Skyward Sword shook up the series in other ways, too. It removed Zelda's traditional large overworld, and instead used smaller, separate areas designed to be played multiple times, albeit with radical changes for each visit. And then there was Fi, the magical spirit which lived in Link's famous Master Sword. Many fans compared her chattiness to that of Ocarina of Time's Navi - and not in a good way.
Get ready for a review of a lifetime because I'm about to spit straight fire about this game. You ever want to feel like you're in a high-speed chase going 200 miles an hour while running away from turtles? That's what this game feels like. It incorporates all the genius of all the past MarioKart games into this one mega deluxe game, all while sprinkling in new fun and exciting courses. Seriously dudes, I never cussed out a Mii named Despacito as much as I did while playing online. Don't even get me started on battle mode either that mode don't play. Almost decked my sister in the face on accident because of the tsunami waves of green shells I was being hit with. Overall fantastic masterpiece and just a Pro-Tip never use tilt controls unless you like to have an internal meltdown.

Start your engines & get set to play anytime with Mario Kart 8 Deluxe from Nintendo Switch. With more characters & lot, more battling & racing fun to have. Players can now choose from up to over 40 characters characters. Choose between Dry Bones, King Boo & Bowser Jr. along with the Inklings as all-new guest characters. With 48 different battle courses to race on, this definitive version of Mario Kart 8 is sure to incite & immerse players in that colorful & magical world of Mario Kart like never before. With its surreal gameplay & even marking the glorious return of DLC. It is everything a Nintendo fan could ask for & more. Available on the Wii U & Nintendo Switch. Go ahead & challenge your friends with the revised battle mode from the Wii U version. With the handheld mode, players can now challenge friends & racers around the world anytime, anywhere.
Phantom Slash has been heavily reworked. The Phantom armor now assembles itself behind Zelda rather than appearing fully formed out of a portal in front of her. It is now a single-press chargeable move; Pressing B again will cause the incomplete armor to attack at its current charge level. The move has six charge levels, each resulting in a different attack:
Zelda is portrayed as a young girl or beautiful young woman, usually with blonde hair. In Twilight Princess, however (and therefore in Super Smash Bros. Brawl, as well as Super Smash Bros. for Nintendo 3DS / Wii U, in which her appearance is based on that of Twilight Princess), she is depicted as a brunette. She also has light brown hair in The Legend of Zelda: A Link to the Past (though she is depicted as being blonde in artwork), and auburn hair in The Adventure of Link.
If you're like me and grew up playing Mario Kart, you'll see this one blows all the others out of the water! The characters are so much more detailed and they've introduced new ones: King Boo, Bowser Jr, Dry Bones, & Inklings (Boy and Girl), as well as kept the older ones. The tracks have greater visibility and the overall resolution is incredibly clear. They've added new tracks, but kept some old ones which brings back childhood nostalgia. The carts now glow and look more futuristic. We can now carry 2 items at once, and the Item Boxes now come with 2 items! Nintendo has outdone themselves and I am excited to continue to share my love for this game with my niece and nephew! I am writing this review as part of a contest.
Ocarina of Time's follow-up, Majora's Mask, was released in April 2000. It uses the same 3D game engine as the previous game,[71] and added a time-based concept, in which Link, the protagonist, relives the events of three days as many times as needed to complete the game's objectives. It was originally called Zelda Gaiden,[72] a Japanese title that translates as Zelda Side story. Gameplay changed significantly; in addition to the time-limit, Link can use masks to transform into creatures with unique abilities. While Majora's Mask retains the graphical style of Ocarina of Time, it is also a departure, particularly in its atmosphere. It features motion-blur, unlike its predecessor. The game is darker,[71] dealing with death and tragedy in a manner not previously seen in the series, and has a sense of impending doom, as a large moon slowly descends upon the land of Termina to destroy all life. All copies of Majora's Mask are gold cartridges. A limited "Collector's Edition" lenticular cartridge label was offered as the pre-order incentive. Copies of the game that are not collector's editions feature a normal sticker cartridge label. Majora's Mask is included in the Collector's Edition,[68] and is available on the Virtual Console, as well as a 3D port for the portable 3DS console.
Jump up ↑ "There are three kinds of Triforce -- Power, Wisdom, and Courage. [...] Of the three, I have left Power and Wisdom in the kingdom. But the Triforce Courage I have hidden for a reason. [...] The Triforce of Courage is hidden in the Great Palace in the Valley of Death on the largest island in Hyrule." (The Adventure of Link manual, pg. 9, 10)
The new release boasts a rich and varied repertoire of favorites and surprises, developed by the minds of Nobuo Uematsu, game developers SQUARE ENIX and the Distant Worlds production. Performed by the Distant Worlds Philharmonic Orchestra and Chorus, recorded in November 2014 at the famed Dvorak Hall of the Rudolfinum in Prague (Czech Republic) and AWR Music Studio in Chicago (USA) and featuring the remarkable singing talents of Distant Worlds favorite, Susan Calloway, Distant Worlds III is recorded in high resolution at 88.2khz/24bit.

