The series has overall enjoyed high critical acclaim, with varying success. Of the main series, six titles have reached a Metacritic score of or above 90: Final Fantasy VI at 91,[29] Final Fantasy VII at 92,[30] Final Fantasy VIII at 90,[31] Final Fantasy IX at 94,[32] Final Fantasy X at 92,[33] and Final Fantasy XII at 92.[34] The only game to reach a Metacritic score below 70 was the original Final Fantasy XIV launch at 49,[35], though the subsequent re-release, Final Fantasy XIV: A Realm Reborn, reached a score of 83.[36] The most critically acclaimed release was Final Fantasy IX,[32] while the poorest received by critics was the original Final Fantasy XIV.[35] Spinoffs, likewise, have enjoyed varied critical reception, though lower than that of the main series. Many spinoffs have been well received, such as Final Fantasy Tactics: The War of the Lions,[37] Dissidia 012 Final Fantasy[38] and Theatrhythm Final Fantasy Curtain Call.[39] Many other spinoffs have been poorly received, such as Final Fantasy: All the Bravest,[40] Dirge of Cerberus -Final Fantasy VII-,[41] and Final Fantasy IV: The After Years.[42]

Arcade Machine Mario Kart Arcade GP was the first Mario Kart title for arcades, released in 2005. Designed for Nintendo's Triforce arcade board and developed by Namco, the game features 11 playable characters and 24 tracks. As in other arcade racing games, players are required to drive to the goal under a limited amount of time. The machine also features many more items than the Nintendo titles, and houses a camera that will take a photograph of the player's face to display above the player-character during multiplayer races. This is the first Mario Kart game where characters originating from outside the Mario franchise and its sub-series are playable, as three characters from the Pac-Man games, namely Pac-Man, Ms. Pac-Man, and the ghost Blinky, are playable.


Nintendo 64 Mario Kart 64, launched in 1996/1997 for the Nintendo 64, was a vast improvement from the SNES original. It moved the series to polygon-based true 3D computer graphics for track design, allowing for track features that were not possible with Mode 7, such as bridges, walls, pits, and elevation changes; however, the characters and items remain 2D pre-rendered sprites. Other new additions include digital voice acting, 4-player support, the modern character weight classification system, Mirror mode, ghost data for Time Trial courses, and a new item called the Spiny Shell which targets and attacks the player in the lead. The game features 16 normal race courses, as well as four battle courses. Though there are still eight playable characters, two new characters are introduced: Wario (replacing Koopa Troopa) and Donkey Kong (replacing Donkey Kong Jr.), both of whom have reappeared throughout the series.
Der nächste Meilenstein erschien im Jahre 1998 für den Nintendo 64: „Ocarina of Time“ bot erstmals 3D-Grafik. Des Weiteren ist von diesem Zeitpunkt an die namensgebende Okarina ein weiteres Markenzeichen der Serie. Mit „The Wind Waker“ erschien 2003 der erste Ableger für den Gamecube, in dem man nicht in Hyrule, sondern auf einer Inselwelt unterwegs ist. Darauf folgte 2006 ein weiteres Zelda im alternativen Gewand: In „Twilight Princess“ für Gamecube und Wii lernt der Spieler eine neue Prinzessin Zelda kennen und kann Link auf Knopfdruck in einen Wolf verwandeln.

