It's been eight years since Capcom released a Mega Man game. Just as things were looking grim two major things happened. The first was that Mighty No. 9 turned out to be a colossal failure. The second was that near the end of 2017 Capcom finally announced Mega Man 11. This was met with celebration and, well, worry. Keiji Inafune was no longer going to be working on it (but after Mighty No. 9 would you want his team to be?), the art style was very different and what we saw back then was tiny. The demo came out, leaving a good impression, but worries still plagued fans. After all, if Mega Man 11 wasn't good that'd be it for the Blue Bomber, and very few gamers want that. Mega Man is one of the most recognizable gaming icons of all time. The drought of no Mega Man games was felt throughout the industry. While he made guest appearances in games such as Super Smash Bros. for the Wii U and 3DS this was not the same as a full blown Mega Man game.
Before his death, the King had imparted a secret to his daughter, Princess Zelda; with the Magician later finding out about it. The Magician then reported it to the Prince, who was looking for the Triforce of Courage, it being the only piece he did not possess. Thinking the secret to be the location for the Triforce Piece, the Prince ruthlessly asked about it to his sister.
That's good to see....though it's very weird they're doing this in Asia only, and not the US where this game would have shown much better performance with retail shelf visibility during the Christmas rush, given the family friendly nature. I really have no idea what on Earth Squeenix was thinking with how they've handled the release of this game. I'm not sure Squeenix knows either...it's kind of their M.O. these days....
In some games, lines of coins are found on the courses, which if run over and collected, will increase a kart's top speed and can be used to unlock kart parts. Having coins also helps players when their kart is hit by another: instead of spinning and losing control, they lose a coin. Coins are also lost when karts are struck by power-ups or fall off the tracks. The series also features advanced maneuvers such as drifting (also called power sliding), which allows a kart to rapidly turn in a direction preventing the need to brake; and hopping, which helps a kart to avoid obstacles or off-road parts and sometimes can be used to execute tighter turns (the kart makes a short hop and turns in the air, speeding off in the new direction when it lands).
The good news is Mega Man 11 is pretty good. It's everything I expected from a Mega Man game. It does play it relatively safe, however. There is no risk to the formula or design, but this is necessary because the goal needs to be to get Mega Man back on track. That being said, just because it plays it safe doesn't mean it has nothing to offer. The level designs are extremely good (with Block Man's stage being a near perfect tutorial on how to make use of the game's new Double Gear system) and the levels are fairly lengthy and challenging to keep you going. It makes the game inviting, but Mega Man hasn't lost its trademark difficulty. The game is hard. If the clever level designs don't stump you every now and then, some of the bosses will.
But even after getting chocobos, there's the extremely irritating issue of literal miles of invisible walls along roadways for no discernable reason I can see other than to make it difficult to get anywhere with any degree of ease. It wouldn't even be quite so irritating if it was a consistent rule, but it isn't! Some rails you can jump off of, some you can't, and there is no way to tell the difference until you try. It might make sense if it was a drop that would probably kill you if you lept off, but usually it's just some grass on the other side, infuriatingly out of reach over a very low jump unless you take the looooong way around. And, again, some of these rails go on for miles. How fun do you think it is to run your chocobo for miles and miles, searching for some obtuse way out? What a stupid decision.
Mario Kart Wii was the sixth game in the Mario Kart series, following Super Mario Kart, Mario Kart 64, Mario Kart: Super Circuit, Mario Kart: Double Dash, and Mario Kart DS. Hideki Konno, who worked with the Software Development Department of Nintendo's Entertainment Analysis & Development (EAD) division and had previously worked on the first 2 Mario Kart games as well as Mario Kart DS, served as the game’s producer. Shigeru Miyamoto acted as “General Producer” and gave miscellaneous advice on various aspects of the game.