The PlayStation console saw the release of three main Final Fantasy games. Final Fantasy VII (1997) moved away from the two-dimensional (2D) graphics used in the first six games to three-dimensional (3D) computer graphics; the game features polygonal characters on pre-rendered backgrounds. It also introduced a more modern setting, a style that was carried over to the next game.[3] It was also the second in the series to be released in Europe, with the first being Final Fantasy Mystic Quest. Final Fantasy VIII was published in 1999, and was the first to consistently use realistically proportioned characters and feature a vocal piece as its theme music.[3][13] Final Fantasy IX, released in 2000, returned to the series' roots by revisiting a more traditional Final Fantasy setting rather than the more modern worlds of VII and VIII.[3][14]
I couldn't believe this is still full price after all these years, especially as 2 newer systems have come out. After receiving it, the family has played it everyday! It is truly a game the whole family can enjoy. My 4yo gives up his TV time for the day to play this instead. My wife practices after the kids go to bed. I would still highly recommend this game. I searched for used copies, and you only save about $5 buying used, as it is still in demand.
In Time Trial mode, players race against the clock through the same tracks that are present in Grand Prix mode in 150cc engine class, attempting to set the fastest time possible. There are no opponent racers or item boxes, though the player will always begin each race with three Mushrooms in reserve. For any given course the shortest total times are saved, and the shortest single lap time of any race is also saved. The fastest time is saved as a ghost, a copy of the player's performance, which the player can race against later. In Mario Kart 8 Deluxe, 200cc Time Trial has been added.

Japanese figurines of Mario, Luigi, Peach, Toad, Yoshi, Wario, Donkey Kong, and Bowser are also available for purchase as well as for Mario Kart 64, figures of Mario, Luigi, Wario, Bowser, Donkey Kong, and Yoshi were made by Toybiz. There are also Sound Drops inspired by Mario Kart Wii with eight sounds from the game. A land-line telephone featuring Mario holding a lightning bolt while seated in his kart, has also been marketed.
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At that moment, the Ritos Quill and Prince Komali fly through the open windows, grab Link and Tetra, and fly off. Link then takes Tetra to ancient Hyrule beneath the Great Sea, where the King, Daphnes Nohansen Hyrule, reveals that she is the last descendant of the Royal Family. She then receives the other half of the Triforce of Wisdom, revealing her true identity as Princess Zelda. She hides in Hyrule while Link embarks on another mission. Once Link completes this mission, Zelda is kidnapped by Ganondorf, who takes her to his tower. Link storms the castle, defeats Puppet Ganon, and faces off against Ganondorf in a final battle. Zelda aids Link during the battle by shooting Light Arrows at their foe. After defeating Ganondorf, Link and Zelda, once again in the form of Tetra, return to the Great Sea and embark on a new adventure together, searching for a land to call their own.

Character growth determines how player characters learn new abilities and boost their stats. Unlike battle systems, character growth systems are less consistent throughout the series, and players must internalize the systems to make the correct decisions. The only consistent character growth mechanic used in the series has been the level based system where characters raise their level through experience points earned in battle to improve stats and sometimes learn new abilities. Even this system has been excluded from some games, such as in Final Fantasy X and Final Fantasy XIII, where only ability points are accumulated from battles that can be expended for both better stats and new skills.
Each setting often features some form of magic (sometimes spelled magick), though it often differs between the different lores. In many settings, magic is the power of the world's Crystals. In Final Fantasy VI magic has become a rarity, with many resorting to magitek (magic technology). In Final Fantasy VII, magic is a product of the Lifestream and can be used via Materia, though scientists have stated that "magic" is an unfitting term for a force of nature. In Final Fantasy XII, magick is provided by the mysterious substance known as Mist that seeps from the inside of the planet.

