^ Jump up to: a b "Long interview with Eiji Aonuma". nindori.com. Nintendo DREAM. Feb 2007. Archived from the original on January 27, 2007. Retrieved June 4, 2010. 『時のオカリナ』から百数年後の世界です。 ... 『風のタクト』はパラレルなんですよ。『時のオカリナ』でリンクが7年後の世界に飛んで、ガノンを倒すと、子ども時代に戻るじゃないですか。『トワイライトプリンセス』は、平和になった子ども時代から百数年後の世界なんです。 / It is a world 100 and something years after Ocarina of Time. ... The Wind Waker is parallel. In Ocarina of Time, Link leaps to a world seven years later, defeats Ganon, and then returns to the child era, right? Twilight Princess is the world 100 and something years after peace is restored in the child era.

So I'll start with the gameplay itself. It leaves behind the turn based system of yesteryear. It has more a hack and slash feel to it. There are some new dynamics to the game such as having three computer controlled teammates fighting alongside you in real time. You can still input your own commands when you want. Battles are set to an aggro system that's pretty similar to the one found in Final Fantasy XII. After each battle, you gain experience, and you can allocate where you would like your experience to go.
Link's adventures around the kingdom of Hyrule with Princess Zelda are not just restricted to the console at home. In 1989 there was an American animated series which was based on the first games and over time received a cult following. Since then, comics, books and other Zelda fan merch have become well-loved and have helped the series to become so well known. Most notably is the storybook "Hyrule Historia" which was released in 2011 for the series' 25th anniversary and offers a taste of Nintendo's successful story and their fascinating world.
Mega Man (ロックマン, Rockman) is a newcomer in Super Smash Bros. 4. He was announced at Nintendo's E3 2013 Direct Conference presentation for the game, becoming the first-revealed of the six third-party characters in the game along with SEGA's Sonic and Bayonetta, Bandai Namco's Pac-Man, fellow Capcom character Ryu, and Square Enix's Cloud. He does not widely use hand-to-hand combat, instead relying on the large arsenal of ranged weaponry he has amassed by defeating boss characters in his own games. His sound effects are reused from the vast number of retro Mega Man games he has appeared in.
The voice acting is surprisingly good. For fans of previous games in the series the voice acting has been laughably bad (especially Mega Man 8), but here they sound really good and well delivered. I wish I could say the same for the music. It's not bad, it just doesn't always feel like Mega Man music. A lot of it has this techno and electronica vibe. It's competent but there's nothing here that sticks out as well Wily's Fortress in Mega Man 2, the entirety of Mega Man 9's soundtrack or anything even coming close to some of the tracks you've heard in other Mega Man games. The music overall can be relaxing but you're not likely to find them sticking too firmly in your mind when all is said and done.
Ladies and gentleman, my name is Kristen. Rosario. And I am your host for the CAVE OF TRIALS! Now before I give you an update on the SMASH ULTIMATE FANTASMIC HOLIDAY TOURNAMENT, I want to take a look at how our Smash Bros. Exhibition Match went between Young Link and King DeDeDe. Considering what site I am a part of, it should come as no surprise that the winner is Young Link! In what I thought was going to be…

Players can compete with up to three friends in their living room. Or challenge up to 11 opponents via Nintendo Wi-Fi Connection in the biggest Mario Kart race yet. All tracks and modes of play are available via Nintendo Wi-Fi Connection, and players can visit the Mario Kart Channel to compete in tournaments, check rankings, see when their friends are playing and download ghost data.

