A previous incarnation of the Princess of Hyrule is mentioned by Kass and Impa in the legend of the creation of the Divine Beasts and Guardians. In this tale, the princess, her knight, and four unnamed Champions successfully utilized the ancient Sheikah technology and were able to defeat Calamity Ganon ten thousand years prior to the events of Breath of the Wild. Both the current and Princess of Hyrule from ten thousand years ago are referred to as the "Goddess-blood Princess". This is likely a reference to the suggestion the Royal Family of Hyrule is descended from Hylia's mortal reincarnation the Spirit Maiden Zelda from Skyward Sword.
In our newest Youtube series, Mases takes on The Legend of Zelda’s second quest while I accompany him on commentary. It has been quite some time since Mases has played through the second quest, and I’ve never seen any of it, so this ought to be a heck of a challenge. If you’d like to follow along with this series, I’d recommend heading over to our Youtube channel and subscribing so that you can watch the next episode as soon…
Custom 2 Danger Wrap 3% (loop), 7% (last) Fires an explosive wrapped in a bubble that floats upwards in an exponential arc and will explode if it comes into contact with an enemy, or on its own after a few seconds. Whilst harder to use than both the Crash Bomber and Ice Slasher due to its unusual trajectory, it deals more damage and knockback. It is based on Burst Man's weapon from Mega Man 7.

Mario Kart DS features dual-screen play and introduces online multiplayer (via Wi-Fi) & retro battle courses. Introduces Shy Guy (exclusive to DS Download Play), Dry Bones, and R.O.B. as playable characters. DS was also the first Mario Kart game to feature retro tracks from all previous versions of the game. It is, as of 2017, the only entry in the series to feature mission mode. It also introduces two new items: the Blooper and Bullet Bill.
Jump up ↑ "Is that what I think it is?! Look at this! I don't believe it, but I actually caught one! This delicacy is known to have very, very potent effects under the proper circumstances. Ta-da! Research from the castle shows ingesting one of these can actually augment certain abilities. We wouldn't be in a controlled environment out here, and with your level of physical fitness...you'd be a perfect candidate for the study! Go on! Taste it!" — Zelda (Breath of the Wild)
Jump up ↑ "Then, the prince of the kingdom should have become king and inherited everything, but he could inherit the Triforce only in part. The Prince searched everywhere for the missing parts, but could not find them. Then, a magician close to the king brought him some unexpected news. Before he died, the king had said something about the Triforce to only the younger sister of the prince, Princess Zelda." (The Adventure of Link manual, pg. 6, 7)
Sheik is Princess Zelda's Sheikah alter ego in Ocarina of Time. Wearing a blue, possibly armored suit with the red Sheikah eye in the center, and with voice muffled and face concealed, the character is essentially unrecognizable and appears relatively masculine. It is possible that Zelda utilizes her magical skills in altering her appearance. Sheik plays a lyre and teaches Link new songs to help him on his quest. When Link arrives at the Temple of Time near the end of the game, Sheik transforms back into Princess Zelda.
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The introduction of The Adventure of Link speaks of the legend of Zelda, a legend that has been passed down in Hyrule.[98] According to that legend, well before the events of The Legend of Zelda, Hyrule was a prosperous land ruled by a king who had two children, an unnamed prince and Princess Zelda. The King maintained peace in Hyrule using the Triforce; however, he passed away, and although the prince should have received the Triforce in full, he only received a part of it.[99] The prince frantically searched in vain everywhere for the remaining piece, but then a wizard came to the Prince and tells him that his younger sister, Zelda, knows the location of the mystical object.[100] The prince demands that Zelda turn the information over to him, but Zelda refuses and, in a rage, the wizard puts Zelda into an eternal sleep, with him dying in the process.[101] Overcome with grief, the prince seals his sleeping sister in the North Palace and orders that all female descendants of the Hylian monarchy are to be named Zelda.[41]

That's good to see....though it's very weird they're doing this in Asia only, and not the US where this game would have shown much better performance with retail shelf visibility during the Christmas rush, given the family friendly nature. I really have no idea what on Earth Squeenix was thinking with how they've handled the release of this game. I'm not sure Squeenix knows either...it's kind of their M.O. these days....