In our newest Youtube series, Mases takes on The Legend of Zelda’s second quest while I accompany him on commentary. It has been quite some time since Mases has played through the second quest, and I’ve never seen any of it, so this ought to be a heck of a challenge. If you’d like to follow along with this series, I’d recommend heading over to our Youtube channel and subscribing so that you can watch the next episode as soon…
Ah ha ha, now this is funny. Apparently Mega Man X Legacy Collection is going to revert the Mega Man X5 Maverick names back to the ones used in the original game’s manual rather than the Guns N’ Roses names. But actually, if the preview videos are any guide, they’re taking it one step further and they’re actually translating the stray Japanese words into English equivalents like I did on the Game Hints page. For example, Spiral Pegacion officially becomes Spiral Pegasus (which is what he should have been named all along—in my humble opinion). I don’t yet have a list of all eight names but I’m sure that will be forthcoming because we’re getting really close to release day.
Phantom Slash has been heavily reworked. The Phantom armor now assembles itself behind Zelda rather than appearing fully formed out of a portal in front of her. It is now a single-press chargeable move; Pressing B again will cause the incomplete armor to attack at its current charge level. The move has six charge levels, each resulting in a different attack:
The series has had multiple directors: Sakaguchi directed the first five installments, Yoshinori Kitase and Ito collaboratively directed Final Fantasy VI, and the two went on to direct many later installments on their own. Ito directed Final Fantasy IX and Final Fantasy XII, while Kitase developed Final Fantasy VII, Final Fantasy VIII and Final Fantasy X. After Final Fantasy X Kitase decided to stop directing but remained involved as a producer instead, choosing Motomu Toriyama as the director for Final Fantasy XIII and its sequels. The MMO releases have had multiple directors, though most recently, Naoki Yoshida has directed Final Fantasy XIV. Hajime Tabata started with directing spin-off games for portable gaming systems with Before Crisis -Final Fantasy VII- and Crisis Core -Final Fantasy VII-, but when Final Fantasy Versus XIII became Final Fantasy XV Tabata took over the role of director.
The Crystal-theme can be said to be the overarching theme of the series, as a traditional Final Fantasy plot involves an antagonistic force trying to make use of the Crystals' power with the player power in opposition, sometimes chosen to wield the Crystal's power to enact their will as the Warriors of Light. Some games subvert this theme, such as Final Fantasy XII—where the Crystals are called nethicite—and the Fabula Nova Crystallis: Final Fantasy series with its various types of Crystal, showing that the power of the Crystals is not necessarily something that mankind should pursue despite its might.
As the holder of the Triforce of Wisdom, she is wise beyond her years and intelligent enough to rule her people. She always wishes to do what is right for others and is extremely self-sacrificing. Though not always capable of defending herself or others on her own, she does not quit and tries to aid allies when she needs their help. She is also forgiving towards former enemies even when they have harmed her in someway. She is however, extremely loyal towards the ones she cares for (such as Link) and does not tolerate them getting harmed.
Mega Man X received criticism from some publications as well. Ed Semrad, Danyon Carpenter, and Al Manuel of the EGM review panel all noted that the game may have too low a difficulty level; Semrad disliked the introductory stage and felt that the game was too short as well. Super Play editor Zy Nicholson lowered his review score of the game because he found the levels were neither large nor challenging. "A few elementary tricks like repeating easy sections to recoup energy and weapon power will see you through the harder bits," Nicholson explained. "Within the level you'll also find restart points, extra lives, and no harsh time limit to put pressure on your performance. Couple this with a password system that records your level completion, status and weapon accumulation and you'll see we're not looking at a lasting challenge for the experienced player." Nintendo Power criticized how little the game had changed stating that "the theme remains the same as the Game Boy and NES Mega Man titles." The game's title initially proved a source of some confusion; the gaming media reported that many gamers mistook the "X" for the roman numeral 10.
"Get ready to be at the centre of the ultimate fantasy adventure. Enter the world of FINAL FANTASY XV, and experience epic action-packed battles along your journey of discovery. You are Noctis, the Crown Prince of the Kingdom of Lucis, and your quest is to reclaim your homeland from the clutches of the imperial army. Joined by your closest friends, you will take the wheel and experience a voyage like no other, travelling through the breath-taking world of Eos encountering larger-than-life beasts and unforgiving enemies. You will learn to master the skills of weaponry and magic, channelling the power of your ancestors allowing you to effortlessly warp through the air in thrilling combat. Fresh faces and long-time fans, fulfil your destiny and experience a brand new kind of fantasy. Pre-order the Day One Edition to receive the exclusive FINAL FANTASY series weapon - the Masamune!"