The first five games were directed by Sakaguchi, who also provided the original concepts.[74][101] He drew inspiration for game elements from anime films by Hayao Miyazaki; series staples like the airships and chocobos are inspired by elements in Castle in the Sky and Nausicaä of the Valley of the Wind, respectively.[102] Sakaguchi served as a producer for subsequent games until he left Square in 2001.[74][101] Yoshinori Kitase took over directing the games until Final Fantasy VIII,[103][104][105] and has been followed by a new director for each new game. Hiroyuki Ito designed several gameplay systems, including Final Fantasy V's "Job System", Final Fantasy VIII's "Junction System" and the Active Time Battle concept, which was used from Final Fantasy IV until Final Fantasy IX.[74][103] In designing the Active Time Battle system, Ito drew inspiration from Formula One racing; he thought it would be interesting if character types had different speeds after watching race cars pass each other.[106] Ito also co-directed Final Fantasy VI with Kitase.[74][103] Kenji Terada was the scenario writer for the first three games; Kitase took over as scenario writer for Final Fantasy V through Final Fantasy VII. Kazushige Nojima became the series' primary scenario writer from Final Fantasy VII until his resignation in October 2003; he has since formed his own company, Stellavista. Nojima partially or completely wrote the stories for Final Fantasy VII, Final Fantasy VIII, Final Fantasy X, and Final Fantasy X-2. He also worked as the scenario writer for the spin-off series, Kingdom Hearts.[107] Daisuke Watanabe co-wrote the scenarios for Final Fantasy X and XII, and was the main writer for the XIII games.[108][109][110]

In the early 2000s, Nintendo of America released a timeline on the official website of the series, which interpreted all stories up to the Oracle games as the adventures of a single protagonist named Link.[52] At one point, translator Dan Owsen and his coworkers at Nintendo of America had conceived another complete timeline and intended to make it available online. However, the Japanese series developers rejected the idea so the timeline would be kept open to the imagination of the players.[53]


Hero's Path Mode: Hero’s Path mode tracks every step you take, so you can watch the last 200 hours of your journey unfold on the map, and use a slider to scroll through a timeline. This works retroactively, so players who have already started the game will also be able to use this feature. Use this to find those shrines and Koroks that are still eluding you!


At its core, Deluxe is the same great title from Wii U. Racing up a wall is still disorienting fun, and taking the perfect shot with your green shell is satisfying as ever. Even with all the hours I poured into the original Wii U release, I still love the thrill of coming from behind in the final lap to win the race. Of course, some of that is thanks to the questionable rubber-band A.I. that has always been a sticking point of the series, but fans accepted that pitfall as a series mainstay long ago.
In the Hyrule Warriors Legends, Linkle and her fellow Villagers are the only civilians of Hyrule to appear. After Villagers receive word that Hyrule Castle has been attacked and that Princess Zelda is leading the fight against the invaders, Linkle under the impression that she is the legendary hero, leaves her village to aid Princess Zelda and the struggling Hyrulean Forces. Though she got lost on her way to the castle, Linkle would later join Twili Midna in rescuing Princess Zelda after she went to the Palace of Twilight to stop the flow of Dark Twilight Magic that threated to consume the entire land of Hyrule. Though she managed to rescue Princess Zelda, after seeing Twili Midna's decision to sacrifice her true form to stop the dark magic, Linkle decided to continue on her original journey to Hyrule Castle, rather than joining up with Zelda and Midna. Ultimately this turned out to be the right decision as Linkle after at the ruins of Hyrule Castle shortly after Ganon's defeat, discovering the remnants of his army attacking the battle weary Hyrulean Forces and Impa who stayed behind to defend castle while Zelda and Link returned the Master Sword to its pedestal. Joining in the fight, Linkle and Impa manage to lead the Hyrulean Forces to victory and defened the kingdom in Zelda and Link's absence.
Many games offer different systems to allow more freedom when growing characters' abilities and stats beginning as early as Final Fantasy II. Often this features a mix of the ability points system, in which points are used to grow abilities without being determined by a job. One of the popular systems is the Materia system featured in Final Fantasy VII and other games in its sub-series, where the player equips characters with Materia that contain various command or support abilities, and accumulating ability points allows the Materia to grow and gain stat boosts and new abilities. Similarly, the magicite featured in Final Fantasy VI allows the player to equip magicite remains of espers with the accumulated ability points allowing the characters to learn the magic spells they contain, and once reaching a certain threshold the character learns the ability permanently to use it even without the equipped magicite. This way the player can directly control which party members use which skills and customize their party to their preferred play style.