I beat Mega Man 11 on Normal in about eight hours. I’m no speed runner, but Mega Man 11 provides a lot of options for Mega Masochists looking for timed challenges, including remixes of levels with leaderboards, most of which unlock when you beat the campaign for the first time: Jump Saver challenges you not to jump, Buster Breakdown challenges you not to shoot, and Balloon Rush adds balloons that you have to destroy or avoid based on their color. I had spent enough time with Mega Man 8’s levels by this point so I didn’t have much drive to put up my times. The best bonus mode, though, is the mysterious Dr. Light’s Trial, which is an ultra-hard, one-life-only set of unique levels similar to Breath of the Wild’s Trial of the Sword DLC -- and even better, it unlocks another mystery trial mode (whose trial could that be?). Finally, you can pump up the difficulty to Superhero and play through the campaign again, if you dare.
The Minish Cap is a special Nintendo game. The only new Zelda game on the Game Boy Advance console, the game felt like having a grand SNES adventure in the palm of your hands. The Minish Cap was a rare example of a Nintendo sharing its series with other developers, as the game was developed by Capcom and Flagship. This remix of the Hyrule Town and Picori Festival themes was posted on OverClocked Remix by Lemonectric. The remix, called “A Bag Full…
I'm eight chapters in, which I believe is a little over halfway through the game, and the plot is not drawing me in at all. Many Final Fantasies lead with the main narrative element of "defeat the evil empire that wrecked your home/kingdom/city/planet", and Final Fantasy XV is no exception. This is not a bad thing, but unfortunately whoever was in charge of piecing this into a cohesive narrative seems to have twiddled his thumbs for nine-tenths of the decade it took to make this game.. in fact, it honestly seems like this happened with the whole game. Ten whole years, and it feels like they rushed it out in the last year and a half. I can definitely see why they delayed it another few months from its initial September release date. Imagine what it would've been like then?
Mega Man's playstyle is unique and unorthodox when compared to other fighters, having many projectiles in his moveset (his neutral attack, forward tilt, forward smash, neutral aerial, up aerial, Metal Blade, Crash Bomber and Leaf Shield are all projectiles). However, this only makes Mega Man's comboing ability better and more reliable, as his attacks can easily link into the other when used correctly, allowing Mega Man to easily rack up large amounts of damage on an opponent. His Metal Blade and Crash Bomber are considered to be two of the best projectiles in the game, as both have a wide variety of uses: Crash Bomber is a reliable mindgame tool that forces a punishable reaction out of the opponent: a defensive move (such as shielding or rolling), rushing Mega Man down in an attempt to give back the crash bomber, or simply taking the damage from its explosion. It also dishes out a good amount of shield damage and can combine well with the Metal Blade, forward smash, up aerial, and leaf shield for shield pressure. Metal Blades can string into a grab or dash attack, edgeguard, pressure shields, and even string into up tilt for a kill at higher percentages. Leaf Shield deprives the user of many of his options but in exchange he is granted four hitboxes around him and gives him the unique ability to attack while shielding or during invincibility frames, and it can also be used to gimp or interrupt recoveries of certain characters (such as Ness). When fired as a projectile, it also travels at a further range than any of his others and has high priority, it will outprioritize many other projectiles and continue moving. Complementing his heavy weight, Mega Man possesses an above average recovery in Rush Coil that makes him difficult to kill: it not only boosts him at a high distance, but has the unique quirk of allowing Mega Man to still use his double jump if he hasn't already and should Rush remain on-screen long enough, bouncing off of him can save the player if he gets meteor smashed
All in all, and like in the original games, Mega Man excels at medium range, having little to no trouble to keep opponents at distance, though it can be risky for him to fight at close range. He has to use his fantastic projectiles at medium range and bait opponents so he can grab them to rack up damage, all while keeping his distance until the opponent is weak enough to finish it with one of his slow, yet powerful finishing moves.

