In addition to both the Hyrule Warriors incarnation of Zelda and Tetra, Ghost Zelda who is designated as Toon Zelda appears as a playable character from the Phantom Hourglass and Spirit Tracks DLC. Toon Zelda fights by possessing a Phantom wielding Phantom Arms and light magic fueled by the Sacred Power of the Spirits. Unlike her grandmother Tetra, Toon Zelda has no role in the story. Additionally, there are several Fairy Clothing options based on her outfit can be unlocked on the Grand Travels Map: Destiny Tiara, Destiny Necklace, Destiny Top, and Destiny Skirt.
The central conflict in many Final Fantasy games focuses on a group of characters battling an evil, and sometimes ancient, antagonist that dominates the game's world. Stories frequently involve a sovereign state in rebellion, with the protagonists taking part in the rebellion. The heroes are often destined to defeat the evil, and occasionally gather as a direct result of the antagonist's malicious actions. Another staple of the series is the existence of two villains; the main villain is not always who it appears to be, as the primary antagonist may actually be subservient to another character or entity. The main antagonist introduced at the beginning of the game is not always the final enemy, and the characters must continue their quest beyond what appears to be the final fight.
In his early appearances in Twilight Princess, Zant inspires terrifying dread. His monstrous steel helm is grotesque with a thick, elongated tongue strewn across the lower mouth. Add in the enormous bulging bug eyes, and you have some excellent nightmare fuel fit for your worst enemies. It’s the perfect set up for an imposing villain. Later in the game, Zant’s villainous mystique grows as he creepily whispers into Midna’s ear, revealing a mouth that drips with saliva and split oddly…
The Princess throws the Ocarina of Time into the moat in front of Hyrule Castle Town for Link to retrieve; as he touches it, Zelda appears before him in a vision and teaches him the "Song of Time", the final key to the Sacred Realm. Ironically, since the final barrier in the Sacred Realm could only be broken by the chosen Hero of Time, had Zelda not attempted to retrieve Triforce before Ganondorf, the timeline split and tragedies of the Adult Timeline could have been avoided.
I beat Mega Man 11 on Normal in about eight hours. I’m no speed runner, but Mega Man 11 provides a lot of options for Mega Masochists looking for timed challenges, including remixes of levels with leaderboards, most of which unlock when you beat the campaign for the first time: Jump Saver challenges you not to jump, Buster Breakdown challenges you not to shoot, and Balloon Rush adds balloons that you have to destroy or avoid based on their color. I had spent enough time with Mega Man 8’s levels by this point so I didn’t have much drive to put up my times. The best bonus mode, though, is the mysterious Dr. Light’s Trial, which is an ultra-hard, one-life-only set of unique levels similar to Breath of the Wild’s Trial of the Sword DLC -- and even better, it unlocks another mystery trial mode (whose trial could that be?). Finally, you can pump up the difficulty to Superhero and play through the campaign again, if you dare.
I feel like there is less cheap death compared to previous installments, but it makes itself more of an endurance match to get to the boss. I really enjoy each stage having its own thought out mini boss also and the fact that you don't spawn right in front of the door when you die. You instead have to work your way back without losing too much health so you can make it through the fight while still making a couple errors.
The changes to Zelda's move set in this game were mostly balancing issues. Essentially, Zelda was powered up, with several of her moves being made more powerful and easier to execute. This can be seen in Din's Fire, which is substantially more powerful than in Super Smash Bros. Melee, and in several of Zelda's Smash Attacks, which literally "stop time" for a moment before sending the opposing character flying off the screen. She retains her massively powerful "Lightning Kick" from Super Smash Bros. Melee. Sheik's attacks, meanwhile, were made weaker but faster.
Three Final Fantasy installments were released on the Nintendo Entertainment System (NES). Final Fantasy was released in Japan in 1987 and in North America in 1990. It introduced many concepts to the console RPG genre, and has since been remade on several platforms. Final Fantasy II, released in 1988 in Japan, has been bundled with Final Fantasy in several re-releases. The last of the NES installments, Final Fantasy III, was released in Japan in 1990; however, it was not released elsewhere until a Nintendo DS remake in 2006.
Tetra is skilled with a catapult (or so she assures Link), and it is reasonable to assume she knows how to use the bombs she has her pirate crew steal at one point. As a member of the Royal Family, she can use the Pirate's Charm to communicate with its holder and keep an eye on his doings within a certain range. Curiously, she is much more tan as Tetra than when she assumes her Princess Zelda form. At the end of The Wind Waker, she resumes her identity as Tetra and sets sail with Link in search of the land that will become the New Hyrule. This leads into the events of Phantom Hourglass and Spirit Tracks.
In Oracle of Seasons and Oracle of Ages, Zelda is revealed to be the hope of the people. She is the one who sends Impa to Labrynna and Holodrum to find Nayru, the Oracle of Ages, and Din, the Oracle of Seasons, and bring them to Hyrule for safety. Zelda herself appears if the two games are linked. When players have defeated both General Onox and Veran in the linked game, Twinrova will kidnap Zelda in order to sacrifice her to resurrect Ganon. Link dashes to her rescue and Twinrova fails to sacrifice Zelda, making them to sacrifice themselves in order to resurrect Ganon. Due to the fact that they could not sacrifice Zelda as planned, the Ganon they resurrect is mindless and raging and is defeated by Link. In these games, Zelda has a sprite similar to that of Marin, the girl Link mistakes for Zelda when he wakes up at the beginning of Link's Awakening.
The developers had originally planned to use a famous vocalist in the ending of Final Fantasy VII, but the plan didn't go through due to being too abrupt, and there was no suitable theme in the story for a vocal song to suddenly come up in the ending. This idea was realized in Final Fantasy VIII whose "Eyes On Me" has a meaning in the plot and it relates to the game's main characters. Uematsu went on to compose vocal theme songs for the main series games Final Fantasy IX, Final Fantasy X, Final Fantasy XII and Final Fantasy XIV, even though he didn't otherwise participate with Final Fantasy XII, its soundtrack being composed by Hitoshi Sakimoto.