A Link Between Worlds features some gossip told to Link by the Rumor Guy. He tells Link that one of the castle staff had seen Zelda sneaking off every night. When she followed her, she saw Zelda staring at the painting in Hyrule Castle depicting the Link and Zelda from A Link to the Past cuddling with each other, implying they became more intimate with each other. This also hints the Zelda in A Link Between Worlds wants to have a similar relationship with the Link of her time.
Jump up ↑ "You are already leaving this land of Hyrule, aren't you? Even though it was only a short time, I feel like I've known you forever. I'll never forget the days we spent together in Hyrule... And I believe in my heart that a day will come when I shall meet you again... Until that day comes, please... Take this..." — Princess Zelda (Majora's Mask)
The Final Fantasy games feature a variety of music, and frequently reuse themes. Most of the games open with a piece called "Prelude", which has evolved from a simple, 2-voice arpeggio in the early games to a complex, melodic arrangement in recent installments. Victories in combat are often accompanied by a victory fanfare, a theme that has become one of the most recognized pieces of music in the series. The basic theme that accompanies Chocobo appearances has been rearranged in a different musical style for each installment. A piece called "Prologue" (and sometimes "Final Fantasy"), originally featured in the first game, is often played during the ending credits. Although leitmotifs are common in the more character-driven installments, theme music is typically reserved for main characters and recurring plot elements.
A possible indication of a blood relation between the two in Ocarina of Time is their physical resemblance: they both have blonde hair, blue eyes, and similar facial features. They also have similarly shaped heads. Graphics limitations could be responsible for some of this similarity, however. Certain dialogue could also be perceived as implying a blood relation: the ghost Sharp comments that Link reminds him of Zelda, and that Link "may have some connection with the Royal Family". Link's connection to the Royal Family is highlighted throughout the game, with Link often playing Zelda's Lullaby to verify it. The fact that Impa agrees to teach an outsider a song only Royal Family members are allowed to know could also be interpreted as a hint at Link's blood relation to Hyrule's Royal Family. 
(usually hits twice in both cases) Mega Man throws a Metal Blade in any of eight directions, which can be inputted just before throwing the Metal Blade. If thrown to the floor, it sticks to the ground. It can be picked up and thrown again if the opponent catches it or if it's stuck to the ground or a wall, and deals increased damage if used that way. Mega Man can't fire another Metal Blade until his previous dissapears.
The Princess responded by refusing to reveal it, even when her brother and the Magician threatened her. In his anger, the Magician put a powerful curse on the Princess, despite the objections of the new King. The exertions caused the Magician himself to drop dead after casting the spell, so he could not be induced to undo it. Devastated, the grieving brother had his sister locked in a tower of the North Castle, and decreed that every female born into the royal family would thereafter be named Zelda, in memory of the tragedy.
Despite these advantages, Mega Man is not without flaws. His grounded mobility is comparatively poor, with his dashing speed in particular being the 13th slowest in the game. This leaves Mega Man at a disadvantage against characters with better mobility, such as Sheik and Fox. Mega Man's melee attacks also have short range overall despite their extensive utility, causing him to struggle up close against characters with disjointed range like Marth, Link, and Shulk, while the high ending lag on his attacks puts more stress on this flaw. Mega Man's above average weight and falling speed also makes him an easy target for combos and juggles. Finally, Mega Man's projectile-heavy playstyle is also his biggest weakness, as he is heavily affected by powershielding, reflectors, absorbers, and other anti-projectile tools, which can shut down both his approach and defense options.
Princess Zelda appears in this game solely as Tetra, her alter ego in The Wind Waker. She does not regain her royal persona, although quite often when she appears, “Zelda's Lullaby” plays in the background, and she is called "Zelda" by some of the pirates during the game's intro, much to Tetra's chagrin. Her role is somewhat limited in the game as she is kidnapped early on in the story, and when Link finds her at last she has been turned to stone.
