As the series progressed, various other player characters have appeared, such as fellow Maverick Hunter Zero who was created by Dr. Wily of the Classic series, OVER-1, created jointly by Dr. Light and Dr. Cossack, and Axl, a Reploid with an adolescent personality who has the ability to shape-shift into other Reploids. Zero would later star in his own spin-off series, Mega Man Zero.
Up aerial	Air Shooter	3% (early hits), 2% (middle hits), 1% (later hits), 2% (latest hits)	Mega Man fires a small tornado straight above him. It travels a fair distance, drawing in opponents who touch the tornado. It is based on Air Man's weapon from Mega Man 2. It can easily Star KO opponents even at low percentages, especially if the opponent tries to jump out of it. However, it will meteor smash Mega Man himself if it is reflected.

I feel like they focused too much on making the game new and exciting rather than balanced and fun but they still did pretty good at throwing everything together. It has tons of tracks, vehicles, characters, and is probably the most re-playable version of the series because there is so much stuff to unlock. I unlocked everything in the game using a stock character and vehicle so the unlocked stuff isn't overpowering like in past games. The unlock-able characters and carts seem well placed and often help you with your playing style. For example you unlock the fast characters while trying to do time trials or you get the agile carts from gold on the harder tracks.
Of the two gears available, the obvious standout is “Speed,” which allows you to slow down the world for brief but critical periods at the touch of a button. It would be hard to overstate how much this simple addition changes the feel of the game’s levels—an otherwise well-crafted, but not especially notable, collection of interesting gimmicks and corridors filled with the customary assortment of spikes and pits. The Mega Man formula typically stacks a horde of fast-moving, relatively fragile enemies against your hero, an aggressive, screen-clearing powerhouse who blasts them away to clear his path. By making Mega Man the most maneuverable thing in the equation, it inverts the basic question these games have been asking for 30 years, changing it from “How do I eliminate the obstacles in my way?” to “How do I elegantly weave my way through this situation in the fleetest, most stylish way possible?” Don’t want to deal with an awkwardly placed turret? Slow down time and navigate around it. An enemy leaps at you? Smack the Speed button, slide under them as they drift lazily over your head, and get on with your day. It’s empowering stuff, in a way that yet another flashy gun or attachment for your robot dog couldn’t match. The Speed gear’s mate, the Power gear, is far less of a game-changer, simply boosting your damage output and tweaking your special weapons, but it does force you to balance a shared heat gauge to keep either of the pair from burning out. And if that feels too restrictive, there’s also a low-key upgrade system on hand to ease the pressure and keep a careful player in bullet time as often as not. The game’s later levels push even this upgraded slowdown ability to its limits, but it never takes the full plunge into masochistic demands for perfect, precise play.

Born into a society of pirates on the Great Sea, Tetra, captain of a crew of pirates, was completely unaware that she was a member of the Royal Family of Hyrule's bloodline.[114][115] When this was revealed to her by King Daphnes Nohansen Hyrule, she was just as surprised as Link to find out that she was indeed a descendant of Princess Zelda of Hyrule and also the one destined to be the keeper of the Triforce of Wisdom.[22]
The series has overall enjoyed high critical acclaim, with varying success. Of the main series, six titles have reached a Metacritic score of or above 90: Final Fantasy VI at 91,[29] Final Fantasy VII at 92,[30] Final Fantasy VIII at 90,[31] Final Fantasy IX at 94,[32] Final Fantasy X at 92,[33] and Final Fantasy XII at 92.[34] The only game to reach a Metacritic score below 70 was the original Final Fantasy XIV launch at 49,[35], though the subsequent re-release, Final Fantasy XIV: A Realm Reborn, reached a score of 83.[36] The most critically acclaimed release was Final Fantasy IX,[32] while the poorest received by critics was the original Final Fantasy XIV.[35] Spinoffs, likewise, have enjoyed varied critical reception, though lower than that of the main series. Many spinoffs have been well received, such as Final Fantasy Tactics: The War of the Lions,[37] Dissidia 012 Final Fantasy[38] and Theatrhythm Final Fantasy Curtain Call.[39] Many other spinoffs have been poorly received, such as Final Fantasy: All the Bravest,[40] Dirge of Cerberus -Final Fantasy VII-,[41] and Final Fantasy IV: The After Years.[42]
The most well-known series is produced by Hitoshi Ariga (who went on to provide character designs and artwork for future official Capcom releases, including the Super Famicom game Mega Man and Bass). The series began with Rockman Remix, followed with Rockman Megamix, and is currently being serialized as Rockman Gigamix. The Megamix portion of the series would eventually be brought to North American shores thanks to UDON Entertainment Corporation, also responsible for the localization of the short Mega Man ZX manga by Shin Ogino. In the original Mega Man series, Dr. Light was known as Dr. Right, so many of his robots featured in Ariga's comic have "R"s in their designs. UDON did not alter this detail in the English version of Mega Man Megamix.[11]

