Mega Man then confronts Wily and defeats him again. As always, Wily begs for forgiveness, but Mega Man points his Mega Buster at him, saying he does not trust Wily and plans on killing him. Dr. Wily, scared out of his wits, reminds Mega Man that robots cannot harm humans. In the original Japanese version, Mega Man is speechless. In the English version, he replies that he is "more than just a robot", implying he was planning on firing his Buster anyway, which was a stark contrast to how Mega Man is normally.
Several months after the events of Mega Man IV, Rock and Roll are strolling through a grassy field, when suddenly, they are confronted by a mysterious new robot who calls himself Terra. Mega Man attempts to fight Terra, only to find that his Mega Buster arm cannon has no effect on this new powerful enemy. Mega Man is knocked unconscious, and two groups of powerful robots calling themselves the "Stardroids" attack Earth, causing destruction around the globe. Waking up in Dr. Light's laboratory, Mega Man is presented with the new and powerful Mega Arm to help him fight the Stardroids in his newest mission to save the planet. Upon defeating 4 of the 8 Stardroids, Mega Man confronts Terra, only to discover it was a trap that Terra set up, forcing Mega Man to fight Dark Moon.
@ryancraddock With Switch, compared to other systems the physical versus digital matter is a lot more significant since there's very limited space for games at high cost, digitally, one has to be choosy with digital acquisitions. Ultimately physical buyers are going to be able to buy a lot more games. And WoFF is a relatively large game in terms of SD usage.
Of the two gears available, the obvious standout is “Speed,” which allows you to slow down the world for brief but critical periods at the touch of a button. It would be hard to overstate how much this simple addition changes the feel of the game’s levels—an otherwise well-crafted, but not especially notable, collection of interesting gimmicks and corridors filled with the customary assortment of spikes and pits. The Mega Man formula typically stacks a horde of fast-moving, relatively fragile enemies against your hero, an aggressive, screen-clearing powerhouse who blasts them away to clear his path. By making Mega Man the most maneuverable thing in the equation, it inverts the basic question these games have been asking for 30 years, changing it from “How do I eliminate the obstacles in my way?” to “How do I elegantly weave my way through this situation in the fleetest, most stylish way possible?” Don’t want to deal with an awkwardly placed turret? Slow down time and navigate around it. An enemy leaps at you? Smack the Speed button, slide under them as they drift lazily over your head, and get on with your day. It’s empowering stuff, in a way that yet another flashy gun or attachment for your robot dog couldn’t match. The Speed gear’s mate, the Power gear, is far less of a game-changer, simply boosting your damage output and tweaking your special weapons, but it does force you to balance a shared heat gauge to keep either of the pair from burning out. And if that feels too restrictive, there’s also a low-key upgrade system on hand to ease the pressure and keep a careful player in bullet time as often as not. The game’s later levels push even this upgraded slowdown ability to its limits, but it never takes the full plunge into masochistic demands for perfect, precise play.
Though Capcom owns the rights to all Mega Man games and has been responsible for the development of all of his console titles, it has in the past licensed the Mega Man character to other companies for PC releases. Mega Man and Mega Man III (with no relation to the NES games of the same name) were developed by the US-based Hi-Tech Expressions, the Mega Man game published on the Game Gear by Sega, and Rockman Strategy was developed and released exclusively in China by AcerTWP. Neither title has since been regarded by Capcom as an official Mega Man series game.
According to the in-game backstories, the world of Hyrule was created by the three golden goddesses: Din, Farore, and Nayru. Before departing, the goddesses left a sacred artifact called the Triforce, which could grant powers to the user. It physically manifests itself as three golden triangles in which each embodies one of the goddesses' virtues: Power, Courage, and Wisdom. However, because the Triforce has no will of its own and it could not judge between good and evil, it would grant any wish indiscriminately. Because of this, it was placed within an alternate world called the "Sacred Realm" or the "Golden Land" until one worthy of its power and has balanced virtues of Power, Wisdom, and Courage in their heart could obtain it, in its entirety. If a person is not of a balanced heart, the triforce part that the user mostly believes in will stay with that person and the remainder will seek out others. In order to master and control the triforce as a whole, the user must get the other parts found in other individuals and bring them together to reunite them. The Sacred Realm can itself be affected by the heart of those who enters it: those who are pure will make it a paradise, while those who are evil will transform it into a dark realm.