Mega Man does have some notable flaws, however: While Mega Man has a good amount of attacks with good knockback, the majority of his kill moves are considered situational, difficult to set up, or and/or are easy to punish. As such, he has a more difficult time killing than other characters and it requires good reads to successfully finish off opponents. Characters that have a move that either reflects projectiles or can nullify them (such as Fox or Lady Palutena) can also prove to be an annoyance for him due to his over-reliance on projectiles to combo opponents and bait reactions and it can render his Forward Smash (one of his better kill moves) unreliable, though this can be worked around by firing the Mega Buster twice at a time, and most reflectors are punishable if baited and he can still grab them. Although Mega Man can effectively zone opponents at medium ranges with the Mega Buster, most of his other moves are fairly laggy or gimmicky and his only reliable tool in close range is his grab, and as such faster characters (such as Greninja or Captain Falcon) can bypass his zoning more easily and put work on him in closer ranges and due to his above average weight and falling speed, Mega Man is somewhat easy for these characters to combo once they get in, assuming that they have any combo potential.

As in his home series, Mega Man's moveset relies heavily on various projectiles, giving his attacks unusual functions and characteristics. This extends beyond his special moves and into his standard moveset. For his neutral attack, he fires shots from his Mega Buster, and for his forward tilt, he fires shots from his Mega Buster while walking. His up tilt, the Mega Upper, is a jumping uppercut, and his down tilt is a forward slide.

Eventually, Link catches up with Zelda and Impa at the Temple of Time, but their reunion is cut short when Ghirahim attacks the duo. In the midst of the frenetic action, Zelda gives Link the Goddess's Harp before she and Impa escape through the Gate of Time, with Impa destroying the gate to escape Ghirahim's grasp. Link manages to activate a second Gate of Time and meets with Zelda, who explains her true nature as the mortal reincarnation of the Goddess Hylia before telling Link that she,[18] as Hylia reborn, must remain in a deep sleep to keep Demise imprisoned within his seal.[29] Before doing so, Zelda explains that the goddess needed someone with an "unbreakable spirit" to defeat Demise.[51] However, Hylia, knowing that the young hero would "throw [himself] headfirst into any danger, without even a moment's doubt" if it meant saving Zelda,[52] used Link to try and bring about the destruction of Demise. She proceeds to seal herself into a crystal and sleep for thousands of years to ensure Demise's seal holds, and tells Link that he must find and use the Triforce to destroy Demise so that she will be able to wake up in their own time.[53]


Because of graphical limitations, the first games on the NES feature small sprite representations of the leading party members on the main world screen. Battle screens use more detailed, full versions of characters in a side-view perspective. This practice was used until Final Fantasy VI, which uses detailed versions for both screens. The NES sprites are 26 pixels high and use a color palette of 4 colors. 6 frames of animation are used to depict different character statuses like "healthy" and "fatigued". The SNES installments use updated graphics and effects, as well as higher quality audio than in previous games, but are otherwise similar to their predecessors in basic design. The SNES sprites are 2 pixels shorter, but have larger palettes and feature more animation frames: 11 colors and 40 frames respectively. The upgrade allowed designers to have characters be more detailed in appearance and express more emotions. The first game includes non-player characters (NPCs) the player could interact with, but they are mostly static in-game objects. Beginning with the second game, Square used predetermined pathways for NPCs to create more dynamic scenes that include comedy and drama.[114]
The games in the series have sold a combined total of over 100 million copies worldwide,[13][14] with Mario Kart Wii as the best-selling entry, at 36.83 million.[15] Nintendo assigned the Player's Choice marking label to all four of those Mario Kart games that were in existence during its time, and its successor label, Nintendo Selects, was given to Mario Kart Wii in Europe and Oceania.
Dash attack Top Spin 1% (hits 1-7), 3% (hit 8) Mega Man boosts forwards while spinning, damaging whatever he touches. Good priority and long lasting, equivalent to Luigi's dash attack. Useful for mindgames against shields due to its moderate shield stun, which often makes opponents drop their shield too early. Small noticeable ending lag. Based on Top Man's weapon from Mega Man 3.
The Legends series concluded with only two main games and a spin-off starring mainstay antagonist Tron Bonne before being discontinued. Unlike Battle Network and Zero, the final game in the series does not resolve the storyline. A continuation to the Legends series has become an oft-requested game among many Capcom and Mega Man fans. A third game was once under development for the Nintendo 3DS, but on July 17, 2011, Capcom cancelled the project saying it did not meet certain requirements. This decision was met with criticism from fans and gaming news outlets.[3][4] 

The actions made by this incarnation of Princess Zelda were crucial to the development of the Zelda Timeline, since it was through Zelda's choices that three timelines were eventually created, making her instrumental in the history of Hyrule. Her plot with Link to retrieve the Triforce resulted in Ganondorf obtaining the Triforce of Power,[67] eventually leading to Ganondorf besting Link in the final battle, and thus forming the Fallen Hero Timeline.[76] Should Link succeed in defeating Ganondorf, sending Link back to his own time afterwards created two timelines: the Child Timeline and the Adult Timeline. The latter of the two shatters the Triforce of Courage and vanquishes the hero in the Adult Timeline,[77] resulting in Hyrule eventually being flooded.