Multiple members of the game industry have expressed how Zelda games have impacted them. Rockstar Games founder and Grand Theft Auto director, Dan Houser, stated, "Anyone who makes 3-D games who says they've not borrowed something from Mario or Zelda [on the Nintendo 64] is lying."[194] Rockstar founder and Grand Theft Auto director Sam Houser also cited the influence of Zelda, describing Grand Theft Auto III as "Zelda meets Goodfellas".[195] Ōkami director Hideki Kamiya (Capcom, PlatinumGames) states that he has been influenced by The Legend of Zelda series in developing the game, citing The Legend of Zelda: A Link to the Past as his favorite game of all time.[196] Soul Reaver and Uncharted director, Amy Hennig (Crystal Dynamics, Naughty Dog), cited Zelda as inspiration for the Legacy of Kain series, noting A Link to the Past's influence on Blood Omen and Ocarina of Time's influence on Soul Reaver.[197] Soul Reaver and Uncharted creator, Richard Lemarchand (Crystal Dynamics, Naughty Dog), cited A Link to the Past's approach to combining gameplay with storytelling as inspiration for Soul Reaver.[198] Wing Commander and Star Citizen director, Chris Roberts (Origin Systems, Cloud Imperium Games), cited Zelda as an influence on his action role-playing game, Times of Lore.[199]
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In Ocarina of Time, Link met up with a mysterious member of the Sheikah Tribe, fittingly called Sheik. This person taught Link a multitude of different songs and gave him tips on how to proceed in his quest. At the end of the game, Sheik revealed himself to be none other than Princess Zelda in a disguise.[3] During the seven years Link had been asleep while maturing to become ready to fight Ganondorf, Zelda had gone underground and taken the disguise as Sheik so that Ganondorf would not find her in his search for the two remaining pieces of the Triforce, one which was held by Princess Zelda herself.[72][73]
12% (sourspot) Fires Mega Man's fist downwards. The start of the move sends opponents flying horizontally (sweetspot). If hit near the move's end, the move is a meteor smash, which will send any opponent in the air downwards (sourspot), one of the very few projectiles in the game with this trait. Although safer than most other meteor smashes, this move requires a set distance between you and your opponent in order to meteor smash and has long startup, making the move situational and outclassed by his other edgeguarding options.
Nobuo Uematsu was the chief music composer of the Final Fantasy series until his resignation from Square Enix in November 2004.[46] Other composers include Masashi Hamauzu, Hitoshi Sakimoto[130][131] and Junya Nakano. Uematsu was allowed to create much of the music with little direction from the production staff. Sakaguchi, however, would request pieces to fit specific game scenes including battles and exploring different areas of the game world.[132] Once a game's major scenarios were completed, Uematsu would begin writing the music based on the story, characters, and accompanying artwork. He started with a game's main theme, and developed other pieces to match its style. In creating character themes, Uematsu read the game's scenario to determine the characters' personality. He would also ask the scenario writer for more details to scenes he was unsure about.[133] Technical limitations were prevalent in earlier games; Sakaguchi would sometimes instruct Uematsu to only use specific notes.[132] It was not until Final Fantasy IV on the SNES that Uematsu was able to add more subtlety to the music.[114]
Mega Man X received criticism from some publications as well. Ed Semrad, Danyon Carpenter, and Al Manuel of the EGM review panel all noted that the game may have too low a difficulty level; Semrad disliked the introductory stage and felt that the game was too short as well.[23] Super Play editor Zy Nicholson lowered his review score of the game because he found the levels were neither large nor challenging. "A few elementary tricks like repeating easy sections to recoup energy and weapon power will see you through the harder bits," Nicholson explained. "Within the level you'll also find restart points, extra lives, and no harsh time limit to put pressure on your performance. Couple this with a password system that records your level completion, status and weapon accumulation and you'll see we're not looking at a lasting challenge for the experienced player."[25] Nintendo Power criticized how little the game had changed stating that "the theme remains the same as the Game Boy and NES Mega Man titles."[20] The game's title initially proved a source of some confusion; the gaming media reported that many gamers mistook the "X" for the roman numeral 10.[29]

Now we come to 11 where the series has had its first major overhaul with the addition of the gear mechanics. This takes some adjusting too as you'll quickly find you NEED to use the speed gear to get past many obstacles. However, this leads to one problem I have with the game which is that at times, it feels more akin to a puzzle platformer than a standard Mega Man game.