From the very beginning Final Fantasy was the fruit of a team effort. To compete with games like Dragon Quest or Mario Bros., both of which showed the presence of highly talented individuals, Sakaguchi realized Square would need to aggregate the energies of multiple people, growing into a tradition of sorts. Working as a team enabled the incorporation of CG into the games. Sakaguchi has lamented that if Final Fantasy had been more of a solo effort, the series might have looked quite different.[8]
Rather than just continuing to run, jump, and shoot, I sometimes found myself having to stop and figure out how to proceed forward, and other times being forced to move forward without having this chance and just dying over and over while I figure it out. I am actually thankful there are at least difficulty options because after an hour on the first level playing on Normal, I finally had to lower the difficulty to Casual. The reason for this is my next problem which is the LENGTH of levels. They just feel too long under the standard Mega Man rules. A single checkpoint in the middle is not enough when the levels are this long and complex. Thankfully Casual gives you more lives and checkpoints, but considering I beat the other games without this option, I felt a little sad to have to resort to this.
Once upon a time, eight bosses and a handful of increasingly vicious Dr. Wily stages were all that a player might have needed to wile away day after day, scribbling down passwords and carefully memorizing the position of each precious E Tank. (Filed mentally right next to their grid map of Hyrule, or the locations of all the hidden 1-UP mushrooms in Super Mario Bros. 1.) But with modern conveniences like between-level saving and the ability to toss plentiful in-game currency at your supply of extra lives and mid-level recharges, those replayable, compulsive elements have been steadily whittled down. And even with its not-infrequent highs, Mega Man 11 doesn’t have anything more substantial to offer in their place, instead relying on a basic skeleton that can’t help but creak as its 30th anniversary arrives. Mega Man 9 (and, to a lesser extent, 10) overcame these pitfalls with a combination of laser-guided nostalgia and rock-solid platforming precision, but 10 years (and any number of more ambitious retro platformers—cough, Shovel Knight, cough) later, and even 11’s biggest swings for the unorthodox leave it feeling like little more than a trifle. In a medium that evolves by the day, 11 is content just to be a pretty good Mega Man game—for better and for worse.
Like Link, several of Zelda's various incarnations are shown to be talented musicians. At least three of incarnations are known to be harp-players (Ocarina of Time, Skyward Sword, and Hyrule Warriors). She also shows a talent for playing wind-based instruments such as an ocarina and a pan flute. She is also been shown to have a talent for singing as well.
Mega Man X was a commercial success. The SNES version has sold 1.16 million copies worldwide to date, making it the 41st best-selling Capcom game of all time.[38][39] IGN's Jeremy Dunham speculated that the game's more mature storyline and its inclusion of numerous gameplay extensions over the original Mega Man series helped create a "unique cadre of fans".[40].[27] A spin-off series, Mega Man Zero, began in 2002 on the Game Boy Advance handheld as a result of the immense popularity of the character Zero.[41][42][27]
Grand Prix – Players compete in various "cups," groups of four courses each (five in Super Mario Kart) with difficulty levels based on the size of the engine, larger engines meaning faster speeds. Before Mario Kart 8 there were four difficulties: 50cc, 100cc, 150cc, and 150cc Mirror (courses that are mirrored in terms of direction). Mario Kart 8 added a fifth difficulty level: 200cc. Players earn points according to their finishing position in each race and the top three players with the most points overall will receive a trophy.

At the Temple of Hylia, when Zelda states she must seal herself to keep Demise in place, she sheds tears of sadness and states before all this, she was happy just being with Link on Skyloft, demonstrating a deep level of feelings for her childhood friend. Link desperately tries to stop her and when she is sealed, Link lowers his head in sadness, showing his deep feelings for her. Once Link releases Zelda from her sealed state, he runs up and catches her from falling. They both hug and walk out smiling at each other, holding hands, before Ghirahim ruins the tender moment. During the ending, Zelda asks what Link will do now. Link sweetly smiles at her while their Loftwings fly off toward the sky, implying that he chose to stay on the Surface to live with Zelda.