Final Fantasy XV would be developed for the generation of consoles following, on PlayStation 4 and Xbox One. It uses a new proprietary Luminous Engine, which was showcased during the demo Agni's Philosophy, and the engine early in development allowed the game to produce 5 million polygons per frame, with suggestions that the final game could be even more advanced.[28]
*Nintendo Account required. Online features will be free until the Nintendo Switch Online service launches in 2018. After the free-trial period, most games will require a paid online service subscription from Nintendo in order to play online. Currently, the free-trial period, the paid service, and online play (for applicable modes in compatible games) will be available for customers in the U.S., Canada, and Mexico. For the latest list of countries, please visit Customer Support.
[Amiga] Power Drift[MAME] Power Drift (World)[MAME] Power Drift (World, Earlier)[MAME] Power Drift (Japan)[MAME] Power Drift (World, Rev A)[TG16] Power Drift (Japan) (Alt)[TG16] Power Drift (Japan)[C64 PP] Power Drift (UE)[C64 Tapes] Power Drift (E)[ZX Spectrum Z80] Power Drift (1989)(Activision)(128k)[ZX Spectrum Z80] Power Drift (demo) (1989)(Your Sinclair)[ZX Spectrum (TAP)] Power Drift (1989)(Sega & Activision)(128k)[Atari ST] Power Drift (1989)(Activision)(Disk 1 of 2)[cr Medway Boys][Atari ST] Power Drift (1989)(Activision)(Disk 1 of 3)[cr Equinox - Replicants][Atari ST] Power Drift (1989)(Activision)(Disk 2 of 2)[cr Medway Boys][Atari ST] Power Drift (1989)(Activision)(Disk 2 of 3)[cr Equinox - Replicants][Atari ST] Power Drift (1989)(Activision)(Disk 3 of 3)[cr Equinox - Replicants][CPC] Power Drift (UK) (1989) [a1][CPC] Power Drift (UK) (1989)[CPC] Power Drift (UK) (1989) [f1][t1]
The Legend of Zelda was principally inspired by Shigeru Miyamoto's "explorations" as a young boy in the hillsides, forests, and caves surrounding his childhood home in Sonobe, Japan where he ventured into forests with secluded lakes, caves, and rural villages. According to Miyamoto, one of his most memorable experiences was the discovery of a cave entrance in the middle of the woods. After some hesitation, he apprehensively entered the cave, and explored its depths with the aid of a lantern. Miyamoto has referred to the creation of the Zelda games as an attempt to bring to life a "miniature garden" for players to play with in each game of the series.[11]
I'm eight chapters in, which I believe is a little over halfway through the game, and the plot is not drawing me in at all. Many Final Fantasies lead with the main narrative element of "defeat the evil empire that wrecked your home/kingdom/city/planet", and Final Fantasy XV is no exception. This is not a bad thing, but unfortunately whoever was in charge of piecing this into a cohesive narrative seems to have twiddled his thumbs for nine-tenths of the decade it took to make this game.. in fact, it honestly seems like this happened with the whole game. Ten whole years, and it feels like they rushed it out in the last year and a half. I can definitely see why they delayed it another few months from its initial September release date. Imagine what it would've been like then?

Gifted with a perfectly serviceable faux-3D makeover, and a plot that couldn’t matter less if it tried, 11 once again pits its robot hero against the forces of the cartoonishly nasty Dr. Wily. Said battle comes in the form of eight new stages to run and gun through, with eight new bosses lurking at their ends. Despite boilerplate names like Block Man, Impact Man, and Torch Man, this is easily the most colorful bunch of baddies the series has ever offered up, varying wildly in size, and featuring sharp little details like the electrodes poking jauntily out of Fuse Man’s silhouette. That same love has been lavished on the way they fight, too: Rather than execute a few simple patterns of jumps and attacks, each boss battle is now a multi-phase affair, with enemies tossing out super moves and even the occasional full-on transformation. All of these flashy theatrics—which put a welcome edge onto the long-standard process of learning and overcoming a boss—are empowered by the Double Gear system, the game’s one big contribution to the Mega Man canon. A fancy way of saying “short-lived bursts of extra power or speed,” the Gears’ powers aren’t just confined to your enemies. They’re also the biggest tool in Mega Man’s new arsenal—and in the game’s efforts to justify its existence as more than just a pleasant but brief nostalgic stint.


At the Temple of Hylia, when Zelda states she must seal herself to keep Demise in place, she sheds tears of sadness and states before all this, she was happy just being with Link on Skyloft, demonstrating a deep level of feelings for her childhood friend. Link desperately tries to stop her and when she is sealed, Link lowers his head in sadness, showing his deep feelings for her. Once Link releases Zelda from her sealed state, he runs up and catches her from falling. They both hug and walk out smiling at each other, holding hands, before Ghirahim ruins the tender moment. During the ending, Zelda asks what Link will do now. Link sweetly smiles at her while their Loftwings fly off toward the sky, implying that he chose to stay on the Surface to live with Zelda.
A sequel (of sorts) to the Legacy Collection has been announced, which, continuing where the first left off, consists of Mega Man series games 7, 8, 9, and 10. This is a bit more of a smorgasbord, though, since unlike the NES titles from the previous collection, these span at least three different systems. It’s not a simple matter of tossing an NES emulator on there and calling it good. And considering I’m not sure whether MM9 and MM10 used an emulator or a brand new custom engine, it’s possible they’ll find themselves emulating an emulator. Ah, fun times are ahead indeed.

