Where Mega Man 11 deviates in its gameplay is with a new system called the Double Gear. In a flashback to Dr. Wily and Mega Man creator Dr. Light’s younger days, we learn that Wily helped develop the Double Gear system, believing it to be the next evolution for robotkind. Light, on the other hand, believed that robot progress lay in artificial intelligence, a disagreement that led to their decadeslong rift.
The game is maybe 10-15% story missions, and the rest mostly filler sidequests. The story missions are fairly enjoyable, and the dungeons especially are probably the high points for the game in general (actual plot happening, interesting/funny chatter, unique enemies, often very beautiful scenery - the one in the Vesperwood is my favorite so far). It's a shame that there aren't more important sidequests. Previous entries in the FF series had more benefits from sidequests than just extra gil/consumables or a decent new weapon. There was more lore, more character-building.. but the majority of these sidequests just feel like busywork.
Great racing game, loads of fun. I am not really a racing game fan but love Mario kart. Loads going on all the time, great graphics. Tracks are fun and there are bonus games too. I don't have a Wii u so wasn't concerned it is a reissue of that version. Lots of multiplayer action including online play which adds to the longevity of the game, which, unfortunately brings me to the impending problem. Nintendo are going to introduce a monthly charge for online play in September, once that comes in knock off a star, maybe 2. To be honest, if I'd known when I'd bought it I probably wouldn't have. As for now, good fun but watch out for those extra charges coming in.

Custom 2 Danger Wrap 3% (loop), 7% (last) Fires an explosive wrapped in a bubble that floats upwards in an exponential arc and will explode if it comes into contact with an enemy, or on its own after a few seconds. Whilst harder to use than both the Crash Bomber and Ice Slasher due to its unusual trajectory, it deals more damage and knockback. It is based on Burst Man's weapon from Mega Man 7.
The game introduces the double gear system. Using the shoulder buttons the player is able to activate either the power gear or the speed gear. The power gear makes your shots more powerful and the speed gear slows down enemies. You can only use each of these temporarily, because they'll over heat if you leave them active for too long. If this happens the double gear will will have to recharge before it can be used again. The game is perfectly designed so that you could make do without them, but it will push you to use these systems a lot. Some enemies are easier to dispatch with the speed gear, and most boss fights are made easier with the power gear. It seems gimmicky at first and upon first playing the game you'll often forget you have them, but once you settle in you'll find yourself using these systems more and more as you encounter hazards in levels that will encourage you to do so. There's another added benefit of the double gear system. When critically low on health you can press both shoulders at the same time to activate both the speed gear and power gear simultaneously. It's mostly a last ditch effort when low on health, and you can't actually turn this off, meaning your double gear will have to recharge without fail after its use, but it can help you out in a moment of desperation.