Custom 2 Danger Wrap 3% (loop), 7% (last) Fires an explosive wrapped in a bubble that floats upwards in an exponential arc and will explode if it comes into contact with an enemy, or on its own after a few seconds. Whilst harder to use than both the Crash Bomber and Ice Slasher due to its unusual trajectory, it deals more damage and knockback. It is based on Burst Man's weapon from Mega Man 7.
Historically speaking, Mega Man games that moved away from the squat, pixelated, grimacing Mega Man art style have had mixed results. While I never fully warmed up to Mega Man 11’s cutesy, highly-detailed graphical style, the new look didn’t interfere with the classic feel of Mega Man as it did in Mega Man 7, a beautiful, but slow and clunky game. There are some fantastic robot designs, like massive skull-faced pillars that shoot lasers from their mouths, a wooly mammoth on a hoverboard, and an ostrich that’s on fire. These recall the art of early Mega Man games while filling out contemporary 16:9 wide screens (a series first!), dwarfing Mega Man. It’s a great effect to make me feel nimble as I’m sliding around with time at a standstill to avoid giant, crazed bots.
In The Wind Waker, Zelda's (or more precisely Tetra's) relations consist of a deceased mother who previously led her band of pirates, and an ancient ancestor who often takes the form of a talking boat. The pirates of Tetra's crew deeply respect their captain and act as a surrogate family for her. It was also confirmed in Spirit Tracks that Tetra is the grandmother of Zelda in the Japanese script. She was the one who taught Zelda about the Lokomos. It is also hinted in the Fallen Hero Timeline that the Seven Sages in Ocarina of Time are the ancestors of the maidens and sages in A Link Between Worlds. Another significant relationship shown is with King Daltus, father of Zelda in The Minish Cap. When Zelda is turned to stone, he is desperate to find a way to save her. The quest to do so requires Link to communicate with the spirit of another royal ancestor, King Gustaf.

In Skyward Sword, Zelda is shown to have a father known as Gaepora, whom she seems reasonably close to. The two casually interacted with one another when discussing Link's success at the ceremonial race, to which Zelda voiced her worry. In response, Gaepora reminded Zelda of the importance of a rider and Loftwing`s bond with one another, noting Link`s powerful bond with his Crimson Loftwing. He would also continue on to tease Zelda, jokingly referring her as jealous. Somewhat annoyed at her father`s words, Zelda further voices her worries to him. Seeing Zelda slightly agitated, Gaepora notes her change in behavior when concerning Link. Later on, when Zelda goes missing from a mysterious tornado, Gaepora shows great concern for his daughter and asks Link to save her.