Auch Comics, Bücher und weitere Zelda Fanartikel erfreuen sich seitdem größter Beliebtheit und verhelfen der Serie so zu ihrem hohen Bekanntheitsgrad. Hervorzuheben ist hierbei vor allem das Geschichtsbuch „Hyrule Historia“, das 2011 zum 25. Jubiläum der Reihe erschien und einen Querschnitt durch die erfolgreiche Geschichte von Nintendo, aber auch ihrer faszinierenden Welt bietet.

The Wind Waker is parallel, and takes place in the other timeline branch, more than a century after the adult era of Ocarina of Time.[45][46] Phantom Hourglass is a continuation of the story from The Wind Waker,[47] and is followed by Spirit Tracks, which is set about 100 years later on a supercontinent far away from the setting of The Wind Waker.[48] At the time of its release, Four Swords for the Game Boy Advance was considered the oldest tale in the series' chronology, with Four Swords Adventures set sometime after its events.[49] The Minish Cap precedes the two games, telling of the origins of villain Vaati and the creation of the Four Sword.[50] A Link Between Worlds takes place six generations after Link to the Past. Important events that occur in the game include the Triforce being reunited, and Ganon being resurrected.[51]
Mega Man 11 isn't perfect. It isn't a severely flawed game, but some of its flaws can really stand out. For the most part the level design is really good. There are many moments that encourage players to use the double gear system and the levels are lengthy enough that they can keep you busy. The difficulty of some levels, however, is definitely going to get to some players. For the most part any screw ups are your own, but there's a lot of trial and error in learning some of the levels, and even worse is that Mega Man 11 has a limited life count. If you get a game over it's back to the beginning of a level for you. The levels put up a great challenge, but their length and (in some levels) hazards can make starting the entire thing over again feel like a test in frustration. Even Mega Man veterans will have to slow down and really take time to learn these levels.
In Battle Mode, players go head to head on one of a number of dedicated Battle Mode courses, usually designed as closed arenas. Each player starts with three balloons and loses a balloon with every hit sustained; the last player possessing at least one balloon wins. In addition to the classic battle game, different variants of this mode were added as the series progressed, including one that involves capturing a Shine Sprite and maintaining possession of it for a certain period of time; and one that involves throwing Bob-ombs at other players to earn points. Starting with Mario Kart Wii, there is a time limit for each battle. For Mario Kart 8, the battles take place on race courses. In Mario Kart Wii, Mario Kart 7 and Mario Kart 8 Deluxe, the player will respawn after losing all balloons, instead of getting eliminated.
Although most Final Fantasy installments are independent, many gameplay elements recur throughout the series.[72][73] Most games contain elements of fantasy and science fiction and feature recycled names often inspired from various cultures' history, languages and mythology, including Asian, European, and Middle-Eastern.[74] Examples include weapon names like Excalibur and Masamune—derived from Arthurian legend and the Japanese swordsmith Masamune respectively—as well as the spell names Holy, Meteor, and Ultima.[73][74] Beginning with Final Fantasy IV, the main series adopted its current logo style that features the same typeface and an emblem designed by Japanese artist Yoshitaka Amano. The emblem relates to a game's plot and typically portrays a character or object in the story. Subsequent remakes of the first three games have replaced the previous logos with ones similar to the rest of the series.[73]
The next Legend of Zelda for the DS, The Legend of Zelda: Spirit Tracks, was released December 7, 2009, in North America and December 11, 2009, in the UK. In this game, the 'spirit tracks', railroads which chain an ancient evil, are disappearing from Hyrule. Zelda and Link go to the 'Spirit Tower' (the ethereal point of convergence for the tracks) to find out why. But villains steal Zelda's body for the resurrection of the Demon King. Rendered disembodied, Zelda is left a spirit, and only Link (and a certain few sages) can see her. Together they go on a quest to restore the spirit tracks, defeat the Demon King, and return Zelda to her body. Using a modified engine of that used in Phantom Hourglass, the notably new feature in this game is that the Phantom Guardians seen in Phantom Hourglass are, through a series of events, periodically controllable. It was the first time in the series that both Link & Zelda work together on the quest.
Of the various "Mega Men", classic series Rockman is the only one with blue eyes. All other characters to bear the name "Mega Man" have green eyes. Curiously in the PSP remake Mega Man Powered Up his eye color is changed to green (though the artwork for the game shows him with blue eyes). In the Mega Man Megamix illustrations, his eye color is also depicted as green.
Mega Man X was ranked number 58 in Nintendo Power's "100 Best Nintendo Games of All Time" in its 100th issue in September 1997, number 103 in the publication's "Top 200 Games" list for its 200th issue in February 2006, and the 11th best SNES game of all time in its August 2008 issue.[30][31][32] Both GamesRadar and ScrewAttack listed Mega Man X as the eighth best game in the SNES library.[33][34] GamePro similarly listed it as the eighth greatest 16-bit video game.[35] Game Informer considered it the 120th best game of all time in its own 200th issue in December 2009.[36] IGN named it the twelfth-best on its own top 100 SNES games list in 2011.[37]
Jump up ↑ "I had a dream... In the dream, dark storm clouds were billowing over the land of Hyrule... But suddenly, a ray of light shot out of the forest, parted the clouds and lit up the ground... The light turned into a figure holding a green and shining stone, followed by a fairy... I know this is a prophecy that someone would come from the forest..." — Princess Zelda (Ocarina of Time)
It was only a matter of time before Capcom and Nintendo brought Mega Man Legacy Collection 1 and 2 to the Switch. These games have already made their way to other consoles, including the Nintendo 3DS. The Switch version isn’t an HD remake or a reimagining of the classic Mega Man games. The Legacy Collections simply bring the platforming goodness of the franchise to the hybrid console, while also adding new features to give players even more hours of enjoyment.