In Skyward Sword, Zelda is shown to have a father known as Gaepora, whom she seems reasonably close to. The two casually interacted with one another when discussing Link's success at the ceremonial race, to which Zelda voiced her worry. In response, Gaepora reminded Zelda of the importance of a rider and Loftwing`s bond with one another, noting Link`s powerful bond with his Crimson Loftwing. He would also continue on to tease Zelda, jokingly referring her as jealous. Somewhat annoyed at her father`s words, Zelda further voices her worries to him. Seeing Zelda slightly agitated, Gaepora notes her change in behavior when concerning Link. Later on, when Zelda goes missing from a mysterious tornado, Gaepora shows great concern for his daughter and asks Link to save her.
Some time before the Great Calamity, the Yiga Clan even attempted to assassinate Zelda before she could awaken her sealing magic. They would have succeeded, had it not been for Link`s intervention. After the Great Calamity, with Zelda sealing herself with Ganon in Hyrule Castle, the Yiga Clan focused on hunting down Link and any of Zelda's surviving allies instead.
At its core, Deluxe is the same great title from Wii U. Racing up a wall is still disorienting fun, and taking the perfect shot with your green shell is satisfying as ever. Even with all the hours I poured into the original Wii U release, I still love the thrill of coming from behind in the final lap to win the race. Of course, some of that is thanks to the questionable rubber-band A.I. that has always been a sticking point of the series, but fans accepted that pitfall as a series mainstay long ago.
Remember the neighbor kid who would dismantle perfectly good toys and mash the parts together to create strange creatures? Orville Wilson was that kid, and he still is. And after winning an art contest in elementary school, his mother said, "One day you'll be working for Hallmark." She was thrilled when her prophecy came true and, like any good mother, said "I told you so!" Learn more about Orville Wilson.
Once upon a time, eight bosses and a handful of increasingly vicious Dr. Wily stages were all that a player might have needed to wile away day after day, scribbling down passwords and carefully memorizing the position of each precious E Tank. (Filed mentally right next to their grid map of Hyrule, or the locations of all the hidden 1-UP mushrooms in Super Mario Bros. 1.) But with modern conveniences like between-level saving and the ability to toss plentiful in-game currency at your supply of extra lives and mid-level recharges, those replayable, compulsive elements have been steadily whittled down. And even with its not-infrequent highs, Mega Man 11 doesn’t have anything more substantial to offer in their place, instead relying on a basic skeleton that can’t help but creak as its 30th anniversary arrives. Mega Man 9 (and, to a lesser extent, 10) overcame these pitfalls with a combination of laser-guided nostalgia and rock-solid platforming precision, but 10 years (and any number of more ambitious retro platformers—cough, Shovel Knight, cough) later, and even 11’s biggest swings for the unorthodox leave it feeling like little more than a trifle. In a medium that evolves by the day, 11 is content just to be a pretty good Mega Man game—for better and for worse.
This game was a gift for my brother's birthday and he and I remember playing Megaman from our childhoods so this game was a much anticipated gift! Game is crisp and clean with new style of graphics. Megaman uses a whole new time slowing ability and/or power up ability allowing Megaman to unload MEGA devastation on his enemies! You will see new boss power-ups like never before with Megaman's copy techniques and good ole dog rush and friends return for support.
Rather than just continuing to run, jump, and shoot, I sometimes found myself having to stop and figure out how to proceed forward, and other times being forced to move forward without having this chance and just dying over and over while I figure it out. I am actually thankful there are at least difficulty options because after an hour on the first level playing on Normal, I finally had to lower the difficulty to Casual. The reason for this is my next problem which is the LENGTH of levels. They just feel too long under the standard Mega Man rules. A single checkpoint in the middle is not enough when the levels are this long and complex. Thankfully Casual gives you more lives and checkpoints, but considering I beat the other games without this option, I felt a little sad to have to resort to this.

Dash attack Top Spin 1% (hits 1-7), 3% (hit 8) Mega Man boosts forwards while spinning, damaging whatever he touches. Good priority and long lasting, equivalent to Luigi's dash attack. Useful for mindgames against shields due to its moderate shield stun, which often makes opponents drop their shield too early. Small noticeable ending lag. Based on Top Man's weapon from Mega Man 3.
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