From the beginning Uematsu was given creative freedom, though the series' creator Hironobu Sakaguchi would request specific set-pieces to fit themes, and early on there were specific notes Uematsu was unable to use due to hardware limitations.[18] From Final Fantasy IV onwards, he had more freedom of instrumentation. For "One-Winged Angel", the Final Fantasy VII final boss theme and the series' first vocalized theme, Uematsu combined both rock and orchestral influences having had no prior training in orchestra conduction.[18]
Game runs at a solid 60 fps, but when it is 3 or 4 player split-screen, the frame rate noticeable drops to 30 fps. Still playable though. Online was pretty smooth, and out of all the matches I played, I very rarely lost connection and when I did, it was during a lobby instead of during races. Mario Kart TV is a very nice touch since it saves the last 12 races that occurred. My petty complaint of it is that it doesn’t show the exact things you saw on your screen.
When Zelda's power failed to awaken on Mount Lanayru, Urbosa told Zelda not to give up hope as she did all she could and noted Mount Lanayru wasn't her last shot as anything could spark her powers to awaken. When Ganon appeared Urbosa initially wanted to take Zelda to safety but Zelda refused wanting to fight alongside her comrades even without her powers which Urbosa did not object to, understanding and respecting Zelda's desire to stand alongside them against Ganon along with her courage and sense of duty. Ultimately Urbosa was correct about Zelda's powers as the spark she spoke of occurred when Zelda selflessly tried to shield the exhausted Link from an attacking Guardian saving Zelda and Link. Even In death, Urbosa continued to support Link and Zelda as a spirit once freed from Thunderblight Ganon's imprisonment.
Gifted with a perfectly serviceable faux-3D makeover, and a plot that couldn’t matter less if it tried, 11 once again pits its robot hero against the forces of the cartoonishly nasty Dr. Wily. Said battle comes in the form of eight new stages to run and gun through, with eight new bosses lurking at their ends. Despite boilerplate names like Block Man, Impact Man, and Torch Man, this is easily the most colorful bunch of baddies the series has ever offered up, varying wildly in size, and featuring sharp little details like the electrodes poking jauntily out of Fuse Man’s silhouette. That same love has been lavished on the way they fight, too: Rather than execute a few simple patterns of jumps and attacks, each boss battle is now a multi-phase affair, with enemies tossing out super moves and even the occasional full-on transformation. All of these flashy theatrics—which put a welcome edge onto the long-standard process of learning and overcoming a boss—are empowered by the Double Gear system, the game’s one big contribution to the Mega Man canon. A fancy way of saying “short-lived bursts of extra power or speed,” the Gears’ powers aren’t just confined to your enemies. They’re also the biggest tool in Mega Man’s new arsenal—and in the game’s efforts to justify its existence as more than just a pleasant but brief nostalgic stint.
A reader brought to my attention this translation of an interview between one of the developers of the original Mega Man games (“A.K” in the credits) and one of the (probably more well-known) artists for some of the Rockman manga (he did Megamix, among many others). What I find amusing about this arrangement is ordinarily you would expect both of these men to be interviewed, rather than one of them interviewing the other.
Down smash	Flame Blast	17% (clean), 14% (mid), 9% (late)	Mega Man plants both arm cannons into the ground, causing two vertical flaming pillars to erupt from the ground either side of him which launch the opponent upwards. It has quick startup, but notoriously long endlag that leaves it highly punishable if not landed. Immense knockback when hit with the first frames of the hitbox, which can KO starting at 60% when fully charged. It boasts incredible power, being the fourth-strongest down smash in SSB4, behind Lucario at maximum aura, Ganondorf, and Bowser Jr.. It is based on Flame Man's weapon from Mega Man 6.

