Of the two gears available, the obvious standout is “Speed,” which allows you to slow down the world for brief but critical periods at the touch of a button. It would be hard to overstate how much this simple addition changes the feel of the game’s levels—an otherwise well-crafted, but not especially notable, collection of interesting gimmicks and corridors filled with the customary assortment of spikes and pits. The Mega Man formula typically stacks a horde of fast-moving, relatively fragile enemies against your hero, an aggressive, screen-clearing powerhouse who blasts them away to clear his path. By making Mega Man the most maneuverable thing in the equation, it inverts the basic question these games have been asking for 30 years, changing it from “How do I eliminate the obstacles in my way?” to “How do I elegantly weave my way through this situation in the fleetest, most stylish way possible?” Don’t want to deal with an awkwardly placed turret? Slow down time and navigate around it. An enemy leaps at you? Smack the Speed button, slide under them as they drift lazily over your head, and get on with your day. It’s empowering stuff, in a way that yet another flashy gun or attachment for your robot dog couldn’t match. The Speed gear’s mate, the Power gear, is far less of a game-changer, simply boosting your damage output and tweaking your special weapons, but it does force you to balance a shared heat gauge to keep either of the pair from burning out. And if that feels too restrictive, there’s also a low-key upgrade system on hand to ease the pressure and keep a careful player in bullet time as often as not. The game’s later levels push even this upgraded slowdown ability to its limits, but it never takes the full plunge into masochistic demands for perfect, precise play.
I feel like there is less cheap death compared to previous installments, but it makes itself more of an endurance match to get to the boss. I really enjoy each stage having its own thought out mini boss also and the fact that you don't spawn right in front of the door when you die. You instead have to work your way back without losing too much health so you can make it through the fight while still making a couple errors.
Although Zelda's design is now based off of her appearance in Twilight Princess, she retains her Sheik transformation. As Sheik, game director Masahiro Sakurai states that her updated character design is based on a potential design made in the early drafting stages of Twilight Princess. This version of Sheik now carries a small blade at the waist and sports longer hair in the back, tied in a similar style to her Princess Zelda form. Interestingly enough, Sheik's hair remains blonde, while Princess Zelda's updates to light brown per her Twilight Princess appearance. As Nintendo established via Sheik's trophy in Super Smash Bros. Melee that the Sheik disguise was a magical costume change, the magic could presumably explain the hair color as well.
The series has inspired numerous game developers. Fable creator Peter Molyneux considers Final Fantasy VII to be the RPG that "defined the genre" for him. BioWare founder Greg Zeschuk cited Final Fantasy VII as "the first really emotionally engaging game" he played and said it had "a big impact" on BioWare's work. The Witcher 3 senior environmental artist Jonas Mattsson cited Final Fantasy as "a huge influence" and said it was "the first RPG" he played through. Mass Effect art director Derek Watts cited Final Fantasy: The Spirits Within as a major influence on the series, and BioWare senior product manager David Silverman cited Final Fantasy XII's gambit system as an influence on the gameplay of Dragon Age: Origins. Ubisoft Toronto creative director Maxime Beland cited the original Final Fantasy as a major influence on him.
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In practice, the Double Gear system is one of many ways in which Capcom has made the devilishly hard Mega Man series slightly easier — or, for more skilled players, a new mechanic with which to optimize and perfect speedruns. The Double Gear mechanic comprises the Speed Gear, which lets players briefly slow down time, and the Power Gear, which momentarily boosts our hero’s Mega Buster arm cannon (and other weapons) to deal more damage. In my initial playthrough of Mega Man 11, neither felt absolutely essential to succeeding, but both were helpful contingencies during particularly difficult situations.
Mega Man has a solar energy intake above his head and a compact, supercomputer brain. His body has a solar-pile reactor developed by Dr. Light, an EPROM and the circuit board. His body armor is constructed of a unique, flexible, ceramic titanium alloy that bends under severe impacts then retains its shape, rather than breaking or shattering. His legs have suspension and air pressure pumps below the feet that help in his jumps and cushion his landings, even from great heights. He has magnetic joints.
A Link Between Worlds features some gossip told to Link by the Rumor Guy. He tells Link that one of the castle staff had seen Zelda sneaking off every night. When she followed her, she saw Zelda staring at the painting in Hyrule Castle depicting the Link and Zelda from A Link to the Past cuddling with each other, implying they became more intimate with each other. This also hints the Zelda in A Link Between Worlds wants to have a similar relationship with the Link of her time.