Mega Man next appeared in anime produced in Japan and based on spin-off series. First was MegaMan NT Warrior (2002-06), based on the Mega Man Battle Network video game series (both the anime and the video game series were known as Rockman.EXE in Japan). This was followed by Mega Man Star Force (2006-08), based on the video game series of the same name (both were known as Shooting Star Rockman in Japan).[citation needed]
A sequel (of sorts) to the Legacy Collection has been announced, which, continuing where the first left off, consists of Mega Man series games 7, 8, 9, and 10. This is a bit more of a smorgasbord, though, since unlike the NES titles from the previous collection, these span at least three different systems. It’s not a simple matter of tossing an NES emulator on there and calling it good. And considering I’m not sure whether MM9 and MM10 used an emulator or a brand new custom engine, it’s possible they’ll find themselves emulating an emulator. Ah, fun times are ahead indeed.
In practice, the Double Gear system is one of many ways in which Capcom has made the devilishly hard Mega Man series slightly easier — or, for more skilled players, a new mechanic with which to optimize and perfect speedruns. The Double Gear mechanic comprises the Speed Gear, which lets players briefly slow down time, and the Power Gear, which momentarily boosts our hero’s Mega Buster arm cannon (and other weapons) to deal more damage. In my initial playthrough of Mega Man 11, neither felt absolutely essential to succeeding, but both were helpful contingencies during particularly difficult situations.
Fortunately that's all I have to say about the bad stuff. The game itself is made to be appropriately challenging, all the new tracks have been very well designed and are fun. Basically if you've ever liked mario kart before, you'll continue to like it now. It's not much different. Blue shells appear to be more rare now, however there's also an item that can be used to prevent getting hit by a blue shell. The squid ink is possibly annoyingly more effective now.
Some time later, Dr. Wily claims to have changed and teams up with Dr. Light to create a giant peacekeeping robot called Gamma. However, the new Robot Masters created to mine the Energy Elements needed for Gamma's construction have gone out of control. Mega Man goes after them, meeting his brother, Proto Man (under the alias Break Man in this game, until the ending) along the way. Mega Man soon retrieves the crystals, but returns to discover that Dr. Wily has stolen Gamma and plans on using it to take over the world.

Although most Final Fantasy installments are independent, many gameplay elements recur throughout the series.[72][73] Most games contain elements of fantasy and science fiction and feature recycled names often inspired from various cultures' history, languages and mythology, including Asian, European, and Middle-Eastern.[74] Examples include weapon names like Excalibur and Masamune—derived from Arthurian legend and the Japanese swordsmith Masamune respectively—as well as the spell names Holy, Meteor, and Ultima.[73][74] Beginning with Final Fantasy IV, the main series adopted its current logo style that features the same typeface and an emblem designed by Japanese artist Yoshitaka Amano. The emblem relates to a game's plot and typically portrays a character or object in the story. Subsequent remakes of the first three games have replaced the previous logos with ones similar to the rest of the series.[73]
Zelda from The Wind Waker is the first Zelda in the series that fights along Link's side in his battle against Ganondorf. In battle, she wields the bow and Light Arrows, similar to her Twilight Princess counterpart.[31] Once Link and Zelda succeed in delivering the final blow, they witness the second flood of Hyrule and promise the King of Hyrule to search for the new land that will be home to the next kingdom of Hyrule.[121] Zelda is last seen as Tetra when she and Link set sail from Outset Island in search for new lands.[122] 