Princess Zelda was set to appear in the unreleased game Mystical Seed of Courage. In the game, she was to be the one responsible for managing the four seasons of Hyrule, in a role similar to Din's in Oracle of Seasons. She would be kidnapped by Ganon, which, along with the disappearance of the Rod of Seasons, would cause Hyrule's seasons to go out of control.
He also appears in Nova's ending as part of the new Mega Nova Corps along with Proto Man, Beat, Roll and Zero as well as Thor's ending which was redone to include him along with Ryu and Morrigan. His other appearance in the game is that of a card in the "Heroes and Heralds" mode, as an "S Rank" card who's primary ability is halving the time used to charge attacks for characters with his secondary ability increasing the chance to gain rare cards of characters belonging to Capcom.
Mega Man goes to the "Wily Tower," but is captured by a massive robot. He is then saved by the strange robot he battled earlier, who introduces himself as Duo and explains his mission to destroy all "Evil Energy" in the universe. Duo informs Mega Man that the other robot contained Evil Energy within it, which Wily was using to make his robots more powerful. He also told the hero that Wily Tower was protected by a forcefield linked to four more Robot Masters hidden around the world. As Duo left to secure the rest of the Evil Energy around the world, Mega Man set out to defeat the other four Robot Masters and foil Wily's latest plan.
The compositions' success has resulted in many side projects by Uematsu based on the music from the series. The Black Mages was a hard rock band that arranged and remixed music from the series. Other notable projects have included live orchestral tours Music from Final Fantasy, Final Symphony tours and the Dear Friends -Music from Final Fantasy- tour. Many rearrangement compilations have been released on the series' music, the Piano Collections being among the best known, with many games also having special orchestrated albums whose compositions have been performed in the live orchestral tours. Official sheet music books have been released in Japan, usually for piano arrangements of the in-game soundtracks.
Zelda appears as a playable character in Super Smash Bros. Melee (the 2001 sequel to Super Smash Bros), in her adult incarnation from Ocarina of Time. She debuted first as Sheik, and it was later revealed that this was one of the character's two forms. Zelda is one of the most diverse characters in the entire game as she is actually two characters in one, each with its own unique moves, attacks, and fighting style. At any time during play, she can change form to take advantage of the full range of her abilities. This unique gameplay mechanic made her one of the most anticipated characters during the game's pre-release hype.
Anyway, I'm nearing 30 and trying to have a bit of a lifestyle overhaul, i.e. working on my worst qualities. One thing that really annoys me about myself is that I start lots of things but never finish them, flitting between TV programmes, books and games like I have the attention span of a five year-old. So, I'm going back to the source, to the one game that has foxed me throughout my life despite the minimum player age being like 10 (!)... The Legend of Zelda: Ocarina of Time!
Princess is also featured in other media, including comics based on the games, animated shows, and the Super Smash Bros. series. In some of her appearances, she is depicted as a brave, proud, and self-reliant fighter who is proficient in archery and horseback riding, such as in the The Legend of Zelda comics by Valiant Comics and The Legend of Zelda TV series. As with the games, she is the protector of the Triforce of Wisdom.