Magic is handled pretty terribly. It essentially functions as an elemental grenade that also damages you and your teammates that get caught in the blast, and unfortunately, your teammates' AI will absolutely run into a raging inferno and start screaming (sorry, Prompto). It wouldn't be quite so bad, I think, if the effects didn't linger in a wide area for at least 10 seconds afterwards, during which, again, your teammates will run into it and flail for however long it lasts. (Yes I know you can Regroup with Ignis to somewhat avoid this, but the fact that there's a workaround does not make it a good feature.)
Early on in the timeline of the series, the original Zelda, while born as a Hylian, is the mortal incarnation of the Goddess Hylia.[18] Carrying on this divine blood, her female descendants are often named after her and are always the crown princess of Hyrule throughout its history.[3][19][20][21][22] Several princesses within the bloodline are also the possessor of the Triforce of Wisdom, imbued with the essence of the Goddess Nayru.[3][23][24] The essence of Nayru affords each Zelda divine wisdom, allowing them to discern the wisest decisions, especially in situations concerning the welfare of Hyrule. It grants them a myriad of mystical abilities, including the ability to heal others, though there is a possibility that this could also be an effect of their bloodline passing down Hylia's own powers and, later, the Light Force. Each incarnation of Zelda uses their powers to keep evil in check.
Eventually, Link catches up with Zelda and Impa at the Temple of Time, but their reunion is cut short when Ghirahim attacks the duo. In the midst of the frenetic action, Zelda gives Link the Goddess's Harp before she and Impa escape through the Gate of Time, with Impa destroying the gate to escape Ghirahim's grasp. Link manages to activate a second Gate of Time and meets with Zelda, who explains her true nature as the mortal reincarnation of the Goddess Hylia before telling Link that she,[18] as Hylia reborn, must remain in a deep sleep to keep Demise imprisoned within his seal.[29] Before doing so, Zelda explains that the goddess needed someone with an "unbreakable spirit" to defeat Demise.[51] However, Hylia, knowing that the young hero would "throw [himself] headfirst into any danger, without even a moment's doubt" if it meant saving Zelda,[52] used Link to try and bring about the destruction of Demise. She proceeds to seal herself into a crystal and sleep for thousands of years to ensure Demise's seal holds, and tells Link that he must find and use the Triforce to destroy Demise so that she will be able to wake up in their own time.[53]
Character growth determines how player characters learn new abilities and boost their stats. Unlike battle systems, character growth systems are less consistent throughout the series, and players must internalize the systems to make the correct decisions. The only consistent character growth mechanic used in the series has been the level based system where characters raise their level through experience points earned in battle to improve stats and sometimes learn new abilities. Even this system has been excluded from some games, such as in Final Fantasy X and Final Fantasy XIII, where only ability points are accumulated from battles that can be expended for both better stats and new skills.
Mega Man is enjoying his day until Roll falls ill with Roboenza. At first, he believes that Wily is behind the epidemic, but Wily claims that he had found the cure, only to have it stolen by eight out-of-control Robot Masters. After defeating them all, Mega Man learns that Dr. Wily actually was behind the Roboenza epidemic all along. He succumbs to Roboenza himself, but Roll gives him her saved medicine to give him the strength to defeat Wily.
In 2009, Final Fantasy XIII was released in Japan, and in North America and Europe the following year, for PlayStation 3 and Xbox 360.[25][26] It is the flagship installment of the Fabula Nova Crystallis Final Fantasy series[27] and became the first mainline game to spawn two direct sequels (XIII-2 and Lightning Returns).[28] It was also the first game released in Chinese & High Definition along with being released on two consoles at once. Final Fantasy XIV, a MMORPG, was released worldwide on Microsoft Windows in 2010, but it received heavy criticism when it was launched, prompting Square Enix to rerelease the game as Final Fantasy XIV: A Realm Reborn, this time to the PlayStation 3 as well, in 2013.[29] Final Fantasy XV is an action role-playing game that was released for PlayStation 4 and Xbox One in 2016.[30][31] Originally a XIII spin-off titled Versus XIII, XV uses the mythos of the Fabula Nova Crystallis series, although in many other respects the game stands on its own and has since been distanced from the series by its developers.[32][33][34][35][36][37]
Skyward Sword has several noticeable romantic moments between Link and Zelda. Early in the story, Zelda wants Link to be the first to see her outfit for the Wing Ceremony. She worries over him and she does not want him to fail at becoming a knight. When Link's Crimson Loftwing is hidden by Groose, Zelda assists Link in finding his Loftwing. After Link wins the Wing Ceremony, Zelda jumps off the ledge and Link catches her almost as if she was expecting him to. She then congratulates him on winning. Afterwards, Zelda mentions that she is very happy to be atop the Statue of the Goddess with him. She also gets extremely close to him and almost implies that the two are to kiss, before she pushes him off the statue. Afterward, Zelda bashfully asks Link to go out flying, which they do. She then tells Link how amazing the day was, and that she would remember it forever.
Character growth determines how player characters learn new abilities and boost their stats. Unlike battle systems, character growth systems are less consistent throughout the series, and players must internalize the systems to make the correct decisions. The only consistent character growth mechanic used in the series has been the level based system where characters raise their level through experience points earned in battle to improve stats and sometimes learn new abilities. Even this system has been excluded from some games, such as in Final Fantasy X and Final Fantasy XIII, where only ability points are accumulated from battles that can be expended for both better stats and new skills.

Original Article: Since its reveal in September, all signs have pointed towards the idea that World of Final Fantasy MAXIMA would be a digital-only release on Switch. Rumours started to circulate in October when physical editions for the Xbox One appeared with no Switch version in sight, and there were still no physical copies available when it finally launched last month.
Zelda vigorously continued to attempt to awaken her sealing powers, praying at the Spring of Courage and the Spring of Power for hours upon end guarded faithfully by Link. She had a dream about darkness then a beautiful woman appeared who tried to speak to Zelda but she could not hear her. The woman is implied to be Hylia though Zelda was unsure of who or what she was though believed she would have been able to hear her if her powers had awoken. However inspired by Link, Zelda held out hope she would awaken them at the Spring of Wisdom on Mount Lanayru. Unfortunately she had to wait until she her seventeenth birthday to train there as only the wise are allowed to train upon the mountain as per traditional decree. However, much to her disappointment they failed to awaken. Urbosa and her fellow Champions consoled her with Mipha trying to explain what helped her focus while using Mipha's Grace. Unfortunately Ganon returned that same day attacking Hyrule Castle. As Daruk gave a rousing speech calling his fellow Champions to get to their Divine Beasts Urbosa tried to take Zelda to safety but Zelda refused to stand by and joined them in confronting Ganon without her sealing power. Unfortunately her bad premonition came true as Ganon having learned from his previous defeat used his power to corrupt the Guardians and created the Scourges of the Divine Beasts to kill the Divine Beast pilots before taking control of them. By turning the ancient technology against Hyrule, Ganon wreaked havoc on Hyrule Castle and the surrounding area, killing her father and entrapping all of the Champions' spirits in their Divine Beasts. Out of options, she and Link fled in the rain, where upon Zelda collapsed to the ground in tears, lamenting her failure to fulfill her destiny while grieving those she had lost including her father and fellow Champions with only Link to console her. Link however continued to protect Zelda as they fled.