In 2005, Final Fantasy VII: Advent Children, a theatrical CGI film, and Last Order: Final Fantasy VII, a non-canon OVA,[48] were released as part of the Compilation of Final Fantasy VII. Advent Children was animated by Visual Works, which helped the company create CG sequences for the games.[49] The film, unlike The Spirits Within, gained mixed to positive reviews from critics[50][51][52] and has become a commercial success.[53] Last Order, on the other hand, was released in Japan in a special DVD bundle package with Advent Children. Last Order sold out quickly[54] and was positively received by Western critics,[55][56] though fan reaction was mixed over changes to established story scenes.[57]
More than 100 Shrines of Trials to discover and explore - Shrines dot the landscape, waiting to be discovered in any order you want. Search for them in various ways, and solve a variety of puzzles inside. The tasks you must perform in each Shrine varies, and you'll never expect the challenges you'll face until you enter. Some will involve realistic physics, and some will require you to harness the power of nature, including electricity, wind, fire, and more. Work your way through the traps and devices inside, utilizing your runes and think outside the box to earn special items and other rewards that will help you on your adventure.
The Fallen Hero Timeline is the timeline in which Link, the Hero of Time, despite his best efforts, was defeated by Ganondorf in the final battle. This turn of events created the timeline containing A Link to the Past, Oracle of Seasons, Oracle of Ages, Link's Awakening, A Link Between Worlds, Tri Force Heroes, The Legend of Zelda, and The Adventure of Link.
Although he is not actually playable in the Bass and Proto Man modes, he still played a key role in those modes: In Proto Man mode, he was responsible for curing Proto Man when the latter started succumbing to Roboenza, and in both Bass and Proto Man mode endings, it is heavily implied that Mega Man was responsible for taking Wily to the hospital after the latter succumbed to influenza.
In Breath of the Wild, most people seem to be aware of Princess Zelda's role in sealing the Great Calamity in Hyrule Castle one hundred years prior. However, it is unclear whether they know that she is still fighting to keep him sealed. One of the travelers Link encounters during his travels is a Hylian woman who is retracing Zelda's journey to the three springs. Moreover, Zelda was spoken of by people who knew her to their descendants, as Toffa reveals his grandfather told him about the Princess and her white horse during "The Royal White Stallion", and inherited from him the Royal Bridle and Royal Saddle which were once used by Princess Zelda one century ago. After completing the quest, Toffa states that his grandfather claimed there was nothing more beautiful than the sight of Princess Zelda riding her horse.

The Legend of Zelda, the first game of the series, was first released in Japan on February 21, 1986, on the Famicom Disk System.[56] A cartridge version, using battery-backed memory, was released in the United States on August 22, 1987, and Europe on November 27, 1987. The game features a "Second Quest," accessible either upon completing the game, or by registering one's name as "ZELDA" when starting a new quest. The Second Quest features different dungeons and item placement, and more difficult enemies.[57]


Like most RPGs, the Final Fantasy installments use an experience level system for character advancement, in which experience points are accumulated by killing enemies.[88][89][90][91] Character classes, specific jobs that enable unique abilities for characters, are another recurring theme. Introduced in the first game, character classes have been used differently in each game. Some restrict a character to a single job to integrate it into the story, while other games feature dynamic job systems that allow the player to choose from multiple classes and switch throughout the game. Though used heavily in many games, such systems have become less prevalent in favor of characters that are more versatile; characters still match an archetype, but are able to learn skills outside their class.[23][73][74]
I was completely addicted to the original Super Mario Kart on SNES and Mario Kart 64, but I never really got into any of them after that... probably because MK Super Circuit was so crummy, it broke the spell. I always buy whatever new MK that comes out, but I just dabble with them for a few days and then virtually forget about them. I kinda got into MK7 for a while, but only after Sugar Rush (Wreck-It Ralph) put me in the mood. It had been sitting and collecting dust for a couple of years prior to that.
Ladies and gentleman, my name is Kristen. Rosario. And I am your host for the CAVE OF TRIALS! Now before I give you an update on the SMASH ULTIMATE FANTASMIC HOLIDAY TOURNAMENT, I want to take a look at how our Smash Bros. Exhibition Match went between Young Link and King DeDeDe. Considering what site I am a part of, it should come as no surprise that the winner is Young Link! In what I thought was going to be…

NGamer, however, claimed that the tracks are too big for local multiplayer matches. Also, IGN criticized the rubber band AI in the 150cc races of the Grand Prix[25] and NGamer UK was disappointed that Battle mode can now only be played in teams; no free-for-all option is offered which removes the 'last man standing' element of previous Mario Kart Battle modes. Reviewers such as GameTrailers and IGN also commented that it is easy to fall from first place to last by being continuously attacked by several weapons, many of which are unavoidable, leading to a certain amount of luck in racing. This makes it more accessible for beginners, but can be extremely discouraging for skilled players.[22][25] GameSpot also noted that "nostalgia doesn't save most of the classic courses from being boring."[23]


