As they are sworn to defend the Kingdom and serve the Royal Family of Hyrule, the Hyrulean Soldiers are loyal protectors to Zelda and her family, along with other groups sworn to serve the royal court such as the Knights of Hyrule and the Sheikah. However, the Hyrulean Soldiers are often depicted as ineffective against the forces of evil that threaten Hyrule, and sometimes have fallen prey to their evil influence. Ironically, they often serve as obstacles preventing Link from meeting Zelda, though mainly due to their ignorance of his status as the legendary hero.
Guinness World Records listed 6 records set by the Mario Kart series, including "First Console Kart Racing Game", "Best Selling Racing Game" and "Longest Running Kart Racing Franchise". Guinness World Records ranked the original Super Mario Kart number 1 on the list of top 50 console games of all time based on initial impact and lasting legacy.
Gameplay systems were originally based on those seen in RPGs released at the time the series was developed, though many systems which would become series staples were designed by Hiroyuki Ito. Ito developed systems, such as the Active Time Battle system inspired by Formula One racing (the concept of different character types being able to "overtake" each other). Ito refined the job system in Final Fantasy V to become the system used frequently throughout the series, and designed the Gambits system for Final Fantasy XII. Other systems, such as the Materia system in Final Fantasy VII, were designed as a group effort, and was designed so the combat changed depending on how the Materia was used, as opposed to characters having innate skills. Toshiro Tsuchida would design systems for other games, such as the removal of Active Time Battle in Final Fantasy X to replace with conditional turn-based battle, and later designed the Command Synergy Battle system for Final Fantasy XIII to make battles appear as visually impressive as in the movie Final Fantasy VII: Advent Children. The MMO gameplay systems have been drastically different, but mostly drawn inspiration from a mix of the Final Fantasy games and from other games in the genre.
In Skyward Sword, the Triforce was sought by a demon king named Demise, and after a long battle, Demise was sealed away within the Temple of the goddess Hylia, guardian of the Triforce. Hylia, placing the Hylians on a floating island (called Skyloft) in the sky to protect them, orchestrated a means to stop the demon from escaping: creating the Goddess Sword (later becoming the Master Sword) for her chosen hero and discarding her divinity to be reborn among the people of Skyloft. In time, Zelda and Link (the reborn Hylia and her predestined warrior), enacted the goddess' plan and Demise was destroyed. However, Demise vowed that his rage would be reborn and forever plague those descended from Link and Zelda. That prophecy came to fruition in Ocarina of Time, when Ganondorf's attempt to get the Triforce scattered it with him gaining the Triforce of Power. The Triforce of Wisdom ended up with the Hylian princesses descended from Zelda, each named after her, while the Triforce of Courage is passed to a youth named Link across generations. While the Triforces of Power and Wisdom have been part of the series since the original The Legend of Zelda, it was only in Zelda II: The Adventure of Link that the Triforce of Courage was first introduced, being obtained by Link at the end of his quest. The Triforce, or even a piece of it, is not always distributed as a whole. Such as in The Wind Waker, Link must find all the pieces (called Triforce Shards) of the Triforce of Courage before he can return to Hyrule. Even in the original The Legend of Zelda, Zelda breaks her Triforce of Wisdom into 8 pieces for Link to find, before she was captured by Ganon.
Zelda is kidnapped by Ganon, who imprisons her in his lair on Death Mountain. Before she was kidnapped, she shattered the Triforce of Wisdom into eight shards and scattered them throughout Hyrule to hide them from Ganon and prevent him from gaining its power. She then sent her nursemaid Impa in search of a hero that could reassemble the Triforce of Wisdom, be powerful enough to defeat Ganon, and rescue her. Zelda is not actually seen in this game until after Ganon is defeated.
Skyward Sword shook up the series in other ways, too. It removed Zelda's traditional large overworld, and instead used smaller, separate areas designed to be played multiple times, albeit with radical changes for each visit. And then there was Fi, the magical spirit which lived in Link's famous Master Sword. Many fans compared her chattiness to that of Ocarina of Time's Navi - and not in a good way.
More details have been released regarding the new Mega Man TV show that is being produced. I am a little surprised to read that apparently they aren’t even going to try to stick to the plot of the games at all, but are simply taking the “Mega Man” name and a few miscellaneous inspirations from the series and going off on their own. The character design looks like a mix between X and Star Force—which, speaking of Star Force, that’s probably a good comparison regarding the chosen plot direction. There’s nothing inherently wrong with this, of course, and it means the plots will be new and not quite as predictable. And it’s not like we don’t already have enough different Mega Men to completely befuddle any newcomers to the series as it is...just look at the selector image above.
Es gibt immer eine Prinzessin, die es zu retten gilt, und Link ist stets auf der Suche nach dem legendären Master-Schwert. Auch das Triforce spielt eine Rolle: Hierbei handelt es sich um ein mächtiges Artefakt und in den falschen Händen um eine gefährliche Waffe. Und wo ein mächtiges Artefakt ist, können Ganondorf und ähnliche Bösewichte nicht weit sein. Logisch also, dass all diese Markenzeichen der Reihe auch im Zelda Merchandise auftauchen. Tauch in die Phantasiewelt ein und begebe dich auf die Spuren von Link.
12% (sourspot) Fires Mega Man's fist downwards. The start of the move sends opponents flying horizontally (sweetspot). If hit near the move's end, the move is a meteor smash, which will send any opponent in the air downwards (sourspot), one of the very few projectiles in the game with this trait. Although safer than most other meteor smashes, this move requires a set distance between you and your opponent in order to meteor smash and has long startup, making the move situational and outclassed by his other edgeguarding options.
The addition will certainly benefit newcomers, because Mega Man 11 is difficult. I’ve spent hours mastering each stage, making slow but satisfying progress as I memorize enemy placement and boss attack patterns. Some levels and Robot Masters, however, are maddeningly hard on normal, particularly sections of the game with instant kills. More than a few times, a one-hit-kill mechanism, like a column of flame or a screen-sized Wily-built death machine, will chase Mega Man through a level. Making your way through a tricky section only to be steamrolled by one of these pursuing instant death dealers is never fun.
LIkewise, while many of the levels are incredibly well designed such as Block Man's stage (which makes a great tutorial for the double gear system) or Tundra Man's stage, this just makes it more obvious when level design falls short of expectations. Bounce Man's stage may be the single most frustrating stage to appear in a classic Mega Man game, and the flame wall in Torch Man's stage is more frustrating than challenging.