The majority of the music in the series—including the main recurring themes, and the full official soundtracks for the first ten games in the main series—was composed by Nobuo Uematsu, and has been praised as one of the greatest aspects of the series.[15][16][17] The music has had a broad musical palette, taking influences from classical symphonic music, heavy metal and techno-electronica.

VS Race – Multiple human players race against each other on any course with customized rules such as team racing and item frequency. The mode also includes single-player VS races and CPU controlled players to compete in VS races as well since Mario Kart DS (except for Mario Kart 7). Super Circuit, however, features a Quick Run mode, which shares similarities with VS mode.


Rather similar to the Seven Maidens in terms to their relationship with Zelda, the Seven Sages from Ocarina of Time seem to see her as their leader. Zelda as Sheik urged Link to save them to the point of sometimes getting directly involved. It is unknown whether they knew her true identity as Zelda especially due to Ruto's claim about her. It is unknown what the Seven Sages from A Link Between Worlds think of Zelda as they did not interact with her.
The most well-known series is produced by Hitoshi Ariga (who went on to provide character designs and artwork for future official Capcom releases, including the Super Famicom game Mega Man and Bass). The series began with Rockman Remix, followed with Rockman Megamix, and is currently being serialized as Rockman Gigamix. The Megamix portion of the series would eventually be brought to North American shores thanks to UDON Entertainment Corporation, also responsible for the localization of the short Mega Man ZX manga by Shin Ogino. In the original Mega Man series, Dr. Light was known as Dr. Right, so many of his robots featured in Ariga's comic have "R"s in their designs. UDON did not alter this detail in the English version of Mega Man Megamix.[11]
100 hundred years later, Zelda telepathically speaks to an awakened Link, giving him words of advice. At Hyrule Castle, Zelda aids Link in his battle with Calamity Ganon's second form, Dark Beast Ganon, gifting him with the Light Bow and giving him advice on how to defeat him. After Link hits Ganon's weak spot, Zelda herself appears, freed from her own sealing magic. She then uses her powers to seal away Ganon for good, entrapping him in an explosion of light. As she and Link reunite face-to-face for the first time in a hundred years, she asks him with a smile if he remembers her. At the end of the game, Link and Zelda walk towards their horses to begin their new adventure together. Interestingly, it is revealed by Kass after completing all of his shrine quest riddles, that his mentor had been in love with the princess, yet noticed she "only had eyes for her appointed knight". This hints that Zelda holds deep feelings toward Link, with it being unclear if Link reciprocates these feelings.
After the events of Mega Man II, Dr. Wily took control of an off-shore oil platform with some of his powerful Robot Masters. Once again, Dr. Light sends Mega Man to investigate and stop them before it gets out of hand. Mega Man takes down the first four Robot Masters and makes his way to the Wily Castle, where he discovers that four more Robot Masters await him. After defeating them, he encounters a new Mega Man Killer named Punk in the Wily Station, whose Screw Crusher delivers a crushing blow to its opponents. However, Mega Man promptly defeats Punk and defeats Wily with Punk's own weapon.
Final Fantasy[a] is a science fantasy media franchise created by Hironobu Sakaguchi, and developed and owned by Square Enix (formerly Square). The franchise centers on a series of fantasy and science fantasy role-playing video games (RPGs). The first game in the series was released in 1987, with 14 other main-numbered entries being released since then. The series has also branched into other genres such as tactical role-playing, action role-playing, massively multiplayer online role-playing, racing, third-person shooter, fighting, and rhythm, as well as branching out in other media, including CGI films, anime, manga, and novels.
During the mid 1980s, Square Co., Ltd. entered the video game industry by developing games for the Nintendo Famicom. In 1986, Enix released its first Dragon Quest game and popularized the RPG genre in Japan (after western games, such as the Wizardry series, introduced them to Japanese audiences). Coupled with Nintendo's Super Mario Bros. and The Legend of Zelda, Dragon Quest was one of the defining games of the Famicom system.
Games in The Legend of Zelda series frequently feature in-game musical instruments, particularly in musical puzzles, which are widespread.[2] Often, instruments trigger game events: for example, the recorder in The Legend of Zelda can reveal secret areas, as well as warp Link to the Dungeon entrances. This warping with music feature has also been used in A Link to the Past and Link's Awakening. In Ocarina of Time, playing instruments is a core part of the game, with the player needing to play the instrument through the use of the game controller to succeed.[3] Ocarina of Time is "[one of the] first contemporary non-dance title[s] to feature music-making as part of its gameplay",[4] using music as a heuristic device and requiring the player to utilise songs to progress in the game[5] – a game mechanic that is also present in Majora's Mask.[6]
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