In 2005, Final Fantasy VII: Advent Children, a theatrical CGI film, and Last Order: Final Fantasy VII, a non-canon OVA,[48] were released as part of the Compilation of Final Fantasy VII. Advent Children was animated by Visual Works, which helped the company create CG sequences for the games.[49] The film, unlike The Spirits Within, gained mixed to positive reviews from critics[50][51][52] and has become a commercial success.[53] Last Order, on the other hand, was released in Japan in a special DVD bundle package with Advent Children. Last Order sold out quickly[54] and was positively received by Western critics,[55][56] though fan reaction was mixed over changes to established story scenes.[57]

The Final Fantasy games feature a variety of music, and frequently reuse themes. Most of the games open with a piece called "Prelude", which has evolved from a simple, 2-voice arpeggio in the early games to a complex, melodic arrangement in recent installments.[23][73][94] Victories in combat are often accompanied by a victory fanfare, a theme that has become one of the most recognized pieces of music in the series. The basic theme that accompanies Chocobo appearances has been rearranged in a different musical style for each installment. A piece called "Prologue" (and sometimes "Final Fantasy"), originally featured in the first game, is often played during the ending credits.[73] Although leitmotifs are common in the more character-driven installments, theme music is typically reserved for main characters and recurring plot elements.[46]

In Skyward Sword, Zelda, daughter of Gaepora, lives in Skyloft with her childhood friend Link,[43] where they are both students at the Knight Academy.[44] After playing the role of the goddess at the Wing Ceremony, Link and Zelda go for a flight together, when suddenly a twister pulls Zelda and her Loftwing below the clouds. This phenomenon is later revealed to have been caused by Ghirahim, who needs Zelda's soul to resurrect Demise, his master.[45][46] Upon Zelda's arrival on the Surface, however, she is rescued by Impa before the Demon Lord can capture her.[47] Link then begins to look for Zelda and eventually finds her in the Earth Spring, but Impa impedes him from reaching the young girl,[48] and instead urges Zelda to continue praying at each goddess statue to finish purifying her body.[49][50]

For the original Final Fantasy, Sakaguchi required a larger production team than Square's previous games. He began crafting the game's story while experimenting with gameplay ideas. Once the gameplay system and game world size were established, Sakaguchi integrated his story ideas into the available resources. A different approach has been taken for subsequent games; the story is completed first and the game built around it.[100] Designers have never been restricted by consistency, though most feel each game should have a minimum number of common elements. The development teams strive to create completely new worlds for each game, and avoid making new games too similar to previous ones. Game locations are conceptualized early in development and design details like building parts are fleshed out as a base for entire structures.[72]


Four Swords Adventures includes two gameplay modes: "Hyrulean Adventure", with a plot and gameplay similar to other Zelda games, and "Shadow Battle", in which multiple Links, played by multiple players, battle each other. The Japanese and Korean versions include an exclusive third segment, "Navi Trackers" (originally designed as the stand-alone game "Tetra's Trackers"), which contains spoken dialogue for most of the characters, unlike other games in The Legend of Zelda series.