As usual, Mega Man destroys the latest incarnation of the Wily Machine, leaving Wily on the ground begging for forgiveness. As Mega Man berates Wily for trying the same old ruse after so many failures, he is taken over by the Evil Energy in Wily's machine as the tower collapsed around them. However, Duo saved Mega Man and destroyed the evil energy within him. He leaves before Mega Man wakes up, but Proto Man informs him of Duo's final message to the Blue Bomber: "Thank you".
When Zelda's power failed to awaken on Mount Lanayru, Urbosa told Zelda not to give up hope as she did all she could and noted Mount Lanayru wasn't her last shot as anything could spark her powers to awaken. When Ganon appeared Urbosa initially wanted to take Zelda to safety but Zelda refused wanting to fight alongside her comrades even without her powers which Urbosa did not object to, understanding and respecting Zelda's desire to stand alongside them against Ganon along with her courage and sense of duty. Ultimately Urbosa was correct about Zelda's powers as the spark she spoke of occurred when Zelda selflessly tried to shield the exhausted Link from an attacking Guardian saving Zelda and Link. Even In death, Urbosa continued to support Link and Zelda as a spirit once freed from Thunderblight Ganon's imprisonment.
Because they had a good relationship with Tetra, they also quickly warmed up to her granddaughter Zelda when she asked for their help. They could also for some unexplained reason, see her even in her spirit form. They have stated Zelda's resemblance to Tetra whom they thought was an intelligent person. Even Byrne was moved by Zelda's words as he sacrificed himself to save New Hyrule despite his earlier intentions. Both Link and Zelda in turn were relieved to hear that Byrne was not truly dead. The Lokomos asked the duo to watch the land in there place, showing that they trust their Hylian allies.
After the events of Mega Man II, Dr. Wily took control of an off-shore oil platform with some of his powerful Robot Masters. Once again, Dr. Light sends Mega Man to investigate and stop them before it gets out of hand. Mega Man takes down the first four Robot Masters and makes his way to the Wily Castle, where he discovers that four more Robot Masters await him. After defeating them, he encounters a new Mega Man Killer named Punk in the Wily Station, whose Screw Crusher delivers a crushing blow to its opponents. However, Mega Man promptly defeats Punk and defeats Wily with Punk's own weapon.
The series has overall enjoyed high critical acclaim, with varying success. Of the main series, six titles have reached a Metacritic score of or above 90: Final Fantasy VI at 91,[29] Final Fantasy VII at 92,[30] Final Fantasy VIII at 90,[31] Final Fantasy IX at 94,[32] Final Fantasy X at 92,[33] and Final Fantasy XII at 92.[34] The only game to reach a Metacritic score below 70 was the original Final Fantasy XIV launch at 49,[35], though the subsequent re-release, Final Fantasy XIV: A Realm Reborn, reached a score of 83.[36] The most critically acclaimed release was Final Fantasy IX,[32] while the poorest received by critics was the original Final Fantasy XIV.[35] Spinoffs, likewise, have enjoyed varied critical reception, though lower than that of the main series. Many spinoffs have been well received, such as Final Fantasy Tactics: The War of the Lions,[37] Dissidia 012 Final Fantasy[38] and Theatrhythm Final Fantasy Curtain Call.[39] Many other spinoffs have been poorly received, such as Final Fantasy: All the Bravest,[40] Dirge of Cerberus -Final Fantasy VII-,[41] and Final Fantasy IV: The After Years.[42]
In order to prevent the ambitions of Dr. Wily, Dr. Light had modified him into the combat robot "Rockman". With Rockman's success, world peace arrived, and a Robot Alliance was organized. Thanks to robotics progress was rapidly made... But the betrayal of Mr. X! The one controlling Dr. Wily from the shadows, can the ambitions of Mr. X for world domination be stopped? The greatest battle of all time begins!!
I didn't pay any attention when they announced MK8 last year. I knew I'd get it at some point, but there was no excitement. Then a few weeks ago I booted up my Wii U for the first time in months and was browsing the eStore. I watched the recent Nintendo Direct for MK8... after that it was all over, suddenly I was more hyped for new Mario Kart than I have been since 1997. I'm still not quite finished with Watch Dogs... partially because it's a long game with tons of content, partially because I keep taking breaks to play MK8. I can't wait to finally finish WD so I can give MK8 the undivided attention it deserves.

Rockman can transform into Jet Rockman with the Rush Adaptor equipped. By holding down the jump button, air flight is possile with a jet injection, although for a short period of time. It can be checked by looking at the flight time gauge. The flight time is short when compared with the Rush Jet, but as it uses solar energy, it is possible to fly any number of times.