Legacy Collection 1 and 2 also offer up timed Challenges, which are remixed Mega Man levels that provide a more substantial challenge. Players traverse through various parts of different levels, all while trying to beat a predetermined score. Mega Man levels are difficult, often rewarding a slow, methodical pace, but the Challenges are the complete opposite. Believe me, you’ll need all of your skills to complete them.


When transitioning to the next generation of video game consoles, the now-merged Square Enix developed Final Fantasy XIII for PlayStation 3 and Xbox 360. It was developed using Crystal Tools, a proprietary engine built to develop games for the consoles. As the first high definition title, it allowed for a major improvement in graphics with many reviewers citing its visuals as a strong point.[25][26][27] The original release of Final Fantasy XIV was also developed using Crystal Tools, though its subsequent re-release, Final Fantasy XIV: A Realm Reborn, was developed using different technology.
Just like everyone else has said, this is Zelda meets Skyrim. Still that is an awesome idea, and it is executed almost flawlessly. I love open the world and how it will be hours before you see your first classic dungeon. In fact, the classic dungeons feel tighter and more creative than most of the temples from a lot of the last games. I haven't completed the game yet, but feel there is so much content here it will last me months before I complete it. I am writing this review as part of a contest
The series features a number of recurring character archetypes. Most famously, every game since Final Fantasy II, including subsequent remakes of the original Final Fantasy, features a character named Cid. Cid's appearance, personality, goals, and role in the game (non-playable ally, party member, villain) vary dramatically. However, two characteristics many versions of Cid have in common are 1) being a scientist or engineer, and 2) being tied in some way to an airship the party eventually acquires. Every Cid has at least one of these two traits.
K'Nex produced sets with tracks from the game and figures of Mario, Luigi, Yoshi, Donkey Kong, and Bowser in karts and bikes. These have been released to promote Mario Kart Wii, Mario Kart 7, and Mario Kart 8. McDonald's released an eight-character set of Happy Meal toys based on Mario Kart 8, where the characters' karts were customizable with stickers. Nintendo itself has also offered Mario Kart-related merchandise, such as a soundtrack for Mario Kart 64 offered by mail; and varying pieces of merchandise through the Club Nintendo customer rewards program, such as a Mario Kart Wii-themed stopwatch, gold trophies modeled after those in Mario Kart 7, and a CD featuring the soundtrack of Mario Kart 8.

I feel like they focused too much on making the game new and exciting rather than balanced and fun but they still did pretty good at throwing everything together. It has tons of tracks, vehicles, characters, and is probably the most re-playable version of the series because there is so much stuff to unlock. I unlocked everything in the game using a stock character and vehicle so the unlocked stuff isn't overpowering like in past games. The unlock-able characters and carts seem well placed and often help you with your playing style. For example you unlock the fast characters while trying to do time trials or you get the agile carts from gold on the harder tracks.