 Kameme - Widely recognized as the best Mega Man player in the world. He is the 13th player to take a set off of ZeRo while taking sets off of players such as MkLeo, Salem, KEN, and Ally. Placed 2nd at EVO 2016, 3rd at EVO Japan 2018, and 9th at Frostbite 2017, 2GGC: ARMS Saga, and 2GG: Hyrule Saga. He is currently 24th on Panda Global Rankings v5 and 4th on the JAPAN Power Rankings.
Some time before the Great Calamity, the Yiga Clan even attempted to assassinate Zelda before she could awaken her sealing magic. They would have succeeded, had it not been for Link`s intervention. After the Great Calamity, with Zelda sealing herself with Ganon in Hyrule Castle, the Yiga Clan focused on hunting down Link and any of Zelda's surviving allies instead.
After Zelda was born, her parents named her Zelda in accordance with royal tradition and her mother would eventually take the infant Zelda to Gerudo Town to introduce her daughter to her close friend Gerudo Chieftain Urbosa. For the first six years of her life Zelda was raised by both parents and apparently had a happy childhood for a time. Her mother encouraged Zelda she could do anything and told her about the latent power she inherited from her grandmother whom is implied to have been a previous Zelda indicating her mother was not of royal blood. When Zelda was six years old, her mother died, changing her life and putting her under the protection of her father exclusively thereafter. Unfortunately her mother's death robbed her of her mother's unconditional support and prevented the Queen from acting as Zelda's teacher as she was apparently knowledgeable about Zelda's powers. However Zelda hide her grief as her parents had taught her to be a strong steadfast Princess which King Rhoam found inspiring though failed to see his daughter was hurting and her inability to awaken the sealing power needed to seal Calamity Ganon away, causing her great stress. Zelda struggled to awaken her powers and a year after her mother's funeral Urbosa accompanied Zelda to the Spring of Power where Zelda futilely prayed for her powers to awaken until Urbosa dragged her out of the cold water causing Zelda to break down and cry confiding her true feelings and revealing her grief and the stress she was under while Urbosa listened and consoled her. She ended up befriending Urbosa who did her best to help her. However Zelda came to believe her mother was wrong about her capabilities feeling more and more like a failure.
There’s a cleverness and care that seems infused throughout Mega Man 11, and numerous creative touches surprised me as I played. Bounce Man’s rubbery body is flecked with bits of metallic confetti, like a bouncy ball from a toy vending machine. Block Man’s level is inspired by Mayan art and architecture, supporting the robot’s backstory in which he fantasizes about building his own temple. Each of the game’s new Robot Masters is given dozens of catchphrases and punny quips. “Prepare to diode!” Fuse Man will say, appealing to my inner dad joke enthusiast.
Biggs and Wedge, inspired by two Star Wars characters of the same name, appear in numerous games as minor characters, sometimes as comic relief.[23][73] The later games in the series feature several males with effeminate characteristics.[80][81] Recurring creatures include Chocobos and Moogles.[23] Chocobos are large, often flightless birds that appear in several installments as a means of long-distance travel for characters. Moogles, on the other hand, are white, stout creatures resembling teddy bears with wings and a single antenna. They serve different capacities in games including mail delivery, weaponsmiths, party members, and saving the game. Chocobo and Moogle appearances are often accompanied by specific musical themes that have been arranged differently for separate games.[3][23][73]
Souls creator Hidetaka Miyazaki (FromSoftware) named A Link To The Past as one of his favorite role-playing video games.[200] According to Miyazaki, "The Legend of Zelda became a sort of textbook for 3D action games."[201] Ico director Fumito Ueda (Team Ico) cited Zelda as an influence on Shadow of the Colossus.[202] Fable series director Peter Molyneux (Lionhead Studios, Microsoft Studios) stated that Twilight Princess is one of his favorite games. "I just feel it's jaw-dropping and its use of the hardware was brilliant. And I've played that game through several times," he said to TechRadar.[203] Darksiders director David L. Adams (Vigil Games) cited Zelda as an influence on his work.[204] Prince of Persia and Assassin's Creed director Raphael Lacoste (Ubisoft) cited The Wind Waker as an influence on Assassin's Creed IV: Black Flag.[205] CD Projekt Red (The Witcher, Cyberpunk 2077) cited the Zelda series as an influence on The Witcher series, including The Witcher 3: Wild Hunt.[206] Final Fantasy and The 3rd Birthday director Hajime Tabata (Square Enix) cited Ocarina of Time as inspiration for the seamless open world of Final Fantasy XV.[207]
It's the little things that make Mega Man 11 really good, though. For instance, when you acquire Robot Masters's weapons now, Mega Man doesn't just change color, but outfits. This is aesthetically pleasing. Also, you can use the shoulder button to switch weapons or you can use right analog stick to simply bring up a roulette wheel and select weapons that way. Changing between weapons in a Mega Man game has never been this easy or effective. The levels are also designed to encourage you to use these weapons outside of the boss fights where they're most effective. Not every weapon is great but they are creative, at least.
The player is given the choice of choosing a male or female human protagonist in each installment, and the games imply that both characters do not exist in the same continuity. For example, Vent and Aile both have identical back-stories of being orphaned, have very similar appearances, and both work for Giro Express, but they are never seen together or mentioned to one another, therefore implying that they do not co-exist. The same occurs in the series's only sequel, Mega Man ZX Advent between protagonists Grey and Ashe, both of which meet either Aile or Vent respectively (depending on which player character is chosen), but not both.