After Mega Man defeats Wily, the doctor becomes sick. Mega Man asks Wily if he has been infected with the Roboenza and Wily answers that he is a human, not a robot. Despite this opportunity to finally end Wily's evil schemes once and for all, Mega Man's heroic nature wins out and he takes Wily to a hospital. The mad scientist immediately broke out after recovering, but left behind enough of the cure to restore all of the robots infected with Roboenza. This would imply that Dr. Wily does in fact have some kindness in him.
In the mid-1980s, Square entered the Japanese video game industry with simple RPGs, racing games, and platformers for Nintendo's Famicom Disk System. In 1987, Square designer Hironobu Sakaguchi chose to create a new fantasy role-playing game for the cartridge-based NES, and drew inspiration from popular fantasy games: Enix's Dragon Quest, Nintendo's The Legend of Zelda, and Origin Systems's Ultima series. Though often attributed to the company allegedly facing bankruptcy, Sakaguchi explained that the game was his personal last-ditch effort in the game industry and that its title, Final Fantasy, stemmed from his feelings at the time; had the game not sold well, he would have quit the business and gone back to university.[92][93][94] Despite his explanation, publications have also attributed the name to the company's hopes that the project would solve its financial troubles.[93][95] In 2015, Sakaguchi explained the name's origin: the team wanted a title that would abbreviate to "FF", which would sound good in Japanese. The name was originally going to be Fighting Fantasy, but due to concerns over trademark conflicts with the roleplaying gamebook series of the same name, they needed to settle for something else. As the word "Final" was a famous word in Japan, Sakaguchi settled on that. According to Sakaguchi, any title that created the "FF" abbreviation would have done.[96]
The NES controller had just two buttons, and in Mega Man 1-6 they corresponded to “jump” and “shoot.” Mega Man 11 has more buttons than it knows what to do with, but the Double Gear system employs two of them – the left and right shoulder buttons, specifically – to add a new element to each of Mega Man’s basic functions. With the Power Gear you can overcharge your weapons for alternate attacks and more firepower, though it costs so much weapon energy that I barely used it, but with the essential Speed Gear you can slow down time to dodge bullets, carefully land jumps, and catch your breath.
The most well-known series is produced by Hitoshi Ariga (who went on to provide character designs and artwork for future official Capcom releases, including the Super Famicom game Mega Man and Bass). The series began with Rockman Remix, followed with Rockman Megamix, and is currently being serialized as Rockman Gigamix. The Megamix portion of the series would eventually be brought to North American shores thanks to UDON Entertainment Corporation, also responsible for the localization of the short Mega Man ZX manga by Shin Ogino. In the original Mega Man series, Dr. Light was known as Dr. Right, so many of his robots featured in Ariga's comic have "R"s in their designs. UDON did not alter this detail in the English version of Mega Man Megamix.[11]

12% (sourspot) Fires Mega Man's fist downwards. The start of the move sends opponents flying horizontally (sweetspot). If hit near the move's end, the move is a meteor smash, which will send any opponent in the air downwards (sourspot), one of the very few projectiles in the game with this trait. Although safer than most other meteor smashes, this move requires a set distance between you and your opponent in order to meteor smash and has long startup, making the move situational and outclassed by his other edgeguarding options.


Zelda is the daughter of the King of Hyrule, and eventually the Seventh Sage and the holder of the Triforce of Wisdom. She is also the leader of the Sages. The heir to the Royal Family, Zelda is of the Hylian race with blonde hair and blue eyes. She begins the game as a young girl about 10-12 years old, who is gifted with psychic abilities. In a dream of symbolic importance, she senses Ganondorf's treachery and predicts Link's arrival before either occurs. When Link meets her for the first time in Hyrule Castle's courtyard, she sends him on a quest to collect the three Spiritual Stones and protect the Triforce from Ganondorf. When Ganondorf attacks Hyrule Castle, Zelda and her nursemaid, Impa, flee the castle on horseback.
Despite having little interaction with Link in Twilight Princess, Zelda worked flawlessly with him in their horseback battle against Ganondorf, managing to overwhelm the Demon King with their excellent teamwork. When Zelda asked Link for his assistance in defeating Ganondorf, Link offered his hand as a response. It is also thinkable that Link later went to meet her once the events of the story was over, as somewhat hinted in the end credits.
Sheik is Princess Zelda's Sheikah alter ego in Ocarina of Time. Wearing a blue, possibly armored suit with the red Sheikah eye in the center, and with voice muffled and face concealed, the character is essentially unrecognizable and appears relatively masculine. It is possible that Zelda utilizes her magical skills in altering her appearance. Sheik plays a lyre and teaches Link new songs to help him on his quest. When Link arrives at the Temple of Time near the end of the game, Sheik transforms back into Princess Zelda.
Mario Kart 8 features 200cc mode, anti-gravity racing, introduces ATVs, uploading highlights to YouTube via Mario Kart TV (except on Switch), up to four local players in Grand Prix races, downloadable content, and is the first in the series to boast HD graphics. Introduces the Koopalings, Baby Rosalina, and Pink Gold Peach as new playable characters, and Tanooki Mario, Cat Peach, Villager, Isabelle from Animal Crossing, and Link from The Legend of Zelda as new DLC playable characters.[5] The Nintendo Switch version, Mario Kart 8 Deluxe, also adds the Inkling Girl and Inkling Boy from Splatoon as playable characters for the first time in the series, as well as a new battle mode, "Renegade Roundup", which plays similarly to a game of tag.
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