Though she is never actually shown using them in core Zelda games, she can use the spells Nayru's Love, Farore's Wind, and Din's Fire in the spin-off Hyrule Warriors game and the non-canon Super Smash Bros. series. Additionally Zelda is also a capable military commander in Hyrule Warriors and can manipulate light-based magic energy to create balls of light or a triangular field of light that causes light energy to erupt from the ground.
Distant Worlds IV boasts one of the strongest track lists of any of our recordings with brilliant new classics from the latest game release FINAL FANTASY XV: APOCALYPSIS NOCTIS and Somnus, new orchestral arrangements from FINAL FANTASY VII: Cosmo Canyon and JENOVA COMPLETE, FINAL FANTASY VIII: The Oath and FINAL FANTASY IX: Festival of the Hunt, and Nobuo Uematsu’s FINAL FANTASY XIV: Dragonsong featuring the inimitable voice of Susan Calloway.
Mega man returns! the newest entry in this iconic series blends classic, challenging 2D platforming action with a fresh new visual style. The new double Gear system boosts Mega Man's speed and power for a new twist to the satisfying gameplay the series is known for. Long-await sequel evil genius Dr. Wily is back to his mischievous ways and invest in an ambitious idea from his time at robot university. The benevolent Dr. Light decides to upgrade Mega man with wily's powerful prototype known as the double Gear system, expanding his abilities for the greatest fight yet for everlasting peace. A visual leap taking a leap forward in visual presentation, the new game features a 2.5D design direction which blends beautiful, hand-drawn environments with lively characters. New to the classic series, Mega man now also takes on characteristics of defeated robot masters when wielding their weapons. Powerful new gameplay Options the double Gear system adds a unique new twist on the satisfying platforming action, offering Options to enhance Mega Man's speed and power on the fly. For vets and first-timers a wealth of difficulty Options are available for a player of any platformer skill level. Controls for an on-screen.
The PlayStation console saw the release of three main Final Fantasy games. Final Fantasy VII (1997) moved away from the two-dimensional (2D) graphics used in the first six games to three-dimensional (3D) computer graphics; the game features polygonal characters on pre-rendered backgrounds. It also introduced a more modern setting, a style that was carried over to the next game.[3] It was also the second in the series to be released in Europe, with the first being Final Fantasy Mystic Quest. Final Fantasy VIII was published in 1999, and was the first to consistently use realistically proportioned characters and feature a vocal piece as its theme music.[3][13] Final Fantasy IX, released in 2000, returned to the series' roots by revisiting a more traditional Final Fantasy setting rather than the more modern worlds of VII and VIII.[3][14]
While she was not the first Princess Zelda in the history of Hyrule, she was the first in a long line of princesses to be named Zelda by law and not tradition after she was put into a deep sleep for many generations. Her brother, the Prince of Hyrule at the end of its Golden Era, who was partly to blame for her comatose state, decided that, in honor of his sister, every princess born into the Royal Family of Hyrule should be named Zelda.[41][42]
Recently a series of artbooks called the Official Complete Works has been published for individual Mega Man series, showcasing a large collection of artwork and background information. To date, books for the Zero, Classic and X (released together as R20), Star Force, and Battle Network series have been produced. Although these books have for many years been exclusive to Japan, UDON Entertainment Corporation has finished translating the Official Complete Works series for the North American market, called "R25".

After regaining her Triforce of Wisdom from Cia, Zelda decides to go to the Temple of the Sacred Sword in order to have Link retrieve the Master Sword in order to defeat the Dark Forces and Cia. Impa reminds Zelda that the sword is required to remain in its pedestal to keep the evil one's soul under seal, but Lana reveals that the temple's barrier should keep it contained without the sword. Link manages to obtain the Master Sword and the Hyrulean Forces then confront Cia at the Temple of Souls, however the partially revived Ganondorf appears and after Cia flees, targets Princess Zelda though fortunately he is defeated by Link wielding the Master Sword. Following Cia's defeat, Link does not return the Master Sword to its pedestal and as a result the barrier containing the final piece of Ganondorf's soul breaks, fully restoring the Demon King who revives Zant and Ghirahim to serve as generals in his army, in order to claim the complete Triforce. After Ganondorf obtains the complete Triforce, Zelda leads the remaining Hyrulean Forces into Gerudo Desert to take out Ganondorf's generals. They successfully defeat the pair and after learning from Impa that Ganondorf has taken Hyrule Castle and transformed it into his tower, Zelda leads the Hyrulean Forces to the final showdown with Ganondorf and his army.