Games in The Legend of Zelda series frequently feature in-game musical instruments, particularly in musical puzzles, which are widespread.[2] Often, instruments trigger game events: for example, the recorder in The Legend of Zelda can reveal secret areas, as well as warp Link to the Dungeon entrances. This warping with music feature has also been used in A Link to the Past and Link's Awakening. In Ocarina of Time, playing instruments is a core part of the game, with the player needing to play the instrument through the use of the game controller to succeed.[3] Ocarina of Time is "[one of the] first contemporary non-dance title[s] to feature music-making as part of its gameplay",[4] using music as a heuristic device and requiring the player to utilise songs to progress in the game[5] – a game mechanic that is also present in Majora's Mask.[6]


Zelda is portrayed as a young girl or beautiful young woman, usually with blonde hair. In Twilight Princess, however (and therefore in Super Smash Bros. Brawl, as well as Super Smash Bros. for Nintendo 3DS / Wii U, in which her appearance is based on that of Twilight Princess), she is depicted as a brunette. She also has light brown hair in The Legend of Zelda: A Link to the Past (though she is depicted as being blonde in artwork), and auburn hair in The Adventure of Link.

Regardless of his good grab game and punishing options, Mega Man still has some flaws to counter his strengths. Since his projectiles are imperative in initiating combos, he suffers against opponents with reflectors or other methods to render his projectiles ineffective, such as the Villager's Pocket. His low speed and ending lag on his non-projectile moves significantly limit his approach. He lacks options in keeping away foes up close, with no actual melee jab or quick standard attacks to knock them away. Because most of his strongest attacks suffer from either noticeable startup or ending lag, Mega Man works best at mid-range where his attacks can connect safely, though at the cost of giving opponents a good amount of time to react to any of his attacks, somewhat making his finishers predictable.

When you get into the harder levels in the Grand Prix it will be completely normal to be hit with two or three things in a row. For example say you're a few seconds ahead, they will hit you with a pow, red shell, and a lightning bolt in a row to keep you stopped for several seconds. The suspicious part is how did the AI time firing the red shell so it would catch up just after you got hit with the pow?