Mega Man does have some notable flaws, however: While Mega Man has a good amount of attacks with good knockback, the majority of his kill moves are considered situational, difficult to set up, or and/or are easy to punish. As such, he has a more difficult time killing than other characters and it requires good reads to successfully finish off opponents. Characters that have a move that either reflects projectiles or can nullify them (such as Fox or Lady Palutena) can also prove to be an annoyance for him due to his over-reliance on projectiles to combo opponents and bait reactions and it can render his Forward Smash (one of his better kill moves) unreliable, though this can be worked around by firing the Mega Buster twice at a time, and most reflectors are punishable if baited and he can still grab them. Although Mega Man can effectively zone opponents at medium ranges with the Mega Buster, most of his other moves are fairly laggy or gimmicky and his only reliable tool in close range is his grab, and as such faster characters (such as Greninja or Captain Falcon) can bypass his zoning more easily and put work on him in closer ranges and due to his above average weight and falling speed, Mega Man is somewhat easy for these characters to combo once they get in, assuming that they have any combo potential.
The music was composed by Asuka Ohta and Ryo Nagamatsu; who both used new interpretations of the familiar melodies from earlier games alongside original material. A 46-track official soundtrack was released in December 2011 as a Club Nintendo reward in Japan.[18] The speaker on the Wii Remote is frequently used during gameplay, as sound effects like crashes and warning signals are emitting from it. During the extensive testing of the different Wii Wheel prototypes, the developers decided to have the voice actors playing the game during recording sessions.[14]

Jump up ↑ "Once the wizard had finished casting his spell, Princess Zelda crumpled where she stood. [...] Mad with grief and regretting what he had done, the young king placed his sleeping sister, Princess Zelda, on an altar in the North Castle, in the hopes that she would someday be revived. [...] The story became the legend of the first Princess Zelda. [...] There came a day when the demon army led by the Demon King Ganon invaded Hyrule and stole the Triforce of Power. The reigning Princess Zelda divided the Triforce of Wisdom, which was in her possession, into eight pieces, hiding them in different corners of the kingdom. [...] Just then, a boy named Link appeared. [...] Using the power of the Triforce of Wisdom, Link crushed the Demon King and saved Princess Zelda. [...] Even after defeating Ganon, Link remained in the Kingdom and lent a hand to the reconstruction efforts. [...] Link, having obtained the Triforce of Courage, used the Triforce's power to awaken Princess Zelda I from her slumber." (Hyrule Historia (Dark Horse Books), pg. 104-107, 109)


The game won multiple Wii-specific awards from IGN in its 2008 video game awards, including Best Racing Game[46] and Best Online Multiplayer Game.[47] IGN also nominated it for Best Family Game for the Wii.[48] The game was ranked ninth in Nintendo Power's "Best of the Decade."[49] It also won the award for "Favorite Video Game" at the 2010 Kids' Choice Awards.[50] Guinness World Records has awarded Mario Kart Wii with a record for being the best-selling racing video game of all time.[51]
Enemies are weak to at least one weapon; for instance, Fire Man will take more damage from Ice Man's weapon than from other weapons. This concept draws inspiration from rock-paper-scissors. Robot Master levels can generally be completed in any order, resulting in a strategic hallmark of the series: determining the best order to defeat bosses and earn weapons. Sequels of Mega Man games contain new enemies alongside familiar ones, new bosses and weapons, and perhaps new gadgets. Later installments of the game give the player the option of commanding other player characters with different abilities, such as Proto Man, Duo, and Bass.
It’s been eight long years since Capcom’s venerable Mega Man franchise last slapped a new numeral onto the end of its name, a span that’s seen the Blue Bomber’s NES contemporaries—most notably Nintendo’s own Mario and Zelda games—evolve dramatically in response to increasingly powerful technology and changing gaming philosophies. But while the franchise’s latest title, Mega Man 11, does its damnedest to try to teach itself a few new tricks, this might be the point where even the most devoted practitioners of the time-honored art of murdering octets of themed robots to steal their magical arm-guns have to accept that this series has comfortably settled into its limits, probably for good.