Jump up ↑ "The prince immediately questioned the princess, but she wouldn't tell him anything. After the prince, the magician threatened to put the princess into an enternal sleep if she did not talk, but even still, she said nothing. In his anger, the magician tried to cast a magic spell on the princess. The surprised prince tried to stop him, but the magician fought off the prince and went on chanting the spell. Then, when the spell was finally cast, Princess Zelda fell on that spot and enter a sleep from which she might never awake. At the same time, the magician also fell down and breathe his last." (The Adventure of Link manual, pg. 7, 8)
In Breath of the Wild, Zelda rides a White Stallion commonly ridden by her family as a symbol of their divine right. Though her horse is tame it is implied Zelda treated him poorly as she notes to Link she felt that he had to earn the privilege to wear all the Royal Gear. However Link advised her on how to soothe her mount which improved Zelda's relationship and bond with her horse. In an attempt to be more empathetic Zelda equipped her horse with the Royal Gear which she was pleased to discover he wore like a true natural and thanked Link for his advice while riding on Safula Hill. According to local legend, her horse fled to Safula Hill after the fall of Hyrule Castle presumably due to the fond memories it had there of its mistress and the clear view it gave of Hyrule Castle where Zelda sealed herself with Ganon. Toffa implies Zelda's Horse fathered offspring and that the White Horse Link finds their is the grandchild of Zelda's Horse. Zelda is shown riding a White Horse after Ganon's defeat though it is unclear if her original horse was revived/perserved by Malanya or if its the horse Toffa believes to be its descendant.
The player is given the choice of choosing a male or female human protagonist in each installment, and the games imply that both characters do not exist in the same continuity. For example, Vent and Aile both have identical back-stories of being orphaned, have very similar appearances, and both work for Giro Express, but they are never seen together or mentioned to one another, therefore implying that they do not co-exist. The same occurs in the series's only sequel, Mega Man ZX Advent between protagonists Grey and Ashe, both of which meet either Aile or Vent respectively (depending on which player character is chosen), but not both.
The majority of the music in the series—including the main recurring themes, and the full official soundtracks for the first ten games in the main series—was composed by Nobuo Uematsu, and has been praised as one of the greatest aspects of the series.[15][16][17] The music has had a broad musical palette, taking influences from classical symphonic music, heavy metal and techno-electronica.

Despite these advantages, Mega Man is not without flaws. His grounded mobility is comparatively poor, with his dashing speed in particular being the 13th slowest in the game. This leaves Mega Man at a disadvantage against characters with better mobility, such as Sheik and Fox. Mega Man's melee attacks also have short range overall despite their extensive utility, causing him to struggle up close against characters with disjointed range like Marth, Link, and Shulk, while the high ending lag on his attacks puts more stress on this flaw. Mega Man's above average weight and falling speed also makes him an easy target for combos and juggles. Finally, Mega Man's projectile-heavy playstyle is also his biggest weakness, as he is heavily affected by powershielding, reflectors, absorbers, and other anti-projectile tools, which can shut down both his approach and defense options.

Breath of the Wild is notably the first and only game where Link and Zelda held feelings of animosity towards each other, until they learned to open up to one another. Once learning to do so, the two came to genuinely care for one another, with both Hylians refusing to sacrifice each other for their own safety, no matter what peril they may be in. This is to the extent where Zelda unconsciously awoke her powers (despite previously being unable to do so, no matter how hard she tried) by shielding Link from a Guardian`s attack, showing how much he means to her. When Link temporarily died, Zelda wept at his body, lamenting his death. Upon learning from the Master Sword that Link can be revived, Zelda wasted no time rescuing Link, while also deciding to use her newfound powers to hold Ganon at bay.
After the events of Mega Man II, Dr. Wily took control of an off-shore oil platform with some of his powerful Robot Masters. Once again, Dr. Light sends Mega Man to investigate and stop them before it gets out of hand. Mega Man takes down the first four Robot Masters and makes his way to the Wily Castle, where he discovers that four more Robot Masters await him. After defeating them, he encounters a new Mega Man Killer named Punk in the Wily Station, whose Screw Crusher delivers a crushing blow to its opponents. However, Mega Man promptly defeats Punk and defeats Wily with Punk's own weapon.

Guinness World Records listed 6 records set by the Mario Kart series, including "First Console Kart Racing Game", "Best Selling Racing Game" and "Longest Running Kart Racing Franchise". Guinness World Records ranked the original Super Mario Kart number 1 on the list of top 50 console games of all time based on initial impact and lasting legacy.[13]
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