Zelda vigorously continued to attempt to awaken her sealing powers, praying at the Spring of Courage and the Spring of Power for hours upon end guarded faithfully by Link. She had a dream about darkness then a beautiful woman appeared who tried to speak to Zelda but she could not hear her. The woman is implied to be Hylia though Zelda was unsure of who or what she was though believed she would have been able to hear her if her powers had awoken. However inspired by Link, Zelda held out hope she would awaken them at the Spring of Wisdom on Mount Lanayru. Unfortunately she had to wait until she her seventeenth birthday to train there as only the wise are allowed to train upon the mountain as per traditional decree. However, much to her disappointment they failed to awaken. Urbosa and her fellow Champions consoled her with Mipha trying to explain what helped her focus while using Mipha's Grace. Unfortunately Ganon returned that same day attacking Hyrule Castle. As Daruk gave a rousing speech calling his fellow Champions to get to their Divine Beasts Urbosa tried to take Zelda to safety but Zelda refused to stand by and joined them in confronting Ganon without her sealing power. Unfortunately her bad premonition came true as Ganon having learned from his previous defeat used his power to corrupt the Guardians and created the Scourges of the Divine Beasts to kill the Divine Beast pilots before taking control of them. By turning the ancient technology against Hyrule, Ganon wreaked havoc on Hyrule Castle and the surrounding area, killing her father and entrapping all of the Champions' spirits in their Divine Beasts. Out of options, she and Link fled in the rain, where upon Zelda collapsed to the ground in tears, lamenting her failure to fulfill her destiny while grieving those she had lost including her father and fellow Champions with only Link to console her. Link however continued to protect Zelda as they fled.
^ Nintendo, ed (1993). The Legend of Zelda: Link's Awakening instruction manual. Nintendo. pp. 3–4. "Though you fulfilled the Hyrulian prophecy of the Legendary Hero and destroyed the evil tyrant Ganon, the land of Hyrule enjoyed only a precarious peace. "Who knows what threats may arise from Ganon's ashes?" the restless people murmured as they knitted their brows and shook their heads. Ever vigilant, you decided to journey away from Hyrule on a quest for enlightenment, in search of wisdom that would make you better able to withstand the next threat to your homeland."
Master Mode: In Master Mode, enemies gradually regain health, so take them out as quickly as possible. All enemies are also powered up by one level. For example, Red Bokoblins in Normal Mode are now Blue Bokoblins. Enemies can also have higher maximum levels than they would in Normal Mode. Look up, and you may also find enemies and treasure chests in the sky!
It's the little things that make Mega Man 11 really good, though. For instance, when you acquire Robot Masters's weapons now, Mega Man doesn't just change color, but outfits. This is aesthetically pleasing. Also, you can use the shoulder button to switch weapons or you can use right analog stick to simply bring up a roulette wheel and select weapons that way. Changing between weapons in a Mega Man game has never been this easy or effective. The levels are also designed to encourage you to use these weapons outside of the boss fights where they're most effective. Not every weapon is great but they are creative, at least.
The series features a number of recurring character archetypes. Most famously, every game since Final Fantasy II, including subsequent remakes of the original Final Fantasy, features a character named Cid. Cid's appearance, personality, goals, and role in the game (non-playable ally, party member, villain) vary dramatically. However, two characteristics many versions of Cid have in common are 1) being a scientist or engineer, and 2) being tied in some way to an airship the party eventually acquires. Every Cid has at least one of these two traits.

The Legend of Zelda takes place predominantly in a medieval Western Europe-inspired fantasy land called Hyrule, which has developed a deep history and wide geography over the series' many releases. Much of the backstory of the creation of Hyrule was revealed in the games A Link to the Past, Ocarina of Time, The Wind Waker, Twilight Princess, Skyward Sword, and A Link Between Worlds. Hyrule's principal inhabitants are pointy-eared humanoids called Hylians, which include the player character, Link, and the eponymous princess, Zelda.


The traditional Mega Man boss design is another knock against the Power Gear as a useful ability. Because bosses already have vulnerabilities to certain weapons, there’s no point in amping up the weapons that already easily cut them down, and increasing the damage of weapons that barely do any is like upgrading your Nerf gun to Super Soaker. However, I found two pretty cool uses for the Power Gear. One is that Tundra Man’s T. Storm can be amplified to wipe out all enemies on screen like a more efficient Infinite Gauntlet. People watching me play in the office got a kick out of me hitting what amounted to the “nuke’em from orbit” button when frustration set in. The second is Impact Man’s P. Driver ability, which is a mid-air dash attack which is more useful for getting around because its charged form lets you zoom across the whole screen. See ya, disappearing block puzzle!
Regardless of his good grab game and punishing options, Mega Man still has some flaws to counter his strengths. Since his projectiles are imperative in initiating combos, he suffers against opponents with reflectors or other methods to render his projectiles ineffective, such as the Villager's Pocket. His low speed and ending lag on his non-projectile moves significantly limit his approach. He lacks options in keeping away foes up close, with no actual melee jab or quick standard attacks to knock them away. Because most of his strongest attacks suffer from either noticeable startup or ending lag, Mega Man works best at mid-range where his attacks can connect safely, though at the cost of giving opponents a good amount of time to react to any of his attacks, somewhat making his finishers predictable.
One of the features of the series is the use of various power-up items obtained by driving into item boxes laid out on the course. These power-ups include mushrooms to give players a speed boost, Koopa Shells to be thrown at opponents, banana peels, and fake item boxes that can be laid on the course as hazards. The type of weapon received from an item box is influenced by the player's current position in the race.[3] For example, players lagging far behind may receive more powerful items while the leader may only receive small defensive items. Called rubber banding, this gameplay mechanism allows other players or computers a realistic chance to catch up to the leading player.
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