The Fallen Hero Timeline is the timeline in which Link, the Hero of Time, despite his best efforts, was defeated by Ganondorf in the final battle. This turn of events created the timeline containing A Link to the Past, Oracle of Seasons, Oracle of Ages, Link's Awakening, A Link Between Worlds, Tri Force Heroes, The Legend of Zelda, and The Adventure of Link.
On to the good, I really love the art style of this game which feels like a cartoon come to life, something which they were moving closer to on 8 and then backtracked from on 9 and 10. The design of everything is just spot on and I really love the creativity on display as well as the fact that this feels like it has an actual story (something the X games aimed for but the core series usually lacked). The controls are smooth and responsive as they should be in any good Mega Man game and this helps to offset the difficulty of some levels (as does the store which has a lot of helpful items to allow the game to be as hard or easy as you choose to make it).
The Legend of Zelda games feature a mixture of puzzles, action, adventure/battle gameplay, and exploration. These elements have remained constant throughout the series, but with refinements and additions featured in each new game. Later games in the series also include stealth gameplay, where the player must avoid enemies while proceeding through a level, as well as racing elements. Although the games can be beaten with a minimal amount of exploration and side quests, the player is frequently rewarded with helpful items or increased abilities for solving puzzles or exploring hidden areas. Some items are consistent and appear many times throughout the series (such as bombs and bomb flowers, which can be used both as weapons and to open blocked or hidden doorways; boomerangs, which can kill or paralyze enemies; keys for locked doors; magic swords, shields, and bows and arrows), while others are unique to a single game. Though the games contain many role-playing elements (Zelda II: The Adventure of Link is the only one to include an experience system), they emphasize straightforward hack and slash-style combat over the strategic, turn-based or active time combat of games like Final Fantasy. The game's role-playing elements, however, have led to much debate over whether or not the Zelda games should be classified as action role-playing games, a genre on which the series has had a strong influence.[1]
Having played Megman since the NES days, I am up for a challenge and am no greenhorn when it comes to the type of gameplay. But to be perfectly honest, some of these levels just seem to go on way too long, to a point which 1 through 8 did not. I only played a little bit of 9 and 10,because I felt Capcom was just ramping up the difficulty to squeeze more gameplay out of an old style game. In the case of 11, all of this would be well and good if I was a kid playing my 8bit Nintendo back in 1987. But in 2018,when there are so many other video games out there with much more depth and enjoyable gameplay, why would I want to struggle with this title?

Regardless of his good grab game and punishing options, Mega Man still has some flaws to counter his strengths. Since his projectiles are imperative in initiating combos, he suffers against opponents with reflectors or other methods to render his projectiles ineffective, such as the Villager's Pocket. His low speed and ending lag on his non-projectile moves significantly limit his approach. He lacks options in keeping away foes up close, with no actual melee jab or quick standard attacks to knock them away. Because most of his strongest attacks suffer from either noticeable startup or ending lag, Mega Man works best at mid-range where his attacks can connect safely, though at the cost of giving opponents a good amount of time to react to any of his attacks, somewhat making his finishers predictable.
In Four Swords Adventures, Zelda used her telepathy to call Link to Hyrule Castle so she and him can join the Shrine Maidens to investigate the seal on Vaati at the Four Sword Sanctuary, due to ominous clouds of darkness covering Hyrule. However, while using their magic to check the seal, Shadow Link appeared and kidnapped Zelda and the six Maidens and sent Link to the Four Sword Sanctuary. This was all a trap by Shadow Link to cause Link to draw the Four Sword, releasing the seal on the Wind Mage Vaati, allowing him to escape.
Towards their battle with Ganon, Midna was the one who completely freed Zelda from Ganon's influence. She then sends Link and Zelda away to safety while sacrificing herself to attack Ganon, showing that she has come to genuinely care for them. After the battle was over with Ganon's defeat, Midna was revived which reassured Link and Zelda. Towards their parting moment, Midna stated to Zelda that "your words are kind, and your heart is true" as she destroyed the Twilight Mirror.
Since the original The Legend of Zelda was released in 1986, the series has expanded to include 19 entries on all of Nintendo's major game consoles, as well as a number of spin-offs. An American animated TV series based on the games aired in 1989 and individual manga adaptations commissioned by Nintendo have been produced in Japan since 1997. The Legend of Zelda is one of Nintendo's most prominent and successful franchises, selling over 80 million copies as of 2017; many of its games are considered by critics to be among the greatest video games of all time.

Three weeks after Wily found Ra Moon, the electromagnetic field begins to affect all the machinery and electronics around the world. Roll falls into a coma victim of the electromagnetic field, and Wily makes a worldwide broadcast saying to the world surrender for him in two weeks, or else he will shut down all machinery, which would effectively kill Roll and all the robots around the world, and without them, humans would die as well. Dr. Light quickly immunizes Mega Man and his brothers (the Robot Masters from Mega Man 1 : Cut Man, Elec Man, Ice Man, Fire Man, Bomb Man, and Guts Man) from the electromagnetic field, and sends them to stop Dr. Wily before it's too late. During the adventure, Mega Man and his comrades fought their way to the source of Electromagnetic field, Ra Moon, battling the Robot Masters from Mega Man 2 and 3 in the process. In the end, Mega Man manages to destroy Ra Moon and the eletromagnetic field ceases, Roll recovers and all the machinery around the world starts functioning again.
He also appears in Nova's ending as part of the new Mega Nova Corps along with Proto Man, Beat, Roll and Zero as well as Thor's ending which was redone to include him along with Ryu and Morrigan. His other appearance in the game is that of a card in the "Heroes and Heralds" mode, as an "S Rank" card who's primary ability is halving the time used to charge attacks for characters with his secondary ability increasing the chance to gain rare cards of characters belonging to Capcom.