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Upon defeating Terra, Mega Man finds out that his nemesis, Dr. Wily, was ordering the Stardroids to dominate Earth. Mega Man sets off to the mad scientist's new base, the Wily Star to stop him. In the base, Mega Man has rematches with the Mega Man Killers, before facing off against the eight Stardroids once more (strangely, Terra does not appear again). After Wily is stopped once again himself, he releases a mysterious and ancient robot called Sunstar to destroy Mega Man. However, Sunstar disobeys and attacks Wily instead, and then turns his attention to Mega Man. The hero wins the battle and tries to convince Sunstar to be repaired by Dr. Light. However, while Sunstar would like to see such a world, he is already too badly damaged, and minutes later he explodes, taking the Wily Star with him. Mega Man escapes using Rush, and in the game's epilogue he again walks through the field seen in the opening sequence, pondering the recent events, when Wily makes one last, unsuccessful attempt to attack him. The game ends with Mega Man chasing Wily off the screen.
It’s been eight long years since Capcom’s venerable Mega Man franchise last slapped a new numeral onto the end of its name, a span that’s seen the Blue Bomber’s NES contemporaries—most notably Nintendo’s own Mario and Zelda games—evolve dramatically in response to increasingly powerful technology and changing gaming philosophies. But while the franchise’s latest title, Mega Man 11, does its damnedest to try to teach itself a few new tricks, this might be the point where even the most devoted practitioners of the time-honored art of murdering octets of themed robots to steal their magical arm-guns have to accept that this series has comfortably settled into its limits, probably for good.
The series affected Square's business on several levels. The commercial failure of Final Fantasy: The Spirits Within resulted in hesitation and delays from Enix during merger discussions with Square.[47][94] Square's decision to produce games exclusively for the Sony PlayStation—a move followed by Enix's decision with the Dragon Quest series—severed their relationship with Nintendo.[3][116] Final Fantasy games were absent from Nintendo consoles, specifically the Nintendo 64, for seven years.[100][117] Critics attribute the switch of strong third-party games like the Final Fantasy and Dragon Quest games to Sony's PlayStation, and away from the Nintendo 64, as one of the reasons behind PlayStation being the more successful of the two consoles.[3][116][120] The release of the Nintendo GameCube, which used optical disc media, in 2001 caught the attention of Square. To produce games for the system, Square created the shell company The Game Designers Studio and released Final Fantasy Crystal Chronicles, which spawned its own metaseries within the main franchise.[38] Final Fantasy XI's lack of an online method of subscription cancellation prompted the creation of legislation in Illinois that requires internet gaming services to provide such a method to the state's residents.[206]
I feel like they focused too much on making the game new and exciting rather than balanced and fun but they still did pretty good at throwing everything together. It has tons of tracks, vehicles, characters, and is probably the most re-playable version of the series because there is so much stuff to unlock. I unlocked everything in the game using a stock character and vehicle so the unlocked stuff isn't overpowering like in past games. The unlock-able characters and carts seem well placed and often help you with your playing style. For example you unlock the fast characters while trying to do time trials or you get the agile carts from gold on the harder tracks.
In the noncanonical Ocarina of Time manga, author Himekawa Akira depicts Zelda requesting her true identity be sealed. Impa then actually transforms Zelda into a male, adding some controversy as to the exact nature of Zelda's Sheik transformation. Sheik also depicted as Zelda's alter-ego and a playable character in Hyrule Warriors and Hyrule Warriors Legends
Three years after this, Dr. Wily, now working together with Dr. Light, went to investigate the ruins because the electromagnetic field started increasing, this being a good chance to clear his name. After a few days of search, Wily uncovered an ancient alien super computer inside the temple, Ra Moon, which revived his various Robot Masters from Mega Man 2 and Mega Man 3 by analyzing the information about them in Dr. Wily's laptop. Wily thought it would be a great chance to conquer the world.
Despite having little interaction with Link in Twilight Princess, Zelda worked flawlessly with him in their horseback battle against Ganondorf, managing to overwhelm the Demon King with their excellent teamwork. When Zelda asked Link for his assistance in defeating Ganondorf, Link offered his hand as a response. It is also thinkable that Link later went to meet her once the events of the story was over, as somewhat hinted in the end credits.

In 1994, near the end of the Famicom's lifespan, the original Famicom game was re-released in cartridge format.[60] A modified version, BS Zelda no Densetsu, was released for the Super Famicom's satellite-based expansion, Satellaview, on August 6, 1995, in Japan. A second Satellaview game, BS Zelda no Densetsu MAP2 was released for the Satellaview on December 30, 1995. Both games featured rearranged dungeons, an altered overworld, and new voice-acted plot-lines.[61]

Mega man returns! the newest entry in this iconic series blends classic, challenging 2D platforming action with a fresh new visual style. The new double Gear system boosts Mega Man's speed and power for a new twist to the satisfying gameplay the series is known for. Long-await sequel evil genius Dr. Wily is back to his mischievous ways and invest in an ambitious idea from his time at robot university. The benevolent Dr. Light decides to upgrade Mega man with wily's powerful prototype known as the double Gear system, expanding his abilities for the greatest fight yet for everlasting peace. A visual leap taking a leap forward in visual presentation, the new game features a 2.5D design direction which blends beautiful, hand-drawn environments with lively characters. New to the classic series, Mega man now also takes on characteristics of defeated robot masters when wielding their weapons. Powerful new gameplay Options the double Gear system adds a unique new twist on the satisfying platforming action, offering Options to enhance Mega Man's speed and power on the fly. For vets and first-timers a wealth of difficulty Options.
The series features a number of recurring character archetypes. Most famously, every game since Final Fantasy II, including subsequent remakes of the original Final Fantasy, features a character named Cid. Cid's appearance, personality, goals, and role in the game (non-playable ally, party member, villain) vary dramatically. However, two characteristics many versions of Cid have in common are 1) being a scientist or engineer, and 2) being tied in some way to an airship the party eventually acquires. Every Cid has at least one of these two traits.
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