Since Mario Kart 64, all player-characters have been grouped into one of three distinct weight classifications. Smaller characters, labeled as "lightweights," have high acceleration but low top speeds, and lose a minimal amount of speed when off-road but are easily knocked aside by heavier opponents. Medium-sized characters, or "middleweights," have an equal balance of weight, top speed, and acceleration, and lose a moderate amount of speed when off-road. The largest characters, labeled as "heavyweights," can easily knock aside most opposing racers, have high top speeds but poor acceleration, and lose great amounts of speed when off-road.
Every time a new Zelda game comes around, I can’t wait to explore its dungeons. There’s just something about that feeling of progression– collecting keys, opening chests, solving puzzles, tackling larger-than-life bosses– that speaks to me. It’s certainly no coincidence that my favorite Zelda entries are those with the strongest dungeons. Indeed, for many fans, these sections have been an integral part of the series. That said, not every dungeon receives a ton of love. From Ocarina of Time’s Water…
Back to Zelda though, the atmosphere, graphics, sound and gameplay are all SPOT ON. There's crafting of Food, Potions, Weapons and Armor as well as a bunch of quests, side quests and tons of hidden content to keep you engrossed for at least the next several months... The Game of the Year buzz that this game has received is 100% deserved. Get this game! You will LOVE It!
Definitely a game to have if you have the switch system. Play with friends and family with a game anytime anywhere. I love the feature to have games anywhere nintendo really did step up the game on creating a awesome experience now they need to just focus on creating a awesome online experience and games then they can step up to the big boys xbox/ps4 . Always have loved nintendo owned every system since they came out with the first nintendo and still will be a fan.
Throughout the NES' lifespan, Capcom built a Mega Man narrative that plays with heavy philosophical themes that may not be noticed by casual players. For example, unlike other robots, Mega Man was created with the ability to turn himself off. This grants Mega Man with a special level of autonomy and places him above other robots. This autonomy is an honor as well as a burden. While other robots were made for a specific job and can be controlled, having no need for an "off switch", Mega Man is free to make his own judgments, and must find purpose in life through the choices he makes. As Mega Man focuses on action, Capcom rarely displays these philosophical dilemmas in the games, but existential concepts about "what makes a person," help color the fiction and remain an important component of the series.
Though the Gerudo people had originally been against Urbosa becoming a Champion, after her death and Zelda's sealing of Ganon, they chose to remain loyal to Hyrule and as a result Riju and her bodyguard Buliara aided Link a century later out of respect for Lady Urbosa and Princess Zelda whom through Impa had tasked Link in freeing Vah Naboris. Though Riju had only heard of Zelda through legends, she respected her and the two even share similar backgrounds as Riju lost her mother forcing her to bear the burden of becoming Gerudo Chieftain. Riju even recognized the Sheikah Slate Link carried had belonged to Zelda previously showing she is well informed. Riju however like Zelda ultimately proves herself a capable leader despite her own doubts with Link's help. Presumably after Ganon's defeat, Zelda and Riju would work together to rebuild Hyrule and might even bond over their similar backgrounds.
The Final Fantasy series has also featured a more basic, traditional turn-based system, such as the original Final Fantasy through to Final Fantasy III that do not rely on time, but the player and the enemy party take turns executing commands. Final Fantasy X features a Conditional Turn-Based Battle system where turns are taken based on an Act List, the turn order depending on the units' stats and statuses, and commands being ranked usually with stronger commands having longer "recovery time" until the unit can act again.
After the events of Mega Man II, Dr. Wily took control of an off-shore oil platform with some of his powerful Robot Masters. Once again, Dr. Light sends Mega Man to investigate and stop them before it gets out of hand. Mega Man takes down the first four Robot Masters and makes his way to the Wily Castle, where he discovers that four more Robot Masters await him. After defeating them, he encounters a new Mega Man Killer named Punk in the Wily Station, whose Screw Crusher delivers a crushing blow to its opponents. However, Mega Man promptly defeats Punk and defeats Wily with Punk's own weapon.