The central conflict in many Final Fantasy games focuses on a group of characters battling an evil, and sometimes ancient, antagonist that dominates the game's world. Stories frequently involve a sovereign state in rebellion, with the protagonists taking part in the rebellion. The heroes are often destined to defeat the evil, and occasionally gather as a direct result of the antagonist's malicious actions.[3][74] Another staple of the series is the existence of two villains; the main villain is not always who it appears to be, as the primary antagonist may actually be subservient to another character or entity.[3] The main antagonist introduced at the beginning of the game is not always the final enemy, and the characters must continue their quest beyond what appears to be the final fight.[74]

Fi's spirit may continue to exist within the Master Sword in Breath of the Wild. Princess Zelda reveals to the Great Deku Tree that the Master Sword told her that her destiny was not finished, it convinced her to seal Calamity Ganon herself. In his vision after removing the sword, Link sees Zelda speaking to the Master Sword as if it was a person. She told the Master Sword that its master (Link) would come for it, like Fi whose spirit slumbers within the sword and refers to Link as "master" in Skyward Sword.
Souls creator Hidetaka Miyazaki (FromSoftware) named A Link To The Past as one of his favorite role-playing video games.[200] According to Miyazaki, "The Legend of Zelda became a sort of textbook for 3D action games."[201] Ico director Fumito Ueda (Team Ico) cited Zelda as an influence on Shadow of the Colossus.[202] Fable series director Peter Molyneux (Lionhead Studios, Microsoft Studios) stated that Twilight Princess is one of his favorite games. "I just feel it's jaw-dropping and its use of the hardware was brilliant. And I've played that game through several times," he said to TechRadar.[203] Darksiders director David L. Adams (Vigil Games) cited Zelda as an influence on his work.[204] Prince of Persia and Assassin's Creed director Raphael Lacoste (Ubisoft) cited The Wind Waker as an influence on Assassin's Creed IV: Black Flag.[205] CD Projekt Red (The Witcher, Cyberpunk 2077) cited the Zelda series as an influence on The Witcher series, including The Witcher 3: Wild Hunt.[206] Final Fantasy and The 3rd Birthday director Hajime Tabata (Square Enix) cited Ocarina of Time as inspiration for the seamless open world of Final Fantasy XV.[207]

I beat Mega Man 11 on Normal in about eight hours. I’m no speed runner, but Mega Man 11 provides a lot of options for Mega Masochists looking for timed challenges, including remixes of levels with leaderboards, most of which unlock when you beat the campaign for the first time: Jump Saver challenges you not to jump, Buster Breakdown challenges you not to shoot, and Balloon Rush adds balloons that you have to destroy or avoid based on their color. I had spent enough time with Mega Man 8’s levels by this point so I didn’t have much drive to put up my times. The best bonus mode, though, is the mysterious Dr. Light’s Trial, which is an ultra-hard, one-life-only set of unique levels similar to Breath of the Wild’s Trial of the Sword DLC -- and even better, it unlocks another mystery trial mode (whose trial could that be?). Finally, you can pump up the difficulty to Superhero and play through the campaign again, if you dare.


Mega Man's first animated appearance was as a main character in the 1989 series Captain N: The Game Master, which features a myriad of characters that had appeared on Nintendo consoles up until that time. They all aid the title character, Captain N, in his quest to save the world of Videoland, encountering many villains, including Mega Man's own enemy Dr. Wily. Mega Man is green and is voiced in this series by Doug Parker. His character also has a speech impediment and a tendency to add the word "mega" in front of words for emphasis.
12% (sourspot) Fires Mega Man's fist downwards. The start of the move sends opponents flying horizontally (sweetspot). If hit near the move's end, the move is a meteor smash, which will send any opponent in the air downwards (sourspot), one of the very few projectiles in the game with this trait. Although safer than most other meteor smashes, this move requires a set distance between you and your opponent in order to meteor smash and has long startup, making the move situational and outclassed by his other edgeguarding options.

Dash attack Top Spin 1% (hits 1-7), 3% (hit 8) Mega Man boosts forwards while spinning, damaging whatever he touches. Good priority and long lasting, equivalent to Luigi's dash attack. Useful for mindgames against shields due to its moderate shield stun, which often makes opponents drop their shield too early. Small noticeable ending lag. Based on Top Man's weapon from Mega Man 3.

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