestrated albums whose compositions have been performed in the live orchestral tours. Official sheet music books have been released in Japan, usually for piano arrangements of the in-game soundtracks.
Anyway, I'm nearing 30 and trying to have a bit of a lifestyle overhaul, i.e. working on my worst qualities. One thing that really annoys me about myself is that I start lots of things but never finish them, flitting between TV programmes, books and games like I have the attention span of a five year-old. So, I'm going back to the source, to the one game that has foxed me throughout my life despite the minimum player age being like 10 (!)... The Legend of Zelda: Ocarina of Time!
It's the little things that make Mega Man 11 really good, though. For instance, when you acquire Robot Masters's weapons now, Mega Man doesn't just change color, but outfits. This is aesthetically pleasing. Also, you can use the shoulder button to switch weapons or you can use right analog stick to simply bring up a roulette wheel and select weapons that way. Changing between weapons in a Mega Man game has never been this easy or effective. The levels are also designed to encourage you to use these weapons outside of the boss fights where they're most effective. Not every weapon is great but they are creative, at least.
The story begins with Zelda awakening from a recurring nightmare, which she and Impa believe to be a sign of troubled times approaching. While visiting the training barracks of Hyrule Castle, she sees a particularly talented recruit that seems to be different from the others - however, her attention is quickly directed to a massive army of monsters approaching the castle. Zelda personally leads the defense of her castle, soon joined by Impa and Link, the recruit from earlier who had just been revealed as the reincarnation of the legendary hero by his possession of the Triforce of Courage. With the battle seemingly under control, Zelda returned to Hyrule Castle to coordinate her forces, only to be ambushed by Wizzro while her army was distracted by King Dodongo.
Mega Man set out to stop Wily and his robots again, who had stolen the new parts developed by Dr. Light and kidnapped Roll. If the player decides to pursue Wily, Mega Man will mention that Wily's scheming has ended, and then moves in close, presumably to apprehend him. However, he then reacts in shock when he discovers that "Wily" was in fact a mechanical duplicate. If the player decides to rescue Roll, Roll will apologize for worrying Mega Man before revealing she managed to steal some energy from the Wily Robot. In Mega Man's ending, Mega Man says he will bring peace for both humans and robots, and Dr. Wily informs Mega Man that he is no different than him, as he destroyed Wily's robots. Mega Man is in disbelief with what Wily said, but Dr. Light, Roll, and Auto appear to cheer him. Proto Man also appears if he was his partner. Mega Man starts feeling better, but Wily uses their distraction to escape again, and Mega Man starts to pursue him. His cooperative mode ending with Bass has him forced into a battle with Bass shortly after stopping Wily, despite both being significantly injured due to Bass wanting to fulfill his directive, although the conclusion is never revealed. In his cooperative mode ending with Duo, he wishes Duo luck as he proceeds to leave the planet with the energy.
After the events of Mega Man II, Dr. Wily took control of an off-shore oil platform with some of his powerful Robot Masters. Once again, Dr. Light sends Mega Man to investigate and stop them before it gets out of hand. Mega Man takes down the first four Robot Masters and makes his way to the Wily Castle, where he discovers that four more Robot Masters await him. After defeating them, he encounters a new Mega Man Killer named Punk in the Wily Station, whose Screw Crusher delivers a crushing blow to its opponents. However, Mega Man promptly defeats Punk and defeats Wily with Punk's own weapon.
In Ocarina of Time, Link met up with a mysterious member of the Sheikah Tribe, fittingly called Sheik. This person taught Link a multitude of different songs and gave him tips on how to proceed in his quest. At the end of the game, Sheik revealed himself to be none other than Princess Zelda in a disguise. During the seven years Link had been asleep while maturing to become ready to fight Ganondorf, Zelda had gone underground and taken the disguise as Sheik so that Ganondorf would not find her in his search for the two remaining pieces of the Triforce, one which was held by Princess Zelda herself.
Neutral attack Mega/Rock Buster 2% (shot), 1% (Mega/Rock Buster) Mega Man fires up to three shots from his Mega Buster (AKA Rock Buster in Japanese), which have limited range and do less knockback at longer range. He lacks a proper forward tilt and neutral air due to his ability to shoot while walking forwards or jumping, though the moves do have minute differences. The Mega Buster itself does slightly more damage when combined up close with the shots fired.
As in his home series, Mega Man's moveset relies heavily on various projectiles, giving his attacks unusual functions and characteristics. This extends beyond his special moves and into his standard moveset. For his neutral attack, he fires shots from his Mega Buster, and for his forward tilt, he fires shots from his Mega Buster while walking. His up tilt, the Mega Upper, is a jumping uppercut, and his down tilt is a forward slide.