In the early 2000s, Nintendo of America released a timeline on the official website of the series, which interpreted all stories up to the Oracle games as the adventures of a single protagonist named Link. At one point, translator Dan Owsen and his coworkers at Nintendo of America had conceived another complete timeline and intended to make it available online. However, the Japanese series developers rejected the idea so the timeline would be kept open to the imagination of the players.
In his early appearances in Twilight Princess, Zant inspires terrifying dread. His monstrous steel helm is grotesque with a thick, elongated tongue strewn across the lower mouth. Add in the enormous bulging bug eyes, and you have some excellent nightmare fuel fit for your worst enemies. It’s the perfect set up for an imposing villain. Later in the game, Zant’s villainous mystique grows as he creepily whispers into Midna’s ear, revealing a mouth that drips with saliva and split oddly…
Other games in the series deviate further from the typical formula. Final Fantasy XII has player characters learn License Points (a variation of the ability points system) to spend on a License Board to purchase "licenses" to wield different equipment, use different spells and boost stats, with total freedom. In the International Zodiac Job System re-release the License Boards are based on jobs. In Final Fantasy X characters learn abilities based on a Sphere Grid that begins linearly but the player can eventually branch the grid out further, and potentially max all stats with various items usable to alter and improve Sphere Grid growth. Another example featuring items for growing skills is Final Fantasy VIII where magic spells are collected into an inventory similar to items, and acquired through refine or draw abilities, with other abilities learned via ability points from the character's equipped Guardian Forces.
Once upon a time, eight bosses and a handful of increasingly vicious Dr. Wily stages were all that a player might have needed to wile away day after day, scribbling down passwords and carefully memorizing the position of each precious E Tank. (Filed mentally right next to their grid map of Hyrule, or the locations of all the hidden 1-UP mushrooms in Super Mario Bros. 1.) But with modern conveniences like between-level saving and the ability to toss plentiful in-game currency at your supply of extra lives and mid-level recharges, those replayable, compulsive elements have been steadily whittled down. And even with its not-infrequent highs, Mega Man 11 doesn’t have anything more substantial to offer in their place, instead relying on a basic skeleton that can’t help but creak as its 30th anniversary arrives. Mega Man 9 (and, to a lesser extent, 10) overcame these pitfalls with a combination of laser-guided nostalgia and rock-solid platforming precision, but 10 years (and any number of more ambitious retro platformers—cough, Shovel Knight, cough) later, and even 11’s biggest swings for the unorthodox leave it feeling like little more than a trifle. In a medium that evolves by the day, 11 is content just to be a pretty good Mega Man game—for better and for worse.
The Final Fantasy series usually puts the player in control of multiple characters in a party, though there are exceptions. The player will build the party's strength by gradually acquiring new abilities and equipment to handle more powerful opponents. In many games this task extends beyond the main story with challenging superbosses and bonus dungeons serving as optional tests of skill. As a Japanese role-playing game, many installments—particularly the earlier installments in the main series, or the throwback spin-offs returning to old formulas—involve frequent use of menus to select items, skills and upgrades.
Distant Worlds IV boasts one of the strongest track lists of any of our recordings with brilliant new classics from the latest game release FINAL FANTASY XV: APOCALYPSIS NOCTIS and Somnus, new orchestral arrangements from FINAL FANTASY VII: Cosmo Canyon and JENOVA COMPLETE, FINAL FANTASY VIII: The Oath and FINAL FANTASY IX: Festival of the Hunt, and Nobuo Uematsu’s FINAL FANTASY XIV: Dragonsong featuring the inimitable voice of Susan Calloway.
In Sonic Lost World, a DLC stage based on The Legend of Zelda series was released in March 2014, named "The Legend of Zelda Zone". While built around the core gameplay mechanics of Sonic Lost World, "The Legend of Zelda Zone" incorporates some elements from the Zelda series, including a heart-based vitality meter, rupee collection, and a miniature dungeon to explore.
Despite having little interaction with Link in Twilight Princess, Zelda worked flawlessly with him in their horseback battle against Ganondorf, managing to overwhelm the Demon King with their excellent teamwork. When Zelda asked Link for his assistance in defeating Ganondorf, Link offered his hand as a response. It is also thinkable that Link later went to meet her once the events of the story was over, as somewhat hinted in the end credits.
Mega Man set out to stop Wily and his robots again, who had stolen the new parts developed by Dr. Light and kidnapped Roll. If the player decides to pursue Wily, Mega Man will mention that Wily's scheming has ended, and then moves in close, presumably to apprehend him. However, he then reacts in shock when he discovers that "Wily" was in fact a mechanical duplicate. If the player decides to rescue Roll, Roll will apologize for worrying Mega Man before revealing she managed to steal some energy from the Wily Robot. In Mega Man's ending, Mega Man says he will bring peace for both humans and robots, and Dr. Wily informs Mega Man that he is no different than him, as he destroyed Wily's robots. Mega Man is in disbelief with what Wily said, but Dr. Light, Roll, and Auto appear to cheer him. Proto Man also appears if he was his partner. Mega Man starts feeling better, but Wily uses their distraction to escape again, and Mega Man starts to pursue him. His cooperative mode ending with Bass has him forced into a battle with Bass shortly after stopping Wily, despite both being significantly injured due to Bass wanting to fulfill his directive, although the conclusion is never revealed. In his cooperative mode ending with Duo, he wishes Duo luck as he proceeds to leave the planet with the energy.
Princess Zelda is the princess of Hyrule and the guardian of the Triforce of Wisdom. Her name is present in many of her female ancestors and descendants. While most games require Link to save Zelda from Ganon, she sometimes plays a supporting role in battle, using magical powers and weapons such as Light Arrows to aid Link. With the exception of the CD-i games (which were not official Nintendo games), she was not playable in the main series until Spirit Tracks, where she becomes a spirit and can possess a Phantom Knight that can be controlled by the player. Zelda appears under various other aliases and alter egos, including Sheik (in Ocarina of Time) and Tetra (in The Wind Waker and Phantom Hourglass). In Skyward Sword, it is revealed that the Zelda of that game is a reincarnation of the goddess Hylia, whose power flows through the royal bloodline. The name "Zelda" derives from the American novelist Zelda Fitzgerald.
LIkewise, while many of the levels are incredibly well designed such as Block Man's stage (which makes a great tutorial for the double gear system) or Tundra Man's stage, this just makes it more obvious when level design falls short of expectations. Bounce Man's stage may be the single most frustrating stage to appear in a classic Mega Man game, and the flame wall in Torch Man's stage is more frustrating than challenging.