I feel like they focused too much on making the game new and exciting rather than balanced and fun but they still did pretty good at throwing everything together. It has tons of tracks, vehicles, characters, and is probably the most re-playable version of the series because there is so much stuff to unlock. I unlocked everything in the game using a stock character and vehicle so the unlocked stuff isn't overpowering like in past games. The unlock-able characters and carts seem well placed and often help you with your playing style. For example you unlock the fast characters while trying to do time trials or you get the agile carts from gold on the harder tracks.
Happy Monday, everybody! I know I keep forgetting to post a Caption Contest every week, but I could not, under any circumstance, miss this week of all weeks. Super Smash Bros. Ultimate releases this Friday, and I’m sure the entire Nintendo fanbase is looking for a way to alleviate the anticipation. So why not let the Zelda Dungeon Caption Contest distract you for a little while as you wait for Ultimate to hit store shelves?
Although not the first game to be released outside of Japan, Final Fantasy VII was the first overseas to popularize the series, and the JRPG genre. Although the game is still the best-selling game in the series, with over 11 million units sold between its original release and subsequent re-releases, the series has continued to find financial success since and has become the company's best-selling franchise worldwide.
Gifted with a perfectly serviceable faux-3D makeover, and a plot that couldn’t matter less if it tried, 11 once again pits its robot hero against the forces of the cartoonishly nasty Dr. Wily. Said battle comes in the form of eight new stages to run and gun through, with eight new bosses lurking at their ends. Despite boilerplate names like Block Man, Impact Man, and Torch Man, this is easily the most colorful bunch of baddies the series has ever offered up, varying wildly in size, and featuring sharp little details like the electrodes poking jauntily out of Fuse Man’s silhouette. That same love has been lavished on the way they fight, too: Rather than execute a few simple patterns of jumps and attacks, each boss battle is now a multi-phase affair, with enemies tossing out super moves and even the occasional full-on transformation. All of these flashy theatrics—which put a welcome edge onto the long-standard process of learning and overcoming a boss—are empowered by the Double Gear system, the game’s one big contribution to the Mega Man canon. A fancy way of saying “short-lived bursts of extra power or speed,” the Gears’ powers aren’t just confined to your enemies. They’re also the biggest tool in Mega Man’s new arsenal—and in the game’s efforts to justify its existence as more than just a pleasant but brief nostalgic stint.
Rather than just continuing to run, jump, and shoot, I sometimes found myself having to stop and figure out how to proceed forward, and other times being forced to move forward without having this chance and just dying over and over while I figure it out. I am actually thankful there are at least difficulty options because after an hour on the first level playing on Normal, I finally had to lower the difficulty to Casual. The reason for this is my next problem which is the LENGTH of levels. They just feel too long under the standard Mega Man rules. A single checkpoint in the middle is not enough when the levels are this long and complex. Thankfully Casual gives you more lives and checkpoints, but considering I beat the other games without this option, I felt a little sad to have to resort to this.
As it turns out, though, Square Enix has now reportedly revealed a later-than-expected physical release on Switch. The news comes from the folks at NintendoSoup, who mention that "there will be no physical release in North America, Europe, and Japan", with the physical copy instead being released exclusively in Southeast Asia. The situation gets more and more strange every time we hear about it.
I just wish Square-Enix could have done this with .. pretty much any of the other characters in the game in any meaningful way. The only ones they seemed to have made an effort on, at this point in my playthrough, are Cindy and Iris, who both sadly are kind of terrible. Cindy has literally no depth other than "extremely blatant fanservice mechanic", and Iris' entire schtick is "Gladio's little sister that tries way too hard to be cute and has a serious crush on Noctis." Which is really weird that Iris is going for it and Gladio is egging her on when the point of this boyband roadtrip in the first place is to meet up with Noctis' fiancee so they can get married, which Noctis does not at all seem to be reluctant about. ..Ah, and Aranea. They did alright with her, actually. Everyone else (aside from prominent villains) seems to show up once or twice and then fade into the background.