Which is kind of a shame. Because while the ability to slow down time is legitimately transformative—especially once you’ve picked up a few upgrades, allowing Mega Man to move at his normal speed while the rest of the world crawls along in digital molasses—it doesn’t change the fact that “biggest alterations to the Mega Man formula” hasn’t been a very competitive field in decades. A little extra bite might have knocked something interesting loose here, a different tone for a team that’s grown too comfortable playing a single note. On a fundamental level, these are games about learning and exploiting patterns, and despite a few flashes of brilliance, Capcom seems just as trapped in one of its own. The times have changed. Gaming has changed. Mega Man hasn’t.
Prior the events of Majora's Mask, Zelda spends a relatively short period of time with Link, before he leaves Hyrule for his quest in search of his companion Navi.[105][106] Zelda, as a child, makes a single appearance in Majora's Mask when Link has a flashback after retrieving the Ocarina of Time from the Skull Kid. The events of the flashback display Link's last meeting with Zelda, where she states her belief that they would meet again.[107] However, before Link departs the land of Hyrule, Princess Zelda gives him the Ocarina of Time to prevent Ganondorf from entering the Sacred Realm and as a memento of the time they spent together.[108][109] She also teaches Link the "Song of Time", a melody that holds a special meaning to her,[110] before handing over the ocarina, mentioning that he should play that melody if something were to happen to him so the Goddess of Time will come to his aid.[111][112]
Artistic design, including character and monster creations, was handled by Japanese artist Yoshitaka Amano from Final Fantasy through Final Fantasy VI. Amano also handled title logo designs for all of the main series and the image illustrations from Final Fantasy VII onward.[101] Tetsuya Nomura was chosen to replace Amano because Nomura's designs were more adaptable to 3D graphics. He worked with the series from Final Fantasy VII through Final Fantasy X;[74][101] for Final Fantasy IX, however, character designs were handled by Shukō Murase, Toshiyuki Itahana, and Shin Nagasawa.[111] Nomura is also the character designer of the Kingdom Hearts series, Compilation of Final Fantasy VII, and Fabula Nova Crystallis: Final Fantasy.[112] Other designers include Nobuyoshi Mihara and Akihiko Yoshida. Mihara was the character designer for Final Fantasy XI, and Yoshida served as character designer for Final Fantasy Tactics, the Square-produced Vagrant Story, and Final Fantasy XII.[40][113]
Question mark boxes are arrayed on the race tracks and give power-up items to a player-character if their vehicle passes through them. Common power-ups include the Super Mushroom, which gives players a speed boost; the shells of Koopa Troopas, which can be thrown at opponents; banana peels, which can be laid on the track as hazards; Boo, who turns the player's kart invisible so that obstacles will not hit it and steals for them an item from another racer; a Bullet Bill, which sends the player rocketing ahead, plowing over other racers who get in the way; lightning bolts, which a player can use to electrocute and weaken all of the other racers; and the Starman, which renders the player's kart temporarily invulnerable to attack. The type of weapon received from an item box is often random, though sometimes influenced by the player's current position in the race. For example, players lagging far behind may receive more powerful items while the leader will only receive small defensive items. This gameplay mechanic is designed to give other players or computers a realistic chance to catch up to the leading player.
Battle – Multiple human players use racing items to battle each other in a closed arena. Each player starts with three balloons and loses a balloon with every hit sustained; the last player possessing at least one balloon wins. Different battle types were added as the series progressed, as well as single-player battles. Starting with Mario Kart Wii, there is a time limit for each battle. For Mario Kart 8, the battles take place on race courses. Mario Kart 8 Deluxe reintroduces arena-style tracks.
The player is given the choice of choosing a male or female human protagonist in each installment, and the games imply that both characters do not exist in the same continuity. For example, Vent and Aile both have identical back-stories of being orphaned, have very similar appearances, and both work for Giro Express, but they are never seen together or mentioned to one another, therefore implying that they do not co-exist. The same occurs in the series's only sequel, Mega Man ZX Advent between protagonists Grey and Ashe, both of which meet either Aile or Vent respectively (depending on which player character is chosen), but not both.
Neutral aerial Mega/Rock Buster 2% (shot), 2% (Mega Buster) Behaves identically to Mega Man's neutral attack, except Mega Man fires while jumping or falling in the air much like in his original games. The move has a sweetspot on the Mega Buster that has high base knockback and can serve as a surprise KO option when edge-guarding. Due to Mega Man's effective aerial movement, his neutral attack can be used as a very effective "wall" to deny approaches.
Certain incarnations, like the Zelda of Skyloft and Tetra, are shown to have a slightly playful personality and more casual attitude. However, this is likely due to the fact that neither was raised to be royalty from birth unlike most incarnations of Princess Zelda. The Zelda of Skyloft was indeed born a commoner and Tetra is the child of a pirate. Additionally, at least two incarnations are known to have tomboyish qualities, such as Tetra and the Zelda from Ocarina of Time.
Whether racing around an obstacle-filled track or battling in an arena, drifting and tossing items are the keys to Mario Kart success. Players can shake the Wii Remote while launching off a ramp to pull off a trick that will temporarily boost their speed. When riding a bike, players can gain additional speed by flicking the Wii Remote up and popping a wheelie
In Hyrule Warriors and Hyrule Warriors Legends, Impa is Zelda's faithful servant/protector, general, and advisor. General Impa possesses a samurai-like devotion to Zelda, similar to her Ocarina of Time and Skyward Sword incarnations. When Zelda goes missing, Impa is determined to find Zelda and enlists the help of the inexperienced Hero Link to find her. Ironically, Impa is suspicious and distrustful of the mysterious Sheik, mostly due to Sheik claim that she is a Sheikah survivor and member of Impa's tribe. Impa fails to realize Sheik's true identity, until it is revealed following Fake Zelda's defeat. However she knows Zelda character well enough to realize the Princess Zelda causing trouble in the Era of the Hero of Time was nothing more than a fake. She is shown to be visibly relieved when she learns that Princess Zelda had been fighting alongside her and the Hyrulean Forces while disguised as Sheik, despite her deception. After reuniting with the Princess, Impa returns to her role as Zelda's advisor and defender. Though she respects Zelda's judgment, Impa is shown to voice her opinion about the potential consequences, such as when she warned Zelda of the dangers of having Link remove the Master Sword from its pedestal in the Temple of the Sacred Sword in order to defeat Cia. Impa's fears are later realized when the final seal on Ganondorf's soul breaks, though continues to serve Zelda even after Ganondorf obtains the complete Triforce.

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