One of the most common and familiar systems that determines character growth is the job system, a class-based system where players assign characters a job, choosing from series staples such as Black Mage, White Mage, Monk, Thief and Warrior, among many. The character's job determines their base abilities and the stats gained. Throughout earlier games, this was often through experience, though Final Fantasy V introduced ability points as a separate system where the experience would increase a level independent of the job, and the ability points likewise accumulated from battles are used to grow the job's abilities. Many games featuring the job system allow the player to switch the jobs around to learn new abilities or face new enemies, though some, such as the original Final Fantasy, stick the job as fundamental to the character. Similarly, games such as Final Fantasy IX, do not have named job systems, but the characters have defined roles similar to the job system with pre-determined abilities they can learn.
There’s a cleverness and care that seems infused throughout Mega Man 11, and numerous creative touches surprised me as I played. Bounce Man’s rubbery body is flecked with bits of metallic confetti, like a bouncy ball from a toy vending machine. Block Man’s level is inspired by Mayan art and architecture, supporting the robot’s backstory in which he fantasizes about building his own temple. Each of the game’s new Robot Masters is given dozens of catchphrases and punny quips. “Prepare to diode!” Fuse Man will say, appealing to my inner dad joke enthusiast.
For the first time (not counting the non-canonical Phillips CD-i games), it is possible to play as Zelda herself as Link aids the princess to escape the castle. Afterward, Link, Zelda, and Alfonzo attempt to escape via train, but the train crashes due to the tracks disappearing beneath them. Chancellor Cole then appears to attack Zelda and take her body, which he hopes to use to revive the Demon King Malladus; however, Zelda's spirit escapes and returns to Hyrule Castle. There, she meets with Link, now the only one who can see her, to continue their way to the Tower of Spirits, where Zelda learns she can inhabit Phantoms to aid Link. After this, she and Link begin their journey to restore the Spirit Tracks leading to the Tower of Spirits to fortify the Malladus's prison and thus prevent the resurrection of the Demon King.
I... have never been so taken aback by the vastness of a game. You really don't need to read another review, Zelda alone is worth the price of a switch. Like if they sold this game for 300 dollars I would probably buy it. In fact, it's the only Switch game I own, and have no real plans to purchase anything else because between the original game and Master Mode, I will be getting a divorce soon so I can spend more time collecting mushrooms and climbing mountains.
The series has received critical acclaim for the quality of its visuals and soundtracks. In 1996, Next Generation ranked the series collectively as the 17th best game of all time, speaking very highly of its graphics, music and stories. It was awarded a star on the Walk of Game in 2006, making it the first franchise to win a star on the event (other winners were individual games, not franchises). WalkOfGame.com commented that the series has sought perfection as well as having been a risk taker in innovation. In 2006, GameFAQs held a contest for the best video game series ever, with Final Fantasy finishing as the runner-up to The Legend of Zelda. In a 2008 public poll held by The Game Group plc, Final Fantasy was voted the best game series, with five games appearing in their "Greatest Games of All Time" list.
Ladies and gentleman, my name is Kristen. Rosario. And I am your host for the CAVE OF TRIALS! Now before I give you an update on the SMASH ULTIMATE FANTASMIC HOLIDAY TOURNAMENT, I want to take a look at how our Smash Bros. Exhibition Match went between Young Link and King DeDeDe. Considering what site I am a part of, it should come as no surprise that the winner is Young Link! In what I thought was going to be…
Historically speaking, Mega Man games that moved away from the squat, pixelated, grimacing Mega Man art style have had mixed results. While I never fully warmed up to Mega Man 11’s cutesy, highly-detailed graphical style, the new look didn’t interfere with the classic feel of Mega Man as it did in Mega Man 7, a beautiful, but slow and clunky game. There are some fantastic robot designs, like massive skull-faced pillars that shoot lasers from their mouths, a wooly mammoth on a hoverboard, and an ostrich that’s on fire. These recall the art of early Mega Man games while filling out contemporary 16:9 wide screens (a series first!), dwarfing Mega Man. It’s a great effect to make me feel nimble as I’m sliding around with time at a standstill to avoid giant, crazed bots.
In Hyrule Warriors and Hyrule Warriors Legends, Impa is Zelda's faithful servant/protector, general, and advisor. General Impa possesses a samurai-like devotion to Zelda, similar to her Ocarina of Time and Skyward Sword incarnations. When Zelda goes missing, Impa is determined to find Zelda and enlists the help of the inexperienced Hero Link to find her. Ironically, Impa is suspicious and distrustful of the mysterious Sheik, mostly due to Sheik claim that she is a Sheikah survivor and member of Impa's tribe. Impa fails to realize Sheik's true identity, until it is revealed following Fake Zelda's defeat. However she knows Zelda character well enough to realize the Princess Zelda causing trouble in the Era of the Hero of Time was nothing more than a fake. She is shown to be visibly relieved when she learns that Princess Zelda had been fighting alongside her and the Hyrulean Forces while disguised as Sheik, despite her deception. After reuniting with the Princess, Impa returns to her role as Zelda's advisor and defender. Though she respects Zelda's judgment, Impa is shown to voice her opinion about the potential consequences, such as when she warned Zelda of the dangers of having Link remove the Master Sword from its pedestal in the Temple of the Sacred Sword in order to defeat Cia. Impa's fears are later realized when the final seal on Ganondorf's soul breaks, though continues to serve Zelda even after Ganondorf obtains the complete Triforce.
The series centers on Link, the playable character and chief protagonist. Link is often given the task of rescuing Princess Zelda and the kingdom of Hyrule from Ganon, who is the principal antagonist of the series; however, other settings and antagonists have appeared in several games. The plots commonly involve a relic known as the Triforce, a set of three omnipotent golden triangles. The protagonist in each game is usually not the same incarnation of Link, but a few exceptions exist.
From the beginning Uematsu was given creative freedom, though the series' creator Hironobu Sakaguchi would request specific set-pieces to fit themes, and early on there were specific notes Uematsu was unable to use due to hardware limitations. From Final Fantasy IV onwards, he had more freedom of instrumentation. For "One-Winged Angel", the Final Fantasy VII final boss theme and the series' first vocalized theme, Uematsu combined both rock and orchestral influences having had no prior training in orchestra conduction.
In Twilight Princess, Zelda was the young matriarch of Hyrule until its invasion by Zant, the Twilight King, to whom she surrendered in order to prevent the deaths of herself and her people. Afterward, she is imprisoned inside a tower in Hyrule Castle. It is revealed that Zelda is unaffected by the veil of Twilight Zant casts upon Hyrule and does not become a spirit like all the other inhabitants of the kingdom. As the bearer of the Triforce of Wisdom, Zelda may have been protected by its power.
Up smash Spark Shock 2% (hit 1), 1.5% (hits 2-6), 6% (hit 7) Mega Man turns both of his hands into electrodes, creating a powerful multi-hitting surge of electricity above him. It is overall useful due to its large hitbox, anti-air properties and quick startup, though it has noticeable ending lag. If an opponent is made tiny by a Lightning Bolt, it's possible to OHKO them. Based on Spark Man's weapon from Mega Man 3.
Growing up in the halls of Hyrule Castle, young Princess Zelda, referred to by the Great Deku Tree as the Princess of Destiny, was growing concerned with one of her father's associates, the Gerudo king Ganondorf, and a vision of his treachery did not help matters. Expressing her concerns with her guardian and nursemaid Impa, she continued to watch the Gerudo despite her inability to do anything about him. This changed when a young Kokiri boy named Link snuck into her garden courtyard.
Zelda and Peach are taken onto the Halberd, but are rescued when Metal Gear protagonist Solid Snake infiltrates the ship and defeats another pair of clones. Snake insists that the princesses stay were they are, but Peach and Zelda (who dons her Sheik disguise for the first time in the game, but can transform back to Zelda during the level) instead make their way to the upper deck of the ship, which has come under attack by Star Fox protagonist Fox McCloud. When Peach gets trapped in the crossfire, Sheik teleports into the air and directly attacks Fox's Arwing, forcing him to eject. Peach stops them before they can fight hand-to-hand. As they are joined by Snake and the Pokémon Lucario, a group of Mr. Game & Watches are forcibly ejected by Meta-Knight, who had infiltrated the Halberd with Lucario to take his ship back. The Game & Watches merge into the boss Duon, which is defeated by the heroes. Duon turns back into a single Mr. Game & Watch, who is befriended by Peach. The various heroes subsequently unite to launch an attack on the Subspace Realm from which the attacks have been originating.
Mega Man appears in several manga from the series, including, but not limited to, the manga Mega Man Megamix, Rockman Remix, Mega Man Gigamix, Rockman, Rockman World, Rockman: Yomigaeru Blues, Rockman 8, Rockman & Forte, Rockman 10 -Extra F-, Rockman 4Koma Dai Koushin, Rockman Battle & Chase, and Rock'n Game Boy. Mega Man also appears in the Mega Man 2 novel and in the comics Mega Man (from Dreamwave Productions), Mega Man (from Archie Comics), and Novas Aventuras de Megaman.
In his early appearances in Twilight Princess, Zant inspires terrifying dread. His monstrous steel helm is grotesque with a thick, elongated tongue strewn across the lower mouth. Add in the enormous bulging bug eyes, and you have some excellent nightmare fuel fit for your worst enemies. It’s the perfect set up for an imposing villain. Later in the game, Zant’s villainous mystique grows as he creepily whispers into Midna’s ear, revealing a mouth that drips with saliva and split oddly…
The next three titles would be released on PlayStation 2. Due to the more advanced technology, the games no longer relied on pre-rendered backgrounds, instead using the game engine to render the backgrounds immediately. Final Fantasy X improved in the facial expressions displayed by the characters, using skeletal animation technology and motion capture, to allow the characters to make more realistic lip movements to match the new voice acting, a first in the series which previously was restricted to text-based story telling. The following release, Final Fantasy XI, was the first in the series to use online multiplayer features, which was another expensive development project for the company. Final Fantasy XII would later use only half as many polygons as Final Fantasy X in exchange for improved lighting and texture rendering.
Mega Man's first animated appearance was as a main character in the 1989 series Captain N: The Game Master, which features a myriad of characters that had appeared on Nintendo consoles up until that time. They all aid the title character, Captain N, in his quest to save the world of Videoland, encountering many villains, including Mega Man's own enemy Dr. Wily. Mega Man is green and is voiced in this series by Doug Parker. His character also has a speech impediment and a tendency to add the word "mega" in front of words for emphasis.
Learned by Impa and Kass, the Zelda that lived ten thousand years prior to the events of Breath of the Wild assisted Link and the four Champions in defending Hyrule from Calamity Ganon. Successfully defeating the Calamity, Zelda sealed Ganon away for ten thousand years, leading to his release one hundred years before the events of Breath of the Wild.
Mega Man set out to stop Wily and his robots again, who had stolen the new parts developed by Dr. Light and kidnapped Roll. If the player decides to pursue Wily, Mega Man will mention that Wily's scheming has ended, and then moves in close, presumably to apprehend him. However, he then reacts in shock when he discovers that "Wily" was in fact a mechanical duplicate. If the player decides to rescue Roll, Roll will apologize for worrying Mega Man before revealing she managed to steal some energy from the Wily Robot. In Mega Man's ending, Mega Man says he will bring peace for both humans and robots, and Dr. Wily informs Mega Man that he is no different than him, as he destroyed Wily's robots. Mega Man is in disbelief with what Wily said, but Dr. Light, Roll, and Auto appear to cheer him. Proto Man also appears if he was his partner. Mega Man starts feeling better, but Wily uses their distraction to escape again, and Mega Man starts to pursue him. His cooperative mode ending with Bass has him forced into a battle with Bass shortly after stopping Wily, despite both being significantly injured due to Bass wanting to fulfill his directive, although the conclusion is never revealed. In his cooperative mode ending with Duo, he wishes Duo luck as he proceeds to leave the planet with the energy.
The voice acting is surprisingly good. For fans of previous games in the series the voice acting has been laughably bad (especially Mega Man 8), but here they sound really good and well delivered. I wish I could say the same for the music. It's not bad, it just doesn't always feel like Mega Man music. A lot of it has this techno and electronica vibe. It's competent but there's nothing here that sticks out as well Wily's Fortress in Mega Man 2, the entirety of Mega Man 9's soundtrack or anything even coming close to some of the tracks you've heard in other Mega Man games. The music overall can be relaxing but you're not likely to find them sticking too firmly in your mind when all is said and done.
The Mega Man series has always been known for its difficulty, but as someone who has mixed feelings on difficult games, one of the things I always loved about the series is most of the games (except a few) were fair when it came to being difficult. This meant either more checkpoints as the series evolved, or short levels like the older titles. This gave the player the opportunity to learn the levels without punishing them and the bosses waiting at the end were usually pretty quick and easy to beat provided you had the right weapon to exploit their weakness.
Zelda is featured on four stickers. Two of these are titled "Young Zelda," while the other two are simply titled "Zelda." The first two depict artwork of Zelda as a child from Ocarina of Time and The Minish Cap, and provide a +20 bonus to electric attacks and a +16 bonus to battering resistance, respectively. The latter can only be used by Link, Toon Link, Zelda, and Ganondorf. The two stickers titled "Zelda" depict artwork of Zelda from A Link to the Past and of her adult form from Ocarina of Time. The former grants a +27 bonus to magic attacks and, like all other stickers that grant bonuses to magic attacks, can only be used by Zelda and Peach. The latter grants a +18 bonus to flame resistance and can only be used by Link, Toon Link, Zelda, and Ganondorf.
amiibo compatibility – The Wolf Link amiibo from Twilight Princess HD, the Zelda 30th Anniversary series amiibo, and The Legend of Zelda: Breath of the Wild series amiibo are all compatible with this game. Tap the Wolf Link amiibo (sold separately) to make Wolf Link appear in the game. Wolf Link will attack enemies on his own and help you find items you’re searching for. Tap a Zelda 30th Anniversary series amiibo to receive helpful in-game items or even a treasure chest!
In The Minish Cap, Princess Zelda is known to sneak out of the castle to visit her good childhood friend, Link. At the beginning of the game, Link and Zelda head together towards the Picori Festival in Hyrule Castle Town. A catastrophe occurs when the evil wind mage, Vaati, appears and turns Zelda to stone, breaking the Picori Blade in the process. Link fuses the four elements to transform the blade into the Four Sword to reverse Vaati's spell. When Link saves Princess Zelda atop the roof of Hyrule Castle where she was being imprisoned by Vaati to steal the Light Force within her, she reveals to Link that she saw visions of him, as if in a dream. However, soon after this, the castle begins to collapse. As Link and Zelda head towards the Elemental Sanctuary, Vaati appears again and is subsequently defeated by Link. The Mage's Cap falls down and Ezlo, now a Minish again, urges Princess Zelda to make a wish. Princess Zelda thus wishes for Hyrule to return to its usual, peaceful state, making all the monsters disappear